L'histoire du géant timide

I really appreciated this movie from Iceland. It reminded me TEDDY BEAR, a German movie I watched last week, speaking of a forty years adult, a bodybuilder, who lived with his widow mum and who looked for a female mate...Those two movies are quite nearly the same, except the two main characters are somewhat a bit different. TEDDY BEAR could me moving too but also less depressing, more optimistic. I loved the both anyway. I guess many stories like this happen in real life for many of us. I prefer this kind of features instead of the Hollywood style movies, where everything is fine in the end. I highly recommend this film to everyone.

This is a story about the meaning of life. If you wonder what it is, see this movie and you will learn that the meaning is to be good and do good deeds. It is a story of an overweight 40-something man.He still lives with his mother, and is obviously a virgin. One can say that he is unbelievably childish and naive, but it is his soul that is pure, exactly like children's, that makes this guy (who is on the surface unlovable) a true hero of modern times. He responds to bullying with kindness, to indifference with his eagerness to help. As the movie progresses, you will fall more and more in love with this guy and this movie. Although set in freezing Iceland, this movie will warm you hart like not many other.

Dagur Kári is one of the most talented Icelandic directors of the century. His gorgeous and tragic 2003 debut feature Noi the Albino is one of my favourite films, not just of its year or the last decade but all-time. He followed it up two years later with the very good but not quite as memorable Dark Horse, shot mostly in stark black and white. His first English-language film featured a L.I.E. reunion pairing Paul Dano and Brian Cox in The Good Heart in 2009, but unfortunately to tepid reviews. Back behind the lens and in Iceland, he returns to the roots of Noi, another titular film (the original title is Fúsi) about an outcast maturing onto the next step of his life. Trading a rebellious troubled teen for a 43 year old overweight man yet to move out of his mother's house, Virgin Mountain mostly conjures the same magic as it brings back a similar style of filmmaking. Coming home one day to find his mother having sex on the counter just adds insult to Fúsi's injury of his arrested development. In his forties and still a virgin, he's nestled deep in his routines, rarely drinking anything stronger than milk and still buying toys. At first the film feels like a cautionary tale on the other end of the scale of Noi, where that film is about someone too defiant, and this is about someone too closed off from the world. Virgin Mountain isn't interested in stopping there, however, pushing Fúsi further. He's an airport luggage handler who's never stepped foot out of Iceland nor taken a day off and faces bullying from his co- workers everyday, even when it appears that they're trying to help. He's not friendless however, as he has a friend who plays model WW2 scenarios with him, as well as a young neighbourhood girl who bonds with Fúsi out of their mutual loneliness. In order to remove him from his comfort zone, his mother's boyfriend gifts him line dancing lessons as a present, initially as a joke. He almost attends but chooses to sit it out in the car park. Upon hitting a blizzard, the film introduces an irresistible meet-cute where he gives a lift to another loner, Sjöfn, who in turn gives him a chance like nobody else does. It sparks an invaluable friendship which both opens Fúsi's heart and willingness to grow. However, the more he learns about her, the more it begins to test their hope. As it's revealed she suffers from depression, and ostensibly bipolar disorder from her ups and downs, he offers wonderful acts of kindness as he cares for her even though she pushes away and he perhaps oversteps his bounds. His understanding of her mental condition is the soul of Virgin Mountain, and it's a contagious sentiment. While an established archetype, we rarely often get overweight introverts leading films, and Gunnar Jónsson as Fúsi delivers it with such endearing sensitivity. Fúsi's few mistakes that get him into trouble are heartbreaking to endure as he's otherwise such an empathetic character. Kári's exquisitely written script has a keen sense of repetition to keep the film thriving on its limitations. As we revisit restaurants, Fúsi's car, the line dancing class, and Sjöfn's driveway, Kári creates a delicate shorthand to give emotional punches right away with subtle changes. Even when it hits story goals, it does it in an understated way that gives way to bigger character ambitions. I wish it didn't resort to certain clichés at times – most specifically the bullying – but it knows how to handle them with sincerity. Like Noi, it's photographed with a set of beautifully vibrant yet muted colours, though its composition isn't quite as controlled as the 2003 film, allowed to be a lot looser. The same goes for the somber soundtrack provided by Kári's band Slowblow, who also did the work for Noi. This might not be the most flattering love story, but it's human, and the hope extends beyond instant gratification. Virgin Mountain is lightweight, but deeply bittersweet and personal in every corner. This is the type of film America doesn't allow itself anymore. 8/10

A sad and warm, somehow comical story at the same time. A minimalistic and very honest portrait of how even a little romance can brighten up a life when everything seems grey and cloudy. There is something about Icelandic movies and Icelandic music that just have that special paradox of melancholy and joy at the same time. This is a film about how small adventures in the everyday routine life can change the world of one person. It puts life in perspective and leaves you with a ambiguous feeling of satisfaction and wistfulness all at once. Something like a rainy day. It makes me realise that the most important things are the relationship we build and the chances we take in life. I feel a need to see a continuation, yet I don't think there will ever be one.

Glaciers of Iceland melt with warmth of Icelandic cinema. Virgin Mountain is distant but full of love, steady like a paint of cold colors but earnest and sincere same as Fusi who is naming movie. Embracing Fusi is a complicated state for audiences. It is so easy to love and to be one with him but he reminds us people who are same as him around us and who are ignored by us. It gives an amount of heartache scaled with moral compass of every individual viewer. Besides it, the empathy we feel for him gives us a hope to be better person.

Fusi may be the most naive man in the world. He has not evil inside and everything is so simple for him even sometimes he can't see the consequences of his actions. He doesn't get mad against people who are unfair to him, he even doesn't know what revenge is. Everything he knows is helping other and acting for the common good. But beyond of his fragile look, he keeps a solid persona as same as his size. He is like a virgin nature which welcomes the torrid heat of sun and the fruitful spaciousness of rain with same excitement. After all a smile on his face is a relief in our souls.

Virgin Mountain promises a good time for watching even though relatively dark and slow shootings. Good balance with dram and comedy keep viewer's eyes open and modest acting of Gunnar Jónsson makes movie reliable and striker. This festival movie reflects the real soul of Icelandic cinema in a very successful way.