NOTE IMDb
8,3/10
2 k
MA NOTE
Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.Bagus, un scénariste, retrouve son amie de lycée et béguin, Hana, qui pleure encore la perte de son mari. Il veut la convaincre de retomber amoureuse, comme dans les films.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 14 nominations au total
Denisa Chyntiera Innocentia
- Line Producer
- (as Denissa Cynthiara Innocentia)
Avis à la une
Not usually a huge fan when it comes to films about making films. Even less a fan of gimmicks in films. But they are used so masterfully here that I couldn't resist finding them endearing and even appealing.
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
I absolutely adored the parts where Bagus would say what he wanted done in the film, then it would be done. "Imagine in black and white." Abracadabra! Done. Even more amazing when Cheline did it late in the film, "What about racing drones?" Done! "Then the audience would be confused as we scale the building, then it would rush down to chase us from behind, then swing over to a front angle!" Check, check, check! "How about we movers behind her, to show the change?" Voila!
Most of the comedy was obvious, which made it all the more ingenious to leave the Cheline Dion one completely deadpan delivery every time.
Maybe I'm weak to have fallen for the cheap gimmicks and romantic comedy tropes. So be it!
At first i was like getting some bored because of the slow pace of the movie (i dont really like slow pace movies). But slowly i getting really interested about the characters development in this movie.
Instead of giving the audience some melodrama or ordinary romance movies out there, this movie really gives new expirience of watching rom-com movie.. and not to mention the black and white concept, it was really brilliant.
I really recommend this movie for all ages, because this movie just mixed our emotions and feelings, and also a great great shout out to Yandy Lauren for making this movie.
I can't wait to see your next extraordinary movies.
Instead of giving the audience some melodrama or ordinary romance movies out there, this movie really gives new expirience of watching rom-com movie.. and not to mention the black and white concept, it was really brilliant.
I really recommend this movie for all ages, because this movie just mixed our emotions and feelings, and also a great great shout out to Yandy Lauren for making this movie.
I can't wait to see your next extraordinary movies.
An excellent Indonesian film in meticulously combining a cheesy melodrama romance movie with a more artistic film. They bring both a popcorn-eating-couch movie and a film shown in award shows, by making the plot quite simple for general audiences to grasp, but also presenting cinematic techniques for critics to enjoy. This combination is prominent in how they add explanations of technical things in the dialogues. Which is also another amazing thing they succeed in, making exposition enjoyable.
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Although the slow tempo might be off putting for some people, they still managed to make the audiences hooked with the natural dialogues and acting. Furthermore, they put many references to the real life, thus adding comedies by breaking the fourth wall. Indonesian audiences would understand the references, however, international audiences need to do research to understand them. Perhaps they didn't think about this film reaching the international audiences.
Bottom line is this film is splendid, very light and visually pleasing film. I highly recommend it!
Such a wonderful film! I am a fan of meta films, and this is a prime example of how it is done. This film perfectly blurs the line between cinema and reality. The protagonist claims that this is a commercial movie, and not an art film. I will remain respectful to his opinion, and add that this is still a work of art.
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
It is difficult to make a rom-com and not fall in the potholes of genre cliches. This film handles those issues perfectly with its meta elements while not overdoing the self-awareness trope, a problem with many such works. The movie manages to do this expertly by presenting the story through its sequences. And every sequence feels like an individual chapter of the story which just works so well.
The film also handles its characters maturely. The emotions are as strong as they need to be, and never unintentionally melodramatic. The writing is definitely its strength. The screenplay is what glues it all together. But the direction, cinematography, and the editing deserves a lot of praise too. These technical aspects are displayed at its best during the chase scene which is my favourite scene in the film.
Maybe the only criticism I have for this movie is that it does start to feel a bit monotonous in the middle (sequences 4 and 5). The First Climax sequence could have been better. But the movie picks up once again with that chase scene.
As Cheline said during that scene, this film is "a cinematic experience".
This is a masterpiece that exceeded all my expectations. The cinematography is absolutely stunning, with each frame beautifully composed and capturing the mood perfectly. The dialogue feels genuine and heartfelt, resonating deeply with the characters' emotions and experiences. The unique concept brings a refreshing take on romance, blending just the right amount of realism with a touch of fantasy that keeps the story engaging from beginning to end.
The actors deliver powerful performances that make the characters feel real and relatable, adding an emotional depth that elevates the entire experience. The director has crafted a beautiful journey that speaks to anyone who's ever dreamed of a love that feels cinematic yet grounded in truth. This film is not only visually impressive but also emotionally impactful. It's rare to find a romantic film that's so well-rounded and thoughtful. Truly, Jatuh Cinta Seperti di Film-Film is a gem in contemporary cinema, and I'm still in awe of its brilliance. I can't recommend it highly enough.
The actors deliver powerful performances that make the characters feel real and relatable, adding an emotional depth that elevates the entire experience. The director has crafted a beautiful journey that speaks to anyone who's ever dreamed of a love that feels cinematic yet grounded in truth. This film is not only visually impressive but also emotionally impactful. It's rare to find a romantic film that's so well-rounded and thoughtful. Truly, Jatuh Cinta Seperti di Film-Film is a gem in contemporary cinema, and I'm still in awe of its brilliance. I can't recommend it highly enough.
Le saviez-vous
- AnecdotesThe Black & White nature of the movie is NOT a gimmick, but rather a plot device.
- Crédits fousBefore film begins, there is a brief trailer for Agak Laen (2024).
- ConnexionsReferences Slumdog Millionaire (2008)
- Bandes originalesBercinta Lewat Kata
Performed by Donne Maula
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Jatuh Cinta Seperti di Film-Film
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Falling in Love Like in Movies (2023) officially released in India in English?
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