Marked Men

I can't believe this movie is directed by Nick Cassavetes, the legend that directed mastepieces like Alpha dog and The Notebook.

Then i've checked who wrote the script..the same person that wrote the lame scripts of After 3 and 4.

I have to be honest, the script is flat it has no big substance that's why the characters are weak, definitely not actor's fault (even if Inanna again with that meangirl attitude...please move on).

It is not a drama, not a romance so i'mo wondering what it is. The story don't flow well as should like there's no plot to follow and we jump from one thing to the other. I do not feel the family dynamics and i don't feel any development of the characters.

The themes in the book should be taken more seriously and I'm giving a 6 only because of the third part of the movie.

A praise to the one in charge of costumes.

I didn't read the books but it caught my attention that it was directed by Nick Cassavetes with a history of really good movies and his masterpiece of a love story such as "The Notebook", so I gave it a try. The story seemed it was intended to the teenage audience with traumas haunting them, insecurities, on and off relationships on which on of the partners serves as a therapist that only can take so much until the other side realizes they were wrong and try to mend things and get back together to live happily ever after. The project is filled with beautiful people that made me forget the lack of talent of some.

It actually would have been super funny if the main male character was called Mark ... anyway and no pun intended ... this is based on a book (or series of books I suppose ... can you tell I have not read them?) ... I reckon if you liked the book you may find something in here that I was not able to discover ... on the other hand, I would like to imagine (again no pun intended), that the book is less cliched.

All that said, if you criticize action movies and thrillers and what not for being predictable ... well I have a (love) story to sell to you ... no literally just the one (trick pony) thing ... I don't blame the actors and as you can see from my rating I don't even feel that this is the worst movie ever (by a stretch and then some) ... but apart from being predictable, it also can be quite annoying at times. And while a movie does not have to be ... well sexual, I do wonder how the rating was given based on this being ... too sexual? Must have missed something - still if you were not raised in a church or strict in general, nothing here will make you blush ... so do not expect too much from that department.

Some things happen too easy ... others are way too complicated ... mark my words ... (also why men? I mean I get that there are more than just our main guy ... the others do not really play too much of a role though ... again no pun intended ... and a shame when it comes to Alexander Ludwig ... but you can see and enjoy him in many other things)

This has always been one of my favorite books, and I'd been eagerly waiting for years for it to be turned into a movie. Unfortunately, the adaptation was a huge disappointment. Within just the first three minutes, I was already frustrated. The book's storyline was near perfect, and if I were the author, I'd feel completely betrayed by how they twisted and ruined it for the screen. I understand that adaptations don't always follow the source material exactly, but after this experience, I wouldn't bother watching any more adaptations of thesd books. I paused the movie so many times to text my friends about all the changes, and they all shared my frustration.

I suppose it's my own fault but when I saw this I thought it might be a gangster thriller. Nope, it's about the on-off relationship between tattoo artist "Rule" (Chase Stokes) and his friend "Shaw" (Sydney Taylor). She used to date his brother "Remy" but we quickly learn that he was involved in a car accident with his brother and so now we have our requisite dose of family baggage to explain why "Rule" is a bit of a commitment-phobe. Meantime, she is supposed to be dating millionaire drip "Gabe" (Michael Bradway) to keep her rather wealthy but venal mother sweet, but in the end it's her bit of rough that she really craves. Can they sort things out and get past his fear of being called her boyfriend? There's the odd bit of sensitively photographed sex and it does pay slight homage to the artistry of some creative tattooists but for the most part it's a weakly constructed romantic will they/won't they drama that didn't really engage me at all. There is plenty of eye-candy on offer, including from the sparingly used, wooden as a picket fence, Alexander Ludwig as his elder brother "Rome" and Ella Balinska tries to inject a little bit of life into things as her best pal "Ayden" but neither Stokes nor Taylor do anything like enough with the, admittedly pedestrian, script or the story to bring this to life. Quite how it got a general release in the UK is, as Yul Brynner might have said, "a puzzlement ". It looks good and there are a few power ballads to help it along, but it's really just a mediocre television movie, sorry.