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Difret

  • 2014
  • Tous publics
  • 1h 39min
NOTE IMDb
6,9/10
1,4 k
MA NOTE
Difret (2014)
Three hours outside of Addis Ababa, a bright 14-year-old girl is on her way home from school when men on horses swoop in and kidnap her. The brave Hirut grabs a rifle and tries to escape, but ends up shooting her would-be husband. In her village, the practice of abduction into marriage is common and one of Ethiopia's oldest traditions. Meaza Ashenafi, an empowered and tenacious young lawyer, arrives from the city to represent Hirut and argue that she acted in self-defense. Meaza boldly embarks on a collision course between enforcing civil authority and abiding by customary law, risking the continuing work of her women's legal-aid practice to save Hirut's life.
Lire trailer2:20
3 Videos
16 photos
BiographieCriminalitéDrameL'histoireCrime véritable

Ajouter une intrigue dans votre langueA young lawyer travels to an Ethiopian village to represent Hirut, a 14-year-old girl who shot her would-be husband as he and others were practicing one of the nation's oldest traditions: ab... Tout lireA young lawyer travels to an Ethiopian village to represent Hirut, a 14-year-old girl who shot her would-be husband as he and others were practicing one of the nation's oldest traditions: abduction into marriage.A young lawyer travels to an Ethiopian village to represent Hirut, a 14-year-old girl who shot her would-be husband as he and others were practicing one of the nation's oldest traditions: abduction into marriage.

  • Réalisation
    • Zeresenay Mehari
  • Scénario
    • Zeresenay Mehari
  • Casting principal
    • Meron Getnet
    • Tizita Hagere
    • Abel Abebe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    1,4 k
    MA NOTE
    • Réalisation
      • Zeresenay Mehari
    • Scénario
      • Zeresenay Mehari
    • Casting principal
      • Meron Getnet
      • Tizita Hagere
      • Abel Abebe
    • 15avis d'utilisateurs
    • 57avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 14 nominations au total

    Vidéos3

    Official Trailer
    Trailer 2:20
    Official Trailer
    Difret
    Clip 2:06
    Difret
    Difret
    Clip 2:06
    Difret
    Difret
    Clip 2:04
    Difret

    Photos15

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    Rôles principaux28

    Modifier
    Meron Getnet
    Meron Getnet
    • Meaza Ashenafi
    Tizita Hagere
    Tizita Hagere
    • Hirut Assefa
    Abel Abebe
    • Militia Man
    Shitaye Abraha
    • Etaferaw Teshagen
    Genene Alemu
    • Dr. Tamrat
    Semahegn Alemu
    • Customary Judge
    Teferi Alemu
    • Village Judge
    Deribwork Assefa
    • Mrs. Belaynesh
    Haregewine Assefa
    • Membere Yohannes
    Hiwot Assefa
    • Emmet - the secretary
    Yohannes Belay
    • Alemu
    Mehret Belete
    • Militia Man
    Getachew Debalke
    • Mr. Hiruy
    Yeneneh Engedawok
    • Village Teacher
    Tewodros Jembere
    • Customary Judge
    Kiya Kennha
    • Aregash Assefa
    Tesfaye Kinfe
    • Alemayehu
    Mekonen Laeake
    • Assefa Bekele
    • Réalisation
      • Zeresenay Mehari
    • Scénario
      • Zeresenay Mehari
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    6,91.4K
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    Avis à la une

    6sethmlanders

    Not bad!

    I saw this film for my acting class and we're going to meet the filmmakers next week, so I thought I'd share my views on it. As far as the story goes, it's extremely predictable. I'm not going spoil anything, but let's just say that if you watch a lot of movies, you can see the ending from a mile away.

    With that being said, I did enjoy this movie and I can see how some may be turned off by it. There are unsettling images along with a controversial plot that shows how much our culture in America is different in Africa. The characters were fresh and not clichéd. As for those scumbag abductors, I'd love to see the tables turned on them because I guarantee that they wouldn't like it one bit.

