Anthologie qui mélange l'humour noir avec des genres comme les crimes, l'horreur et les drames. Le spectacle invite les téléspectateurs dans des No.9 très différents, où l'ordinaire et le mo... Tout lireAnthologie qui mélange l'humour noir avec des genres comme les crimes, l'horreur et les drames. Le spectacle invite les téléspectateurs dans des No.9 très différents, où l'ordinaire et le mondain côtoient l'extraordinaire et macabre.Anthologie qui mélange l'humour noir avec des genres comme les crimes, l'horreur et les drames. Le spectacle invite les téléspectateurs dans des No.9 très différents, où l'ordinaire et le mondain côtoient l'extraordinaire et macabre.
- Victoire aux 3 BAFTA Awards
- 14 victoires et 22 nominations au total
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When asked if the Voyager space probe should carry an audio recording of J. S. Bach's music, Carl Sagan (or possibly Freeman Dyson) supposedly replied: "That would just be showing off." If we assume aliens have any concept of dark humour and visual storytelling, the same could be said about this series.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
The first three episodes are absolute masterpieces of their respective (quite different) styles, which is even more impressive when you realise they were all written and directed by the same people.
Episode 4 is probably the weakest of the first series, but episode 5 is fairly solid and the finale goes back to near perfection, manipulating the audience's assumptions to deliver a surprise even after we've learned to expect it.
The second series can't quite live up to the first. There are a few stylistic highlights (especially the 2nd and 4th episodes) and a few laughs (especially in episode 3), but the plots are more disjointed, the twists more predictable, the direction blander, the endings less satisfying. Even the order of the episodes somehow feels "wrong". It's still better than 99% of what's on TV, and definitely worth watching, but it won't humiliate alien film-makers as thoroughly as the previous season.
Absolutely, one of the best shows I've seen in years. The only show that has good twists that neither my girlfriend nor I ever see coming. Amazing dark British humor at its best. Needs to expand its fan base into the US and Canada even more. Put it on BBC America and/or one of the streaming services. Some of my favorite episodes are: 12 Days Of Christine, A Quiet Night In, Tom & Gerri, The Harrowing, The Trial Of Elizabeth Gadge, La Couchette. Hopefully, the show has many more seasons to come. I can say for sure that this is one of the few programs that truly leaves me shocked. At the end of many episodes, I am left staring at the screen, with my mouth agape. I really cannot get enough of this brilliant show! More people need to become as obsessed with this show as I have become!
I have always found everything Steve Pemberton and Reece Sheersmith have written and performed in together total mesmerising. Their stories are highly original and imaginative. All their characters are thoroughly amusing, sometimes poignant and usually down right odd! I love stories with a twist, and so far the tales in this series have not disappointed, they get you thinking and are full of anticipation, Steve and Reece, please keep writing together! I loved The League of Gentlemen and Psychoville and this is well on par with that. They appear to be influenced by the horror genre and their individual episodes are reminiscent of The Twiighlight Zone only more sophisticated. Their acting is so convincing and they can easily portray all the crazy characters without going over the top. Supported by some well known faces, it is interesting to see the interaction between the actors. In my eyes these guys can do no wrong! Can't fault the series so far!
While I'm not a "League of Gentlemen" fan; I loved Reece's performance in "A Field in England." Therefore I was prepared to give "No 9." a go. This series has an impressive line up of guest stars from Katherine Parkinson to Tamsin Greig. Each episode is a mini-play set in a different location. I especially liked the creepy mansion in the final one. The stories contain twists, humour & horror. Only one of them ("The Last Gasp") disappointed me. The make-up and costumes for Reece & Steve are great. "Sardines" has a terrific end to hook viewers in. "A Quiet Night In" is full of surprises. "Tom & Gerri", my favourite, is a compelling moral tale. "The Understudy" examines the price of success. "The Harrowing" is traditional horror with a scene stealing role for Reece. I look forward to a second series.
As a Yank I've always admired The Brits ability to mold a great tv series. But Inside No. 9 is off the charts. Great scripting and even greater acting. A classic.
Le saviez-vous
- AnecdotesSteve Pemberton stated in an interview (Mail February 25, 2017) that the only link between the stories is a small statue of a hare that he and Shearsmith place in each set.
- ConnexionsFeatured in 50 Years of BBC2 Comedy (2014)
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