Voleur piégé dans un SUV par un médecin vengeur. Il doit survivre à ses tortures psychologiques pour s'échapper. Justice personnelle et vengeance s'affrontent.Voleur piégé dans un SUV par un médecin vengeur. Il doit survivre à ses tortures psychologiques pour s'échapper. Justice personnelle et vengeance s'affrontent.Voleur piégé dans un SUV par un médecin vengeur. Il doit survivre à ses tortures psychologiques pour s'échapper. Justice personnelle et vengeance s'affrontent.
- Réalisation
- Scénario
- Casting principal
Ricardo Pequenino
- Street Drummer
- (as Ricardo Pequinino)
Sofia Tesema
- Sadie (Lipstick Woman)
- (as Sofia Tes)
Gabrielle Walsh
- Amy
- (voix)
Avis à la une
Anthony Hopkins must be in financial trouble to have taken on this major disappointment and waste of time. Even the free version of Copilot in Bing could've come up with a better plot and far better dialog.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
Totally boring, implausible and pointless. Another disappointing flop featuring Skarsgård. It's not tense so much as just tedious. The back and forth moralizing of the protagonist and his captor seems like a stale attempt at courting the public discontent. The protagonist's complaint that laws serve to only protect the rich elicited a real groan from me. Fortunately this evaporates quickly, and never returns. However there's else here to captivate. All of the characters are ugly, and unlikeable. Save yourself the time and watch the 2000s classic 'Phone Booth' instead, which is much more thrilling.
I got back from the theaters a few mins ago
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
A film about being trapped in a car? Ironically fitting, because watching Locked feels exactly like that-stuck, suffocating, and desperate for an escape.
Bill Skarsgård does his best with a script that insists on making him both a victim and an idiot, while Anthony Hopkins delivers lines with the air of a man who signed on for a better movie. What is he doing in this mediocrity of a film is honestly beyond me. The tension fizzles out early, leaving a predictable, boring, and frankly annoying ride to nowhere.
If you're after a claustrophobic thriller, watch Buried instead. At least that film knows how to keep you gasping for air.
Bill Skarsgård does his best with a script that insists on making him both a victim and an idiot, while Anthony Hopkins delivers lines with the air of a man who signed on for a better movie. What is he doing in this mediocrity of a film is honestly beyond me. The tension fizzles out early, leaving a predictable, boring, and frankly annoying ride to nowhere.
If you're after a claustrophobic thriller, watch Buried instead. At least that film knows how to keep you gasping for air.
I was able to catch a sneak peek of this movie and I must say it was better than I expected! The suspenseful buildup with Hopkins' character and Skarsgard's character! It was definitely intense! I didn't expect it to end that way, but glad it did! Bravo to the legend Anthony Hopkins and great job to Bill Skarsgard! The games and trickery were pretty on point! The unknowing of how they can keep the audience engaged with a man locked in a car deserves props! Hopkins will always be Hannibal Lecter to me so I was glad to see him in a role like this. Can't forget Sam Raimi either as his movies always stick to me even after I'm done watching them!
Le saviez-vous
- AnecdotesThe starring vehicle in Locked is a "Dolus," a custom-built Land Rover Defender-based SUV. It was purpose-built for the film and heavily modified from the Defender platform.
It was designed and built especially for the film and is now on display at Volo Museum. The hero vehicle used in the movie is part of the museum's permanent collection.
It is a one-of-a-kind vehicle with a full custom body design, intricate interior details, and unique finishing touches. The design includes a bespoke exterior, luxury leather interior, detailed trim work, and striking visual elements.
Three "Dolus" vehicles were created: a modular interior rig for camera work, a fully finished hero car for close-up and exterior shots, and a dedicated stunt car for the most intense driving sequences (the stunt car was destroyed during production).
They were built at a staggering cost of 1.3 million USD (2023) This figure accounts for the design, fabrication, and customization of all three vehicles.
- GaffesIn the beginning Eddie argues with the mechanic that the alternator for his van is a "$400 part". On average, for his van, an alternator would cost about $120.
- Bandes originalesDrive Off: Tchaikovsky Piano Concerto 1
Written by Pyotr Ilyich Tchaikovsky
Performed by Tim Williams (as Timothy Williams) and The Budapest Scoring Orchestra
Published by Something for the Beach House Publishing (ASCAP)
Courtesy of Beach House Music, Inc.
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- How long is Locked?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Locked
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 1 632 758 $US
- Week-end de sortie aux États-Unis et au Canada
- 924 054 $US
- 23 mars 2025
- Montant brut mondial
- 4 113 341 $US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 2.76 : 1
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