Here

Romanian builder "Stefan" (Stefan Gota) is quite adept at making soup! With his holidays looming he is clearing out his fridge and hoping to get his ageing jalopy fixed so he can travel. He is also a bit of an insomniac and wanders the streets at night exploring and cutting a rather lonely figure appearing to have few friends. That is until he is walking along a country path and encounters a lady (Liyo Gong) examining the mosses that grow freely. They have met before - in her aunt's Chinese restaurant, briefly, amidst a thunderstorm and he is intrigued with her scientific endeavours. She explains to him what she is doing and why, informing him that mosses were the first plants ever to grow on the Earth. The next few hours see him diverted from his mission to go collect his car, and for the two to share their afternoon together. Might anything come of it? Well, that's not really the point. Instead, this seems to be a gentle reminder of how much easier, especially when empowered by the power of his vegetable soup, it is for people to engage with easy other or friendly and curious terms. It's a momentary observation of not just human existence, but it also showcases the beauty of nature as it exists amidst our man-made concrete and brick environment. The rain also seems to serve an almost allegorical purpose, wiping the slate clean for another episode in his solitary yet open-minded and friendly life. It is a strangely compelling film to watch. There's no beginning, or end - just a middle, and the two actors deliver plausibly imbuing a certain not easily definable chemistry.

An altruistic film. The cinematography is gorgeous. The composition is genius. With all the greenery scenes it's a refreshing look. A pallet cleanser.

Simply two average humans wandering around in their city with deep thoughts and no judgments as they scrutinize their day to day with questions about what is life. They stopped often to smell the roses to be present in the moment.

The pace is a slow burn on purpose. In order for this fim to be effective your heart rate needs to be relaxed. Almost as if you are in a meditative state. This film is an immersive art piece. It captures you and you use all your five senses. It reminds you that you are here.

This is one of the few films I have seen that shows more than plot and action. That is what humans, as we build our cities, seek because we are bored, frightened, and need to survive. But underlying all this activity is the quiet and organized intelligence of nature and the universe that most people will never see or acknowledge.

A cruder mind might find this film as dull as watching moss grow. But the spectacular in life is often not even noticed. We just need to get things done and move onto the next thing. For example, Stephan's, the main character's sister keeps saying she doesn't have time for a longer visit with him, even though he is leaving the country (Belgium) and may not return.

When one of his friends tells of a near death experience in which all the people who touched his soul surrounded him, Stephan saw something that redeems this life from just being a round of chores, sleeping, and eating.

When Stephan is introduced to the overlooked splendor of the huge variety of mosses that most people trample underfoot, he also experiences a light coming on in his life that gives it beauty.

It takes courage to go beyond rom-coms, action flicks, and political statements to produce a light that shines on the perfection of life right here.

The melting pot that is present day Europe should be an inspiration for more uplifting stories about the things that bind us as people. I would be hard pressed to find examples for this, the focus, both in the news and in cinema, being foremost on tension and conflict. It makes sense, conflict drives storytelling and keeps us engaged. Yet, here we are, in the world of Bas Devos, where human connection springs eternal from the most unexpected of sources.

This is a conflict-less story. Or, rather, a story that's not really about the conflict. My namesake Stefan, a Romanian construction worker living in Belgium, is about to travel back home, but needs to get his car fixed before leaving. He also needs to clear his fridge, so makes a big pot of soup out of whatever he finds.

This haphazardly concocted soup then proves a wonderous lubricant of the human spirit, it opens doors in a Balkanic tradition, but also forges moments of connection and intimacy, the way sharing food so often does. Per chance, in pre-departure to and fros, Stefan meets Shuxiu, a Belgian-Chinese woman who works on her doctorate about mosses, while also helping out one of her relatives who runs a small restaurant. It's the unlikeliest of connections, but perfectly in the spirit that Here inhabits.

At just 82 minutes, the movie is strikingly short. Especially if you get into its mood, it will lull you before you even realize it's ending. We are so used to our urban jungles, that nature takes on ever more mystical qualities. In the world of Here, nature provides, in all its delicate simplicity. Stefan Gota and Liyo Gong play their understated parts in this symphony and we feel immediately drawn to them, to join them. We are traveling back to the roots of our quintessential sense of connection, in an almost idealistic form of said conflict-less world. But it's not really a world without conflict, rather one where it has temporarily ceased and made room for tenderness.

Here is a moment in time, the proverbial here and now, which is the most blissful place to exist in. It's mischievously elusive, of course, but Bas Devos somehow manages to capture its essence in this movie, that has all the chances of growing on you and showing you true North. 8.

Attended this at the Gothenburg Film Festival and the still-life-inspired cinematography separates the chaff from the wheat in the first 30 minutes. After that it gets very interesting the more you get to know the 2 characters without even getting to know them that much at all. The experimental camera work is a chef's kiss with it's symbolic frames when the characters are alone versus together. A lot of the cinematography reminds me of Edward Hopper's art and the more the story unfolds it's adorable to follow the characters. It gets nerdy on a really wholesome level and such absolute gem to see.