Love Rat

We started watching this because at first it looked interesting.

Steadily it descends to the level of 'El Dorado' (if you remember that) mixed with a particularly bad 'mills and boon' novel.

The acting is largely appalling and the characters wooden cardboard caricatures.

The plot holes are so many and varied you could drive a car through them.

The series generally has all the authenticity of a painted on sun tan.

But, it's saving grace, is it is so bad, it becomes comical. We ended up having to watch it to the end just to see the terrible acting and absurd script to the bitter laughable end.

Like others I have questioned - how did this get made ? It beggars belief

2/10 and that 2 is for comedy.

Totally unconvincing acting and storyline despite having some good actors in it. That is about all that needs to be said. Each episode seemed to become worse than the previous one There are no redeeming features about this series except that we only have to endure three episodes. The lead character, Sally Lindsay, lurches from one disaster to another. The crooks in Cyprus are weakly and poorly acted. The ex husband is a total loser and a waste of space, he is pathetic. The only one with any redeeming features is the police woman. I would not recommend this to anyone and I wish I had not wasted my time watching it. There is no real suspense.

Whoever wrote this pile of garbage needs to go back to Comprehensive School and complete her CSEs. How on earth could such established actors could allow themselves to be dragged in to such an implausible plot, banal script and amateur dramatics direction. There were more holes in the plot than in Blackburn, Lancashire. The " clever twists" were not clever and were ridiculously predictable. Most importantly, how could Channel 5 be stupid enough to present it? I can only assume that the scriptwriter was the author's mother who is married to the commissioning editor. If it's so easy to get on screen I'm going to submit all my novels.

Channel 5 are throwing money at original drama productions and I suppose that's to be encouraged but once you've watched this you might reconsider.

Despite the premise of Love Rat being 'Men bad women daft' we gave it a go on my5 (ten years licence free this year thank you) with the intention of binge watching the series. It became clear early on that we wouldn't be doing that. The pacing was unrealistically fast C5 got four episodes out of this (more than enough) but Netflix would have got ten. The dialogue was awful and so unnatural its only purpose was to justify the next bit. None of the cast were good enough to save this. Amateur is the best way to describe it.

Love Rate quickly became a comedy for us and that continued part way into the second episode. We'd worked out the ending before Emma left for Cyprus while unpacking her kitchen boxes in the dark. The ridiculousness beat the humour and we decided to end it so we missed out on e3 and went for e4, the big finale. The suspense. We were right not to expect much. It was a chore to watch and every time we thought it couldn't get any worse, it did.

Despite its unintentional qualities Love Rat was about the worst show I remember watching. Channel 5 is rightly at the bottom of the pile in terms of quality TV but the overall quality of UK TV is on the slide and we find ourselves watching foreign language shows on Walter Presents on catch up on 4. The French, Germans and Italians are all producing TV that is far better.

Let's keep my review as simple as I can by keeping to the following pointers .. Very.wooden acting- totally implausible plot with so many holes in it like managing to hire a car in seconds. Nobody recognises the hotel owner! Sally Lindsey knows how to load a gun. Her Daughter manages to book a flight and arrive in record time. I could go on and on and what amazes me is how it makes the screen at all by managing to get past producers , cameramen and even the actors who surely must have some input by recognising the poor script or holes in the plot . Even the extras in it were thin on the ground .