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Je m'appelle Loh Kiwan

Titre original : Ro Gi Wan
  • 2024
  • TV-MA
  • 2h 11min
NOTE IMDb
6,7/10
4,5 k
MA NOTE
Je m'appelle Loh Kiwan (2024)
After defecting from North Korea, Loh Kiwan struggles to obtain refugee status in Belgium, where he encounters a dejected woman who has lost all hope.
Lire trailer1:35
2 Videos
29 photos
DramaRomance

Après avoir quitté la Corée du Nord, Loh Kiwan peine à obtenir le statut de réfugié en Belgique, où il rencontre une femme qui a perdu tout espoir.Après avoir quitté la Corée du Nord, Loh Kiwan peine à obtenir le statut de réfugié en Belgique, où il rencontre une femme qui a perdu tout espoir.Après avoir quitté la Corée du Nord, Loh Kiwan peine à obtenir le statut de réfugié en Belgique, où il rencontre une femme qui a perdu tout espoir.

  • Réalisation
    • Kim Hee Jin
  • Scénario
    • Hae Ji Cho
    • Kim Hee Jin
  • Casting principal
    • Song Joong-ki
    • Kaan Abdullah
    • June Angela
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    4,5 k
    MA NOTE
    • Réalisation
      • Kim Hee Jin
    • Scénario
      • Hae Ji Cho
      • Kim Hee Jin
    • Casting principal
      • Song Joong-ki
      • Kaan Abdullah
      • June Angela
    • 27avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos2

    Official Trailer
    Trailer 1:35
    Official Trailer
    Official Teaser
    Trailer 1:23
    Official Teaser
    Official Teaser
    Trailer 1:23
    Official Teaser

    Photos29

    Voir l'affiche
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    + 22
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    Rôles principaux26

    Modifier
    Song Joong-ki
    Song Joong-ki
    • Ro Gi-wan
    Kaan Abdullah
    Kaan Abdullah
    • VIP Gambler
    June Angela
    June Angela
    • Ri Ok Hui
    Frédéric Clou
    • Manager Meatpacking
    Csongor Csík
    • Junkie 1
    David Gutema
    • Work Man
    Jo Han-chul
    Jo Han-chul
    • Yoon Seong
    Seo Hyun-woo
    Seo Hyun-woo
    • Eun Cheol
    Lee Il-hwa
    Lee Il-hwa
    • Jeong-joo
    Andrew Lee
    Andrew Lee
    • Cyril
    • (English version)
    • (voix)
    Selmeci Lili
    • Refugee Center Receptionist
    Panka Murányi
    • Hostel Employee
    • (as Panka Muranyi)
    Sandro Nicolini
    • Police Officer
    Zoltán Palotai
    • Junkie 2
    Nagy Péter János
    Nagy Péter János
    • Hostel man
    Lee Sang-hee
    Lee Sang-hee
    • Seon Joo
    Matt Silverman
    • Gerd
    Kembe Sorel
    • Police 2
    • Réalisation
      • Kim Hee Jin
    • Scénario
      • Hae Ji Cho
      • Kim Hee Jin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    6,74.4K
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    10

    Avis à la une

    10justepic-02214

    Emotionally moving, incredible characters, GREAT writing

    This came out of nowhere and genuinely became one of the best movies I've ever seen. I didn't expect it to be this good. By the end of the movie I was almost crying. The very first thing I noticed that got me hooked right from the begining was how easy it is to empathize with and root for the main character. You feel the harrowing journey he's going through, and his incredible resilience. The writing and character arcs are brilliant. There are things that happen between characters that are built up in such a way where you start to fall in love with them as it's happening. Everything feels earned and the romance is incredibly strong by the time it gets there. These actors have AMAZING chemistry and are perfect in their roles. Lots of great performances and I even liked the villainous French guy who had a very strong and commanding presence on screen. I'd love to see more of these actors!
    5xykatexy

    Forced sentimentality over a story that does not need it

    The story behind this movie has so much potential- it's already a set of heartbreaking circumstances. Yet, it feels like the sentimentality is forced, especially in the last section of the movie.

    The acting performances are quite good, though the dialogue is many times lackluster. Especially the scenes where Marie says goodbye to her father and Kiwan the dialogues are on the extra level of lackluster. These scenes are supposed to make you cry- but they don't. The actors do what they can when they can, but they shine in scenes where they don't speak much.

    Some parts of the story are told through the dialogue as well, but the way they are told is just really flat. I cannot help but believe the scenario writing could have been so much better.

    This movie in its entirety, based off of story alone, is supposed to make you sob- but it doesn't. Still, the story itself and the acting performances save the movie, so it's watchable and decent.
    5albatoolalawishaikh

    Started string as depressing slice of life Korean flick, but ended as a fanfic cringy forced romance.

    To clear an conceptions out of the way, the acting was rather perfect.

    The movie started really strong and the things that Kiwan went through was super intriguing. I was invested and in the edge of my seat for loh kiwans in the first half of the movie.

