New World

A highly gripping portrait of Korean crime syndicate, New World is arguably the best mob film to come out from South Korea since Kim Jee-woon's A Bittersweet Life & is an ingeniously structured, stylishly filmed, firmly composed & violently told cinema that shares a similar thematic structure with Francis Ford Coppola's The Godfather. Opening with a bloodied face of a person being tortured as he is suspected of being the mole in the gang, this crime-drama sets the tone for what's to come & as the film progresses, becomes more & more engrossing until it all culminates on a rousing high with an expertly executed finale.

The plot covers the conflicts between the police & the mob through the eyes of an undercover cop who has worked his way up over the past 8 years to become the right hand man of the second-in-command for the throne of Goldmoon; the biggest crime syndicate in Korea. When its leader is killed in a car accident, the crime ring is thrown into a succession struggle of which both the police & the mob wants to make the most of and which in the end comes down to our undercover cop, who must finally make a choice that'll decide the fate of this crime organization.

Outstanding well written & directed by Park Hoon-jung who does a superb job in shaping the story & even better at illustrating it on the screen, skilfully photographed too with fine use of close-ups & camera angles, tightly edited as the film flies through its 134 minutes of runtime, spectacularly scored with music making its way in or out of scenes at the right moments & strongly performed by its stellar cast, New World works because of a combination of many things it does right & is one of the best films of last year plus one of the most impressive mob films in a long time. Do not miss it.

Maybe it's a little excessive to give this movie a 10/10 rating, but GOD it is so amazing.

1. Fantastic cast of top-notch Korean actors who DELIVER it hot n' ready in under 30 minutes.

2. Cinematography, excellent.

3. Script, wow. Never a line delivered that I cringed at how corny it was, which I find tends to happen more often for me watching a foreign film. Unlike so many American films, there's real character development and the story may be filled with some of the best actions scenes and Korea mafia tension you'd expect, but the greatest moments are the intimacies between the characters in the film. You think you're getting an action flick, but it is so much more.

I cannot recommend this movie more than I already have, I saw this almost by accident and went in with little to no expectations of quality or anything of the like. I really went because I recognize the actor from Oldboy, who is in his own right amazing in every role I've seen him in.

I am surprised that more people (especially my friends from South Korea) haven't reviewed this excellent movie so far. Perhaps they know of better Korean cinema to view and review!! I for one am from India (settled in the US) and big fan of Korean films, which were introduced to me by a Korean friend of mine during my graduate school days here in the US. Anyhow, this is the only Korean movie I could lay my hands on in a theater close to me (I generally see Korean movies on Netflix or home video). Perhaps it is my excitement of having watched a Korean movie in a movie theater after so long which has me biased in favor of this film. But I think not, as the rating right now on IMDb is 7.7/10. Anyways, here goes.

This is an amazing movie. Like the only other reviewer here has said, it mixes elements of "The Godfather" with "The Departed". It also reminded me of a Hindi art house movie which is not so well known (unfortunately) called "Droh Kaal" (1994 by director Govind Nihalani). Park Hoon-Jung being an accomplished writer (I loved his "I saw the devil"), does craft an original and engaging story. Violence is heavy handed when it is depicted and makes you cringe, but I don't mind that personally. I loved the costumes (every gangster in the movie wears designer suits which should be the envy of Wall Street executives). In fact, its the law enforcement officials who are comparatively shabbily dressed. The feel and atmosphere is subtly captured by cinematographer Chung Chung-hoon. I love his camera work, which was only recently at display in "Stoker" (by Park chan-wook), which I saw the day it was out. It was also a treat to see Choi min-shik ("Oldboy") again after "I saw the devil".

Overall, the movie kept me on the edge of my seat and was really entertaining. It is definitely much better than what Hollywood is churning out these days (with a few exceptions of course). Let me hope they don't butcher my favorite "Oldboy". I would highly recommend "New World", please do go and see it in a theater to really get the feel (like I said earlier, the cinematography is top-notch and needs to be seen on a big screen to be believed!).

There's nothing more to say in order to recommend it, but IMDb requires me to so here goes.

If this were made in Hollywood, we wouldn't even be calling it Korean Godfather or Korean Infernal Affairs or a cross between the two. It is its own beast and excels at the most fundamental aspects of film-making in a way even the aforementioned films weren't always able to.

It's not perfect, I'd give it a 8.5 out or 9 out of 10 if I really wanted to be critical but it manages to carve out a place for itself in one of cinema's deepest genres. We haven't seen this kind of heavily character drama driven take on the genre before (and lucky for us, it was done so well!).

Korean cinema has matured immensely over the past decade and 2013 has already seen The Berlin File which I believe would show quite well overseas. New World is perhaps a more domestically oriented movie that would be enjoyed more by those who understand Korean culture, however the casual movie-goer will definitely not be let down.

Take The Departed (Infernal Affairs) and Godfather, mix it in a blender, add a dash of Korean gangster and you've got a slick thriller that offers a bit of the brutal violence Korean cinema is known for as well as some humor. While not as polished as the Berlin File, it's arguably a better movie when it comes to plot.

All in all, it looks like a great start to the year for Korean movies.