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Un documentaire sur la regrettée Vivian Maier, une nounou dont la cachette jusqu'alors inconnue de 100 000 photographies lui a valu une réputation posthume comme l'une des photographes de ru... Tout lireUn documentaire sur la regrettée Vivian Maier, une nounou dont la cachette jusqu'alors inconnue de 100 000 photographies lui a valu une réputation posthume comme l'une des photographes de rue les plus accomplies.Un documentaire sur la regrettée Vivian Maier, une nounou dont la cachette jusqu'alors inconnue de 100 000 photographies lui a valu une réputation posthume comme l'une des photographes de rue les plus accomplies.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 12 victoires et 23 nominations au total
Vivian Maier
- Self
- (images d'archives)
Jeffrey 'Guffy' Levant
- Self - Interview Subject
- (as Jeffrey 'Duffy' Levant)
Avis à la une
John Maloof buys one lot of photo negatives at a local auction house for $380 in 2007. He's looking for old pictures of Chicago to put in a picture book. He purchases the rest of the negatives from the other buyers and finds out after goggling that she was actually just a nanny. Her works find recognition as Maloof starts displaying them. She was also a pack rat and he pieces together her life from all of material she saved up. She seems like an eccentric private person who took pictures all the time. She would even bring her young charges to the slums to take interesting photographs. He continues to dig into her life and finds some fascinating mysteries.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
Stories of posthumous success are always interesting. Rarely have they been on the scale of Vivian Maier, whose body of work proves that her perspective of the streets is not a fluke. The pictures are staggeringly good yet modest. She had a talent, if not one for printing and promotion. Elusive artists, ones who do it for their own satisfaction, are pretty fascinating. You think art should be one of those things that begs as much attention as possible. That was Vivian's enemy. Fortunately, or unfortunately for her, director John Maloof knows how to spread the word. Upon finding her photos and setting up galleries for them, he set out on a journey to find out more about her. He probes into all her facets. Her brilliance, her quirks, and her flaws. Perhaps Maloof shouldn't have had the gall to include himself, but he acts as an antithesis to Vivian. Almost an antagonist to her goal. It's a great dynamic that guides the film in a great way. Thoroughly entertaining, enlightening and engaging documentary with a beautiful score to boot. Finding Vivian Maier is easily of the best documentaries of the year.
8/10
8/10
A box is bought at auction and explored, turns out the last owner collected a large hoard, of film and negatives, you start to build a narrative, for your curiosity, you receive a great reward. The picture that develops is profound, the images you've captured just astound, the story that it tells, puts you right under its spell, as more canisters (amongst other things) appear, it's quite profound.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
I saw Finding Vivian Maier last night and thought that the movie was very interesting and riveting. I've been following the story of Vivian Maier's photography ever since the story first appeared on PBS-WTTW, Chicago. At first pass, the story was lacking in general information about her, but the many 1950s/1960s street photos of Chicago (mostly) and New York City were wonderful. The photos, I think it's fair to say, took the international photo art world by storm.
After she died, the bulk of her photos and negatives were bought by John Maloof, a co-director of the movie. Vivian Maier's personal and photographic story, along with John Maloof's story relative to purchasing the photos and fleshing out information on Ms Maier are the subject of the movie and the two interwoven stories are most interesting.
Interviews of those that knew her or her work are in the movie, many of her photos are shown, as are shows of her photos.
I, like the previous reviewer, would like to see the movie again. If it comes out in CD or similar form, I'd be a buyer.
After she died, the bulk of her photos and negatives were bought by John Maloof, a co-director of the movie. Vivian Maier's personal and photographic story, along with John Maloof's story relative to purchasing the photos and fleshing out information on Ms Maier are the subject of the movie and the two interwoven stories are most interesting.
Interviews of those that knew her or her work are in the movie, many of her photos are shown, as are shows of her photos.
I, like the previous reviewer, would like to see the movie again. If it comes out in CD or similar form, I'd be a buyer.
10rxfore
This documentary is one of a kind. The story of an eccentric, possible mentally ill mystery woman and her prolific photographic work. If the move was just about her art, it would be extraordinary, as her work was. The story of her bizarre and secret life just enhance the film. For a first time effort from John Maloof, this one is very well done. The film starts with those who knew her, openly expressing their amazement to her unknown and mysterious life as a street photographer, filled with the images she kept a secret from everyone. You wonder how someone with her talent could keep it a secret for so long. Maloof plays a significant role in front of the camera as it is necessary for him to tell the story. When it is over, you are still left with a sense of disappointment. You know more about this mystery woman, yet you still crave for more..............And, the images still haunt you. This is one movie I will see numerous times.
The showing I attended had Jeff Garlin participate in a Q & A. It was entertaining as he detailed the process and effort Maloof put in to make this gem of a documentary.
The added bonus was my friends brother was in the film. Very exciting.
Please see this film if you can. Please see the photography of Vivian Maier if you can.
The showing I attended had Jeff Garlin participate in a Q & A. It was entertaining as he detailed the process and effort Maloof put in to make this gem of a documentary.
The added bonus was my friends brother was in the film. Very exciting.
Please see this film if you can. Please see the photography of Vivian Maier if you can.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Finding Vivian Maier
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 514 782 $US
- Week-end de sortie aux États-Unis et au Canada
- 63 600 $US
- 30 mars 2014
- Montant brut mondial
- 2 385 956 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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