    Then, the girl's story came with its all sub-plots and forced drama. The gun gangs was weird and unnecessary. The love story was misguided and yeah Tragic romance is not my thing specially with this level of emo fanfic subplots?!! The drug scenes was a second hand embarrassment.

    I CRINGED FROM THE VERY EXPECTED ENGING.

    Ps: he was an ass hole with that factory lady and super forgiving with the female protagonist , it was irritating to watch.

    "The amount of mid movies I watched for SJK should be studied"
    5divemabini

    I call it the "Leaving Las Vegas" Syndrome...

    ... And that's NOT meant to be a good thing.

    LLV is close to 30 years old now, and it spawned (or popularized) the whole depressive, bleak, love story genre. Unfortunately, for many of us (me included), we don't want to waste 2+ hours of our lives watching a slog fest of one bad event, one poor choice, one chance encounter after another. The world has changed. A lot of folks are stuck in situations similar to this. We don't need movies to show us. We could watch the news. We watch movies to escape reality, not be subjected to a fictionalized version of day-to-day news reals.

    This genre is (or should be) dead. You'll feel no better, informed, entertained, etc. After sitting through it.

    Other gripes: The typical "leg-up" events that occur during the story that are needed to keep you watching. They make no sense and are out of place. This culminates in a "happy ending" which is so obviously Scotch-taped, tacked-on at the end, that you feel you got from Point A to Point Z without ever travelling through B thru Y.

    Additionally, the lead love interest is so un-fleshed out, you have a hard time believing she goes from self-destructive druggie to reliable upstart, friend, and lover. Just another example of the jarring transitions in character, setting, situation, all of which aren't developed...they just...happen, and make this hard to watch with any interest.

    To the folks that profess this is a "character development study". What character development are you speaking of? The random changes in mood, motivation, and behaviors? That ISN'T character development. That's lazy writing.
    Lee_SJK

    Must watch movie for everyone. EMOTIONAL, EVOCATIVE and POIGNANTE

    My name is Loh. Kiwan is an emotional rollercoaster that promises to take you on a thrill-filled journey of Loh Kiwan and Marie. Movie rotates smoothly from sadness to action, romance, Melodrama and beyond realism. The plot is well-paced, with the main characters developing progressively. Even though the changing timeline, it is never confusing and keeps the you (Watchers) entertained. Every one character's actions are legitimate and dependable. The Loh Kiwan movie carries a wide range of all genres that can be really liked by anyone (watchers). The cast of each characters truly symbolize their specific roles, delivering how the characters feel to life. Loh Kiwan triggers an indication on other cinematic brilliant works of the Korean film industry.

    --> Outstanding Soundtrack, top quality Cinematography (Loh Kiwan Close-up shots, Belgium long shots 👌🏻) Visually amazing; the film displays beautiful atmospheres that reflect each character's existential experience.

    --> Song Joong-ki's physical appearance conversion, and emotionally charged makeover are certainly the film's standout paths. His physical appearance is the centerpiece that allows ourselves to emotionally. Engage with the story in a deeper way. He again shown the versatility of his acting with this movie.

    --> Ki-wan's transformation from at risk to strength is prominent, while Marie's struggles with addictions and issues with her family throw depth to her character. Their on-screen chemistry surpasses geographical. Boundaries, and narrates overwhelming feeling of mutual suffering and redemption that connects with watchers.

    Strong Points
    • Acting.


    • Stunning Cinematography.


    • Soundtrack.


    • Direction and Story telling.


    • Best adaptation, skillful writing.


    • Perfect balance melodrama and realism of story.


    DIRECTION - WRITTING

    Director Kim Hee-jin utilised cast perfectly within the small look big story, i really appreciate her work of Loh Kiwan. Although it's an adaptation the movie writer brilliantly delivered the script with heart touching lines. Loh Kiwan standout with unique mix of traditional story telling with amazing scenes that make you enjoy and emotional feel in every moment. Magnificent performances by supporting characters.

    Finally:- South Korean Film makers never fail to deliver a movie from Intense battles to emotional tales, and western entertainment media appreciate Korean Film Makers as " South Korea is a goldmine of original ideas and storytelling talents ". And we can saw it from Loh Kiwan.

    Definitely one of the most memorable films I've seen. This movie may inspire, sometimes horrify, or send you into an existential crisis, but it will make you think about something new by the time you finish it. Despite its dark underlying themes, the film ultimately delivers an appealing message of hope and endurance, leaving viewers with a sense of satisfaction and emotional ride.

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    Histoire

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    • Anecdotes
      Directorial debut of Kim Hee Jin.

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    FAQ15

    • How long is My Name Is Loh Kiwan?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 mars 2024 (France)
    • Pays d’origine
      • Corée du Sud
    • Sites officiels
      • hancinema
      • netflix
    • Langues
      • Coréen
      • Français
      • Anglais
      • Mandarin
    • Aussi connu sous le nom de
      • My Name Is Loh Kiwan
    • Lieux de tournage
      • Hongrie
    • Sociétés de production
      • CJ ENM Studios
      • Netflix Studios
      • Yong Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      2 heures 11 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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