    Overall, it's a decent movie. I'm not going to lie to you, the reader, and say it's a terrible film but at the same time, it's no masterpiece. It's good enough to recommend it and I hope that it gets a theatrical release. Not to mention getting rated by the MPAA, no doubt it'll get an R or PG-13 rating. If you can handle the material for what it is and adapt to the pacing, you'll be glad you saw it!
    8t-dooley-69-386916

    True Life Tale from Ethiopia of a girl's fight for justice

    Set in 1996 near Addis Abeba, Ethiopia at the age of fourteen, Hirut gets abducted after school by a gang of horseman. She is taken away as is the custom to be married to her abductor. They beat and abuse her and she decides to escape, but in doing so she manages to kill the would be husband.

    The 'customs courts' dictates that a life for a life should be the case but from the start this is not an ordinary case but the law seems to be blind to the mitigating circumstances. Measza is a pro bono lawyer working for an organisation that helps the vulnerable of society and she decides to take on the case; this is their story.

    Now this is based on real events and was produced by Angelina Jolie. It is all very well acted, filmed, directed and has a pacing that means you will not get bored. The story as a resonance that comes with all stories of injustice and as such – some have found it to be 'unoriginal'. However, I found this to be compelling and rewarding. It is in Amharic and sub titled in English with a run time of 99 minutes. I saw this described as 'arthouse' but I would place this firmly under the genre of drama and think this will appeal to lovers of World cinema and those who like a story told plain with all ambiguity forgotten – recommended.
    6ferguson-6

    Cultural vs Civil

    Greetings again from the darkness. Maybe the best part of "based on a true story" movies is that they allow for a quick spotlight on both unheralded heroes and under-the-radar injustices around the globe. The first feature from writer/director Zeresenay Mehari brings warranted attention to the barbaric tradition of telefa in parts of rural Ethiopia. This so-called cultural rite involves a posse of men abducting a young girl whom one of them has chosen to be his wife.

    Tizita Hagere plays Hirut, a 14 year old girl who is excelling in school and dreaming of attending university. While skipping home from school one day, Hirut is abducted by a group of men on horseback, who lock her away in a nearby house. Later she is visited by the man who wants to make her his wife. He beats and rapes her, leaving her to sleep injured on the dirt floor. The next day, Hirut tries to escape and ends up shooting her would-be husband. She is charged with murder, and it's here that we come to understand the lack of civil rights or equality when it comes to measuring the worth of a man versus a woman in this community.

    Hirut's case comes to the attention of Meaza Ashenafi (Meron Getnet), a partner in the Andinet Women Lawyers Association. She fights for the rights of women and girls in a society where few rights exist. It's clear to any reasonable person that Hirut's actions were in self-defense, but reasonableness is not the determining factor … in fact, the village elders hold a community meeting and hear from Hirut's father and the father of the dead would-be husband. We are able to compare this form of village justice to the equally unbalanced scales of the courts.

    The actual 1996 case of Aberash Bekale (on which this story is based) was a turning point in the legal system for Ethiopian women. This horrific process of abduction for marriage does still go on, but not in the mass numbers of the past. Of course, even once is too many. The film does a nice job of contrasting cultural versus civil laws, and how not all "traditions" should be continued simply because they are labeled as such.

    Mr. Mehari's film has done well on the festival circuit, and certainly is boosted by the presence of Executive Producer Angelina Jolie. It's a real world example of just how important education and equality is, and how many of us take this for granted, while others live in areas where defiance could cost them their liberty and life.
    8westsideschl

    A Far Ranging Issue

    As a Muslim Bangladeshi woman once told me in reference to a recent "National Geographic Magazine" story "The Changing Face of Saudi Women", "Our problem is that men should learn to keep it in their pants!" The solution according to male tradition has been in "placing the onus on the victim" which is just another element in support of female enslavement, and as shown in the film, "Difret", the story of a kidnapped girl, Hirut. The male history of what it means to be a female is one of: maintain the household; provide sex on demand; provide male heirs (w/female infanticide not uncommon). Let's remind ourselves of the list of almost warfare style tactics for male dominion over females: Asset control, role guilt, child marriages, domestic violence, