Luke Fitzwilliam se retrouve sur la piste d'un tueur en série après avoir rencontré Miss Pinkerton dans un train pour Londres. Fitzwilliam doit maintenant trouver le tueur avant que d'autres... Tout lireLuke Fitzwilliam se retrouve sur la piste d'un tueur en série après avoir rencontré Miss Pinkerton dans un train pour Londres. Fitzwilliam doit maintenant trouver le tueur avant que d'autres sangs ne soient versés.Luke Fitzwilliam se retrouve sur la piste d'un tueur en série après avoir rencontré Miss Pinkerton dans un train pour Londres. Fitzwilliam doit maintenant trouver le tueur avant que d'autres sangs ne soient versés.
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Well, the scenery and locations didn't disappoint. They're absolutely gorgeous (filmed in Scotland I believe).
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
Agatha Christie stories are pretty rote so the bar isn't too high, but this two-parter didn't manage to clear it.
The body count was really too high for Our Hero (Luke Fitzwilliam) to sink his teeth into any one murder and frankly while he did ID the killer in the end ... he was one step behind the whole way, unlike say Miss Marple.
About the casting and the plot line:
I was very distracted by the fact that David Jonsson's left eye is much smaller than his right. There are many many closeups of his face where this affected my ability to focus on the plot.
Apparently in order to justify casting a Black actor in the lead role, they gave him a back story as being from a rich Nigerian family and coming to London to work in a diplomatic post as an attache to some British muckymuck. He speaks with a posh accent and there is almost no relevance to his African background in terms of the plot.
We get some stereotypical racist comments about "mud huts" from the local high and mighty lord of the manor, but almost everybody else in the film basically just accepts him and appears virtually color-blind. In 1954 rural England? I dunno about that.
Also, he's not given much to do, other than to wander around snooping, and then give a knowing smile in almost every scene.
The dialogue he was given to say didn't help at all.
I couldn't help feeling, this would have been a much better production if they'd just stuck with a snoopy old maid like Miss Marple as the detective.
Agatha Christie wrote many dozens of murder mysteries, some famously ingenious; but either 'Murder is Easy' was a dud, or this adapatation is badly screwed up. People start dying in a small English village, but everyone still alive is remarkably unperturbed and several seem not to care if they're suspected to be the killer. Eventually, the real culprit is unearthed, and explains exactly how they've done it, although our amateur detective hero has identified the villain without in fact piecing any of it together for themselves. I've seen Christie adaptations that were fun, preposterous, or anachronistic; but none as anemic as this.
Whilst travelling to London on a train, Luke William encounters pensioner Lavinia Pinkerton, who explains that a killer is at large in her village of Wychwood, only the locals believe the deaths are all accidents, if nobody thinks it's murder, murder is Easy.
After the likes of And then there were none, ABC Murders and Witness for The Prosecution, Christie at Christmas is back.
Well publicised, I'd been looking forward to it, I don't think it's a brilliant adaptation, but it's a good one, it's a great story, one of my favourite Agatha Christie page turners, definitely one of these more bloodthirsty texts, there are plenty of murders.
The main talking point seems to be the casting of David Jonsson, several people seemed to be upset by the change, for me, he was the best thing about this production, he's excellent throughout.
Sinead Matthews, Tom Riley, Douglas Henshall, lots of talent to enjoy.
Very nicely produced, it looks great, those scenes of London looked amazing, some wonderful costumes.
Dear BBC, can we please have more next Christmas?
7/10.
After the likes of And then there were none, ABC Murders and Witness for The Prosecution, Christie at Christmas is back.
Well publicised, I'd been looking forward to it, I don't think it's a brilliant adaptation, but it's a good one, it's a great story, one of my favourite Agatha Christie page turners, definitely one of these more bloodthirsty texts, there are plenty of murders.
The main talking point seems to be the casting of David Jonsson, several people seemed to be upset by the change, for me, he was the best thing about this production, he's excellent throughout.
Sinead Matthews, Tom Riley, Douglas Henshall, lots of talent to enjoy.
Very nicely produced, it looks great, those scenes of London looked amazing, some wonderful costumes.
Dear BBC, can we please have more next Christmas?
7/10.
My wife and I were really looking forward to this, it should have been right up our street as we live this sorry of things, but it was very disappointing. Just felt very tedious, disjointed and a bit of a chore to watch. Good cast and basis of a good story but it really, really dragged.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
Maybe it was the script that was the problem, and having. Also we found the excessive colours jarring, almost cartoonish. Some of the characters were just caricatures and the "reveal" felt forced. A real opportunity missed as it probably cost a lot to make. The romance felt unconvincing and some very good actors came across like they were in panto. Not recommended.
I confess to being a lover of Agatha Christie. Having read every book and seen every ITV Poirot and all renditions of Miss Marple.
I found the beginning of this plot really gripping thanks to Miss Pinkerton aaand was looking forward to how things developed. I did not like the decision to introduce a black Nigerian character with the odd confusing vision on top of an already busy plot. I also found the pletherer of well known actors playing characature roles distracting.
The bright colours had my eyes straining and desperately reaching for the contrast adjustment on my remote.
The plot was plodding but at least it was so confusing it took me a while to work out which of the books I was watching. I realised in enough time to recall who did it and why.
I found the acting wooden throughout but to be fair it reflected the stuffy English class system of the period. The setting, costumes and cars was excellent.
I felt Fitzwilliams character out of place yet deserving of an entirely different production.
Without giving the plot away this is one of Christies more disturbing plots with a cold blooded murderer who really does find Murder is Easy witb weight added being based on more than a little truth to there being some people, such as Dr Shipman, who hide among us capable of such awful deeds. .
I found the beginning of this plot really gripping thanks to Miss Pinkerton aaand was looking forward to how things developed. I did not like the decision to introduce a black Nigerian character with the odd confusing vision on top of an already busy plot. I also found the pletherer of well known actors playing characature roles distracting.
The bright colours had my eyes straining and desperately reaching for the contrast adjustment on my remote.
The plot was plodding but at least it was so confusing it took me a while to work out which of the books I was watching. I realised in enough time to recall who did it and why.
I found the acting wooden throughout but to be fair it reflected the stuffy English class system of the period. The setting, costumes and cars was excellent.
I felt Fitzwilliams character out of place yet deserving of an entirely different production.
Without giving the plot away this is one of Christies more disturbing plots with a cold blooded murderer who really does find Murder is Easy witb weight added being based on more than a little truth to there being some people, such as Dr Shipman, who hide among us capable of such awful deeds. .
Le saviez-vous
- AnecdotesLuke Obiako Fitzwilliam's character is based on the 1939 book's Luke Fitzwilliam -- a role that has been played by Bill Bixby in the 1982 TV movie, Peter Capaldi in the 1993 London stage version, and Benedict Cumberbatch in the 2009 TV version alongside an additional amateur detective, Julia McKenzie's Miss Marple.
- GaffesWhen the lead character is pushing through the group to get to the character killed in the street, the lady in the orange hat gets hit twice in the head with his umbrella, firstly from behind then to the front which you can clearly see her flinch.
- ConnexionsVersion of Un meurtre est-il facile? (1982)
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- Durée1 heure 57 minutes
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What is the Canadian French language plot outline for Un meurtre est-il si facile ? (2023)?
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