Here

Saw this at the 2023 filmfestival in Ghant (Belgium). A minimal story about two people in Brussels, living their separate lives, meeting each other by accident a few times, and find a connection for some reason or other. No sex, nor any other intimate contact.

When the movie ends, they do not even know each other names, but still there is some bond. We see it grow gradually, mixed with images of Brussels' city nature that also gets its fair share of attention.

Seeing this movie had an unexpected side effect on me. When at home I started making soup from all sorts of remaining vegetables I had lying around, inspired by Stefan who had to clear his fridge before going back to his country. In Dutch, we call this madiwodo soup (does not translate, but is typically made by cafeterias at work on a Friday, out of remaining ingredients from the previous Mon/Tue/Wed/Thursday, or motuweth for short, not a pronounceable acronym).

Notwithstanding that the story went nowhere interesting, the lead actors and the way it is pictured was remarkably compelling. I'm not sure how the filmmakers do it, but it works even for a nerd like me who doesn't do feelings nor atmosphere.

The thing I love most about Bas Devos is his approach to allowing me to experience his films in a meditative state and how he just let you chill out and really feel what's going on with the characters. It's all so natural, like you're just experiencing daily life alongside them. His latest, "Here," kinda reminds me of his earlier film "Ghost Tropic" with its themes offering a more tender exploration of human connection and isolation.

This 16mm tender embrace, a visual poem of moss, invites us into the bittersweet lives of two strangers in Brussels. A chance encounter brings Stefan and Shuxiu together but parting ways is inevitable. Devos masterfully juxtaposes their inner worlds with the beauty of the natural world, creating a poignant contrast for this simplistic story. Th ending is a thoughtful choice, avoiding the need for both characters to engage in extended dialogue or monologues. And the ending? It's just perfect. No big speeches needed, Shuxiu's reaction says it all and just speaks volumes.

And it's not just about the great outdoors; there's also that quiet feeling of being indoors, meandering reflection on the transience of life. In the calm stillness of "Here," even simple things like a train's reflection or the rain-pelted window, so profound, especially with the way it's framed. It just creates this amazing sense of intimacy.

Ultimately, "Here" is one of those films that just makes you want to slow down, notice the little beautiful things, and find a bit of comfort in all those fleeting moments we experience. It's a real gem.

Romanian builder "Stefan" (Stefan Gota) is quite adept at making soup! With his holidays looming he is clearing out his fridge and hoping to get his ageing jalopy fixed so he can travel. He is also a bit of an insomniac and wanders the streets at night exploring and cutting a rather lonely figure appearing to have few friends. That is until he is walking along a country path and encounters a lady (Liyo Gong) examining the mosses that grow freely. They have met before - in her aunt's Chinese restaurant, briefly, amidst a thunderstorm and he is intrigued with her scientific endeavours. She explains to him what she is doing and why, informing him that mosses were the first plants ever to grow on the Earth. The next few hours see him diverted from his mission to go collect his car, and for the two to share their afternoon together. Might anything come of it? Well, that's not really the point. Instead, this seems to be a gentle reminder of how much easier, especially when empowered by the power of his vegetable soup, it is for people to engage with easy other or friendly and curious terms. It's a momentary observation of not just human existence, but it also showcases the beauty of nature as it exists amidst our man-made concrete and brick environment. The rain also seems to serve an almost allegorical purpose, wiping the slate clean for another episode in his solitary yet open-minded and friendly life. It is a strangely compelling film to watch. There's no beginning, or end - just a middle, and the two actors deliver plausibly imbuing a certain not easily definable chemistry.

"Here" is an interesting film from Belgium that underscores the difference between US and European films in their style. It won the Best Film award and the FIPRESCI Prize at the 2023 Berlin film festival in the Encounters section. It is based on its director Bas Devos' screenplay adapted from a 1988 essay written by the late US science fiction writer Ursula K Le Guin entitled 'The Carrier Bag Theory of Fiction.'

While essentially the film is a tale of love that gently grows between two persons in Brussels--a Romanian construction worker and a Belgian-Chinese doctoral-student bryologist (a scientist who studies mosses)--the film educates the viewer in science while telescoping moss as a metaphor on organic processes that rarely gain attention in the world today. To an astute viewer, "Here" offers more value than "Poor Things," another 2023 film adaptation of a sci-fi literary source. It is amusing to note the original literary work's title includes the words 'carrier bag' while the construction worker is often with a carry bag containing vessels of soup that he has cooked to give away to folks close to him.

Attended this at the Gothenburg Film Festival and the still-life-inspired cinematography separates the chaff from the wheat in the first 30 minutes. After that it gets very interesting the more you get to know the 2 characters without even getting to know them that much at all. The experimental camera work is a chef's kiss with it's symbolic frames when the characters are alone versus together. A lot of the cinematography reminds me of Edward Hopper's art and the more the story unfolds it's adorable to follow the characters. It gets nerdy on a really wholesome level and such absolute gem to see.