WPC 56

It's an excellent series, one that went out on BBC1 in the afternoons, presumably many missed it, I certainly did, and that's a shame. The same sort of vibe as Father Brown, we certainly have the smart Detective and the Sid character, but there is a lot more to this than just light entertainment.

It does a good job of presenting stories with attitudes prevalent at the time, so expect sexist and homophobic attitudes, made at a time when The BBC wasn't afraid to show these attitudes, not just pretend they didn't exist.

Very nicely made, look out for terrific clothes, sets and cars, in particular a sublime red and white Consul in series two's finale.

The series struggled to retain its cast members, changes were rife, but they always managed to get it spot on. Jennie Jacques is great, the standout for me is Charles De'Ath, the guy is superb as Fenton.

A shame it ended after three series, it's great though, 8/10.

The series is about Gina Dawson's, who is one of the first WPCs(Woman Police Constable), life as female police officer at precinct where dominated by male in West Midlands. Naturally She faces some difficulties as a woman because time is 1950s and it is the peak of the sexism and also awaking of the male protest. WPC 56's genre contains both drama and comedy and also beauty of the Jennie Jacques. There is an aspect, a thing thing that I can distinguish WPC 56 than other TV series. İt is not about the story telling or acting performance. Even I do like the both of them, there is an original shade in TV series. Both TV series focuses the female police officer's life and her life that is made difficult by her family, colleagues and dominant culture ideology of her community at that years, WPC 56 shows us and it take us an journey that how conditions of woman in business are in first. Also it offers us a compression about woman in the field that dominated by male between past and present. Consequently it is a great series to witness an era and discover how the woman rights and woman in business life comes far from past to present. I hope that there are more TV shows like WPC 56. I like that kind of series that there is real cause to makes it. So I rate it 8/10 because it deserves that. Acting, storytelling, scenario and reflection of an era when tells struggle of women are very fascinating.

Right off the bat, the show's premise presents several creative venues to pursue. You have a woman officer in a male dominant profession, allowing premise for critique of workplace sexism, assault, gender discrimination, and oppression. You can also tie with racial and socioeconomic issues and create a golden show.

This is where the first season starts, showing a lot of promise. But it quickly turns to cliches of personal relationships for the women officer. It is sad to see such a good premise being wasted in form of a one-dimensional character who is defined by her love life and the men in her life. The second season onward, this show is no different from any other gender-normative writing. I wish the writers rethink why they wanted to make the show in the first place. Personal lives are interesting, but it shouldn't define the character alone. Her ambitions, passions, inner struggles all could be explored, but weren't. Perhaps get more women writers and producers.

Jennie Jacques portrays all the ambitions, fears & acceptances of young women in 1956 England. I let myself go when watching the case solving, but I forget the plot when the camera is focused on her. I literally have to shake my head at times to follow the story.

I really like the scenes where she's not on camera. But from the first 5 minutes of episode one, she's the portrayed character I want to see next.

Not her fault, but Jennie Jacques' eyes are too magnetic. That said, the little known supporting cast are drawn from the deep well of British acting talent. This was Britain in 1956.

That I found Jennie Jacques' beauty distracting should not deter others from giving this a first viewing. She did what the writers & director dictated, & her performance is worthy of high praise.

I mark this down because of formulaic writing, but I mark it up because of the ensemble performances.

This is series worthy of watching.

The beautiful Jennie Jacques plays the lead role of WPC Gina Dawson. Although the series revolves around her there are many intelligently woven threads in the plot that give all the other players a good chunk of airtime, too. None of them disappoint, either. Things wind up nicely after five episodes but there's still a little wriggle room for another series and I, for one, hope that their is.

After all the time and trouble that the producers, cast and crew went to, to get this right I'm surprised that this was aired just after lunch during the week where probably not many people got the chance to see it. That was an extremely irresponsible decision by the faceless suits at the beeb who think they know something about television.

The story is well paced and intelligently laid out. The details, language and props were first rate and appropriate. The cast, photography and script were also all top notch. This is intelligent television drama... something the Americans are becoming good at and which we Brits have rather lost our way on.

Much, much better than that dreadful garbage, Prime suspect.