The Beginning

Characters' behavior, as well as interactions between characters, things characters do and say, in most cases, are not exposition for audience, and instead are what they would do or say, fitting their place in the world, scale of knowledge, skill, situational awareness, as well as ideologies, agendas, goals, motivations, ideals, and plans..

With characters written genuine such as this, it is naive to believe everything they say, let alone accept the same as certain confirmations for past events, or clear signs of events to come, or yet to be revealed, for which cases clues, hints, and pieces of plot were provided, revealing things not what things may seem to be..

Overall continuation of exceptional visual storytelling, and a great finale for the season.

A lot of people would argue that we're living in a Golden Age for video game adaptations, and with the releases of "The Last of Us" and now "Fallout," one could argue that they were right. It's only a few years ago that a new video game adaptation was doomed from the start, but they've proved that a lot can be achieved through solid storytelling. This final episode rounds out a season-long arc and sets the stage for exciting things to happen in the future, and it's one of the more exciting finales that I've seen in a while, because of some insanely fun writing.

In this post-apocalyptic world, it's great to see that the writers are taking such a personal angle to the bigger picture. The episode's big twist could have easily been effective on the merits of what it means, but because of the personal connections between these characters, it takes the big scale of everything and turns it into an intimate discovery of treachery and betrayal that has big impacts on these characters, especially Lucy McLean, who has gone through a huge character journey throughout this show and is spun in a direction that will surely make for an interesting dynamic in future seasons. And the personal angle is featured in all the individual storylines that come to an exciting climax in this episode, but despite some characters ending their arcs in triumph, the episode has a constant somber tone throughout. It's a deliberate choice for sure, and it works wonders, because there's a lot of unfinished business to attend to before this world can have a happy future. The adaptation here has gone beyond a simple adaptation of the games, and have used the intricacies of an incredible world to form their own story and it certainly shows that there's a medium for everything, because as a show, this has the opportunity to do so much. It was a delight following it, but seeing where the finale ended up and how it sets the stage for the future, it's a show that I will definitely have to keep up with when it returns, hopefully very soon.

"The Beginning" certainly feels like the beginning of a new chapter that will jump off of what this episode gave us, which was pretty perfect. The personal angle makes it all work, and despite the fun of the big scales and the action sequences, it's the characters and their struggles that keep us coming back.

The amount of hype and expectations I had for this show was close to zero. Then, when I learned Johnathan Nolan was attached, I grew some faith. But almost nothing could have convinced me this was not going to be another Rings of Power debacle... or Paramount Halo debacle.

I have never been happier to be wrong in my life!

Fallout in a word is phenomenal! It is without a doubt an all-around amazing TV show. As a huge fan of the games and having fond memories of coming home from school every day to boot up my Xbox to play Fallout 3 or Fallout New Vegas, I am extremely satisfied.

This show is just d*mn near perfection, and I do not use that word lightly. Everything in this show is Fallout! The tone, the atmosphere, the story, and its characters. It is all faithful to the source material.

The whole show just made me feel like I was playing Fallout. How everything progressed, how reveals came to light, how Lucy played fantastically by Ella Purnell reminded me of the first time I played Fallout. As a gamer, there is just so much to love here!

The story is great, the writing is great, the performances are great, the music is great. Everything is fantastically well made!

From the sights and sounds to the radroaches, 10 mm pistol, stimpacks, radaway, and its quirky charm, this is without a doubt the best video game adaptation I have seen in my life!

Words alone can not describe the sheer happiness and joy this show has brought me. Then that ending teasing the great possibilities to come... well, let's just say I screamed! There were absolutely no shortage of fan boy moments.

If there was ever a reason to subscribe to Prime, well look no further because Fallout is that reason! If this quality maintains, then I am extremely excited for the future of this show.

Now, if you'll execuse me, it's time to boot up the ol 360 the Mojave wasteland awaits... and well war... war never changes!

IMDb: 10/10 Letterboxd: 5/5

Watched on Prime Video in 4k Dolby Vision.

If you come to "Fallout," as I did, not knowing the games, you might want to Google the backstory. Otherwise you're sure to be puzzled.

The first scene of the show occurs in the year 2077, however, the furniture, clothing, hair styles and electronics are totally1950s era. The only thing out of place is a fleeting glance at a robot. It says to the lady of the house: "Ready to be of service, madam."

