NOTE IMDb
7,0/10
11 k
MA NOTE
Pour défendre les innocents contre un policier corrompu et brutal, un héros justicier doit contourner le code d'honneur qu'il s'est imposé.Pour défendre les innocents contre un policier corrompu et brutal, un héros justicier doit contourner le code d'honneur qu'il s'est imposé.Pour défendre les innocents contre un policier corrompu et brutal, un héros justicier doit contourner le code d'honneur qu'il s'est imposé.
- Récompenses
- 3 nominations au total
Avinashvarma
- Employe
- (générique uniquement)
Avis à la une
Overboiled, Overcooked and Overdone Vigilante fare! My IMDb rating 6.5/10
'Saripodhaa Sanivaaram' (2024) is Nani Garu's second collaboration with director Vivek Athreya Garu after 'Ante Sundaraniki' (2022).
'Ante Sundariniki' was a nice rom-com but failed commercially. This must have prompted the duo to go for a mass masala entertainer this time.
Some actors draw you to theaters just with their screen presence. Nani Garu is one such actor. You just want to watch him do his thing!
Right from the film's announcement to its promotions and release, Nani Garu created an interest for the film thro' out its journey and managed to sustain the euphoria for it.
'Saripodhaa Sanivaaram' starts of well but the film loses its voice and steam immediately after the break. It meanders and meanders to a dreary, routine, outdated and clichéd climax reminiscent of vigilante films of 1980s, 1990s! The 2nd half really tests your patience.
The film's lengthy run-time of 2hr 54 min makes it a painful watch! For a Nani Garu's film this run-time is unacceptable!
What were they thinking?
PLUSES: Concept of channelizing Hero's anger on a saturday (just once per week) and thus turning him into a vigilante is a good point.
Catchy film title. Piques your interest.
Nani, S. J. Suryah and Sai Kumar Garu Jakes Bejoy Garu's Background Score.
Fight sequences.
Cinematography and Editing are okay.
MINUSES: Routine vigilante story, preachy.
Convoluted screenplay, drag.
Needless sister sentiment.
Redundant fights.
Murali Sharma Garu is a miscast.
Lengthy run-time.
Audience will disconnect in the 2nd half.
Nani mania is real! So even though this film is pretty average, it will do well in South India and overseas both in theaters and OTT.
But, i dont think the Hindi version will do well in the Hindi-belt. It's gonna die in theaters! It might do well on OTT hopefully.
'Saripodhaa Sanivaaram' (2024) is Nani Garu's second collaboration with director Vivek Athreya Garu after 'Ante Sundaraniki' (2022).
'Ante Sundariniki' was a nice rom-com but failed commercially. This must have prompted the duo to go for a mass masala entertainer this time.
Some actors draw you to theaters just with their screen presence. Nani Garu is one such actor. You just want to watch him do his thing!
Right from the film's announcement to its promotions and release, Nani Garu created an interest for the film thro' out its journey and managed to sustain the euphoria for it.
'Saripodhaa Sanivaaram' starts of well but the film loses its voice and steam immediately after the break. It meanders and meanders to a dreary, routine, outdated and clichéd climax reminiscent of vigilante films of 1980s, 1990s! The 2nd half really tests your patience.
The film's lengthy run-time of 2hr 54 min makes it a painful watch! For a Nani Garu's film this run-time is unacceptable!
What were they thinking?
PLUSES: Concept of channelizing Hero's anger on a saturday (just once per week) and thus turning him into a vigilante is a good point.
Catchy film title. Piques your interest.
Nani, S. J. Suryah and Sai Kumar Garu Jakes Bejoy Garu's Background Score.
Fight sequences.
Cinematography and Editing are okay.
MINUSES: Routine vigilante story, preachy.
Convoluted screenplay, drag.
Needless sister sentiment.
Redundant fights.
Murali Sharma Garu is a miscast.
Lengthy run-time.
Audience will disconnect in the 2nd half.
Nani mania is real! So even though this film is pretty average, it will do well in South India and overseas both in theaters and OTT.
But, i dont think the Hindi version will do well in the Hindi-belt. It's gonna die in theaters! It might do well on OTT hopefully.
