Saindhav

Seriously, what a downfall of Sailesh Kolanu From HIT: The First Case to Saindhav! Saindhav is a cliched movie with cliched characters, cliched treatment, and cliched storytelling in a cliched setup.

I remember coming out of HIT: The Second Case's premier show with bit of a disappointment. But, now in comparison with Saindhav, it seems like an absolute masterpiece.

I don't know why all these young directors make the same mistake of making these outdated scripts when working with the senior actors. I get it that these senior actors have large fan bases, etc., but, you need to understand that these large fan bases have brains too. They dont want outdated content especially when paying premium to get the tickets for the whole family and making an effort to move to the theatres.

I hope and wish Sailesh will comeback with an absolute gem like HIT Chapter 1.

"Saindhav," featuring Victory Venkatesh and directed by Sailesh, presents itself as an above-average cinematic experience. Venkatesh's performance adds a layer of depth to the film, elevating it from mediocrity. Sailesh's direction brings a fresh perspective, but the execution falls short of creating a truly exceptional movie.

One of the noticeable aspects is the lackluster music. The soundtrack fails to leave a lasting impression, lacking the memorable tunes that often accompany successful films. While the visuals and storytelling attempt to compensate for this, a more robust musical score could have added emotional resonance to key scenes.

Despite its shortcomings, "Saindhav" manages to find its footing as a decent film for the 2024 Sankranti season. The storyline, though not groundbreaking, weaves together elements that engage the audience. Venkatesh's portrayal of his character adds credibility to the narrative, making it a worthwhile watch for fans of the actor.

The film benefits from its timely release, tapping into the festive spirit of Sankranti. The cultural backdrop and festive atmosphere contribute to the overall appeal, providing a wholesome entertainment option for audiences during the holiday season.

In conclusion, "Saindhav" is a movie that falls into the above-average category, with Victory Venkatesh's commendable performance being a highlight. While the music may not leave a lasting impression, the film manages to hold its own, offering a decent cinematic experience, particularly suited for the 2024 Sankranti period.

Though the idea of Saindhav is good and has a lot of potential, the director couldn't come up with an interesting narrative. The screenplay is flat for the most part. The world-building isn't done well, and the first half an hour is slow and unexciting. Fights were too violent.

Saindhav has a bunch of great actors, but none of them make any impact due to the way their characterizations are written. Andrea Jeremiah, Shraddha Srinath, Ruhani Sharma, Jisshu Sengupta, Arya, Mukesh Rishi, and Jayaprakash deserved much better roles. There are logical errors in the story as well.

For any action film, the background score is very vital in enhancing the impact. Unfortunately, the background score provided by Santosh Narayanan is pretty bad and hardly adds any value to the film. In fact, the impact of neatly designed action blocks was brought down with the background score. In a few important moments, it was almost non-existent.

Disappointing experience with the movie "Saindhav." It seems like the film tried to emulate the style of "John Wick" with an Indian twist but fell short in several areas.

Direction and Execution: Despite the director Sailesh's previous success with "HIT," "Saindhav" didn't live up to expectations. The action-packed approach lacked the depth and storytelling that audiences appreciate.

Acting: Victory Venkatesh's performance seemed one-dimensional, with the same expressions throughout the movie, which detracted from the overall impact.

Storyline: The movie's pace was too fast, making it difficult for the audience to engage with the story. It seemed like the focus was more on action rather than developing a compelling narrative.

Positive Aspects: The appearance of Arya and the showcasing of luxury cars like Lamborghini, Mustang, and Bentley were some of the few highlights.

It's clear that a well-balanced movie needs more than just action sequences to be successful. Storytelling, character development, and emotional depth are crucial elements that resonate with the audience.

This movie feels like déjà vu with its overly simple storyline that brings nothing new to the table. We've definitely witnessed this plot somewhere before. The screenplay tries to be a trailblazer in Telugu cinema, but it's like trying to make a sandwich with just one slice of bread - not very satisfying. The first half-hour is a snoozefest, the last half-hour manages to redeem the film a bit, and the middle is just meh.

Venkatesh's character is like a well-cooked dish - written properly with a side of great looks and a dash of impressive performance.

Navazuddin as antagonist is the spice we needed; his performance is like a firecracker. Arya and Shradda are like those tasty appetizers you wish you had more of - limited screen space, but they deliver.

The child actor Baby Sara and the rest of the cast are like the supporting actors in a play - doing their job well without stealing the spotlight.

Cinematography and background score play nice, but the songs are like a bad karaoke night - better skipped. The action sequences are a rollercoaster of thrills, but it gets a tad too violent.

Sailesh's direction is a mixed bag - some scenes are like a chef's kiss, while others leave you wondering if they used salt.

Watching this in theaters might not be the best use of your time, but if you're patient, it could be an okay OTT watch.