The explanation? We are viewing an American /Earth alternate universe. Apparently the fear of nuclear war, which gripped our America after WW2, was so extreme that it's stunted this America's social & technological growth. In many ways, leaving America style-stuck in the fifties.

The stunted technological growth has prevented the invention of the transistor and circuit boards. That's why radios, TVs and such are all still dependent on Tube Technology.

And so it seems, from the building fear of Nuclear war in the 1950's, up to the first scene of this show, in 2077, America's industry have focused their efforts on building elaborate life-sustaining vaults. These are designed to house Americans underground. Thus keeping an elite segment of the population safe from nuclear war FALLOUT.

That is a clever premise indeed. Making this dystopian universe unlike most others. Frankly I had grown a bit tired of shows exploring apocalyptic and dystopian worlds. Especially the ones which are midnight-dark and depressing. Happily, that's not the case with Fallout. While some scenes are genuinely terrifying, there are more than enough scenes which treat us to intelligent and logically placed comedy.

Another factor which lightens the brooding atmosphere is the (song) music which is appropriate to the action and interspersed throughout each episode. Mostly vocal selections from the 40s and 50s.

The incidental music is composed by Game of Thrones genius Ramin Djawadi. It's excellent. And if you normally skip the end titles, don't. The graphics are different for each ending and they are accompanied by beautuful Djawadi compositions.

While Fallout may not be the greatest science fiction episodic series, it's among the best. It's original enough not to be hackneyed. The acting is solid, the CGI is excellent, the scripts are good and this all provides for some terrific sci-fi entertainment.

After finishing this first season of Fallout, I was struck by how many parallels one could draw to Jonathan Nolan's similar hot TV property Westworld. Western-esque setting, gunslinger-like compelling character, themes of corporate greed/malfeasance, etc. The biggest difference between Fallout and Westworld? Whereas the latter was always dark and super-serious, the former is (for better or worse depending on personal taste) much more fun and accessible to a wider audience.

For a very basic overview, S1 of Fallout introduces us to the Vaults--where survivors of a future nuclear holocaust bide their time until the Earth's surface is livable. Lucy MacLean (Ella Parnell) and brother Norm (Moises Arias) are the primary focus--stirred to action when father Hank (Kyle MacLachlan) is kidnapped right out from under them. When Lucy resolves to journey to the surface on a rescue mission, she is introduced to all manner of oddities--largely through interactions with The Ghoul (Walton Goggins), a creature somehow alive through the nuclear fallout about whom we get flashbacks to help explain what caused the bomb to be dropped in the first place. Meanwhile, Maximus (Aaron Moten) is a member of the Brotherhood of Steel--a military-like organization that gives surface-dwellers purpose and goals--but also mistreatment and cruelty. When his path also intersects with Lucy's, he must make a choice of which direction to follow.

Though based on a popular series of video games, I had no previous experience playing those--so I cannot comment on anything in that realm but to say that the series can still be enjoyed with zero knowledge of the games.

What is likely to hit viewers right away when beginning Fallout is the tone of the endeavor. It is filled with black humor, sight gags, and snappy dialogue. Such an approach may or may not be for you. The good news? Either way, the content moves fast enough that I don't think anyone will be too turned off by the lighter, more comedic stylings. Generally-speaking, if you don't like something here it isn't a problem because the characters are onto a new scenario pretty quickly.

Thematically, Fallout has a lot of interesting things to say about corporate culture and its intrusion upon society (to say more would venture into major spoiler territory). Again, akin to Westworld--just in different ways. In typical fashion, it takes until the end of the season's final episodes to truly contextualize what is going on, but overall it not only ties the mysteries up nicely but also dangles some very intriguing morsels for a confirmed second season.

Not to be lost in the discussion is the visual/auditory spectacle of the series--a Nolan linchpin. From the camera shots to the tech to the absorbing musical montages, there's never a lack of sensory stimulation here!

Overall, I settled on a solid 8/10 ranking for Fallout's inaugural slate. Were it not for a couple of late-season episodes I felt to be more at 7/10 caliber, it could have fairly easily garnered a 9/10. This season is highly dependent upon The Ghoul's (and thus Goggins') charisma and backstory, so when that takes a back seat things can wane just a bit. But I enjoyed watching the concepts and characters play out and will definitely be returning to see what season two has in store.