The Movie is Commercially Superb. Vivek Athreya Has Done A Great Job As Director. Screenplay is Good. Jakes BGM Elevates Each And Every Scene. Nani Is As Usual Wonderful Performer. Priyanka Mohan Has Done Her Job Right. SJ Suryah's Performance Is Just Amazing. He Steals The Whole Show. Complete Screenplay is Well Balanced. Interval Scene Is Just A Fire 🔥. Nani And SJSuryah Face of Creates Goosebumps. Storyline is Simple But Executed Very Well. Everybody in The Movie Have Done Their Job Right. Nani as Mass Hero Looks Good. Overall The Movie is A Complete Treat For Commercial Movie Lovers and Nani Fans.
Positives:
Story: Vivek Athreya's visionary screenplay, a breath of fresh air in Indian cinema, deserves immense praise. The film's captivating narrative introduces a unique superhero concept that initially captivates the audience.
Cinematography: The visually stunning cinematography, with its impressive camera work, smoky mass entries, and high-quality visuals, creates a visually engaging experience.
Acting: The powerhouse performances from the talented cast are beyond reproach. Their acting skills shine through, elevating the film.
Dialogues: The film's witty and impactful one-liners are a highlight, adding a touch of mass appeal.
Areas for Improvement:
Direction: While the script was solid, the film's pacing suffered due to excessive filler scenes, particularly in the second half, which veered into predictable mass cinema territory.
Promotional Material: It's puzzling why certain elements shown in the posters and promotional material were absent from the final cut, despite the film's lengthy runtime.
Music: Although Jake Bejoy's background score was a strong asset, its random placement and overuse occasionally diluted its impact.
Story: Vivek Athreya's visionary screenplay, a breath of fresh air in Indian cinema, deserves immense praise. The film's captivating narrative introduces a unique superhero concept that initially captivates the audience.
Cinematography: The visually stunning cinematography, with its impressive camera work, smoky mass entries, and high-quality visuals, creates a visually engaging experience.
Acting: The powerhouse performances from the talented cast are beyond reproach. Their acting skills shine through, elevating the film.
Dialogues: The film's witty and impactful one-liners are a highlight, adding a touch of mass appeal.
Areas for Improvement:
Direction: While the script was solid, the film's pacing suffered due to excessive filler scenes, particularly in the second half, which veered into predictable mass cinema territory.
Promotional Material: It's puzzling why certain elements shown in the posters and promotional material were absent from the final cut, despite the film's lengthy runtime.
Music: Although Jake Bejoy's background score was a strong asset, its random placement and overuse occasionally diluted its impact.
What happens if the writers put no effort but all others do a terrific job ! Well its this movie . The background score , the direction , stellar cast and their amazing performances , the initial proceedings , the character development , heroine and her charm , everything adds to plus in this movie . Nani did a routine job of a hero who loves heroine , beats the villain and ends the movie . But the director's brilliance gives the whole movie a new look . I thought heroine was a miscast because she literally does no acting , but I'm glad to be disappointed . She did well in her space and her charm like always adds beauty to the movie . Now coming to the villain, S J Suryah played a phenomenal role as a villain dominating all the others so much that for the most part I felt some god has come down to act . Wherever the film is about to become dull , Jakes Bejoy covers it up with his background score . Overall, this is a well-made commercial film and worth watching with family .
First and foremost it's a straightforward HERO SAVING THE DAY story, with a little twist, even the screenplay too, predictable, but it keeps you engaged and entertained, most important thing for a commercial movie. Heroism, elevations, fights, emotions, recalls, meta references, all landed well.
For Nani, more than acting wise, it's his screen presence as a mass hero that stands out, SJ Suryah pulled off such roles in the past with ease and this is nothing new, terrific, rest all did their parts.
Technically nothing to complain, fights could have been better, BGM by Jake's Bejoy is superb and elevates the movie to a different level Coming to Vivek Athreya, looks like he wanted to tap the commercial director inside him and scored well, screenplay could have been better, something he's really good, writing felt at many places, especially the second half.
For Nani, more than acting wise, it's his screen presence as a mass hero that stands out, SJ Suryah pulled off such roles in the past with ease and this is nothing new, terrific, rest all did their parts.
Technically nothing to complain, fights could have been better, BGM by Jake's Bejoy is superb and elevates the movie to a different level Coming to Vivek Athreya, looks like he wanted to tap the commercial director inside him and scored well, screenplay could have been better, something he's really good, writing felt at many places, especially the second half.
Icons Only: Nani
Icons Only: Nani
As Saripodhaa Sanivaaram hits the theaters, Nani shares the challenges faced on set in the new episode of IMDb’s Icons Only.
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Détails
Box-office
- Montant brut mondial
- 370 407 $US
- Durée
- 2h 46min(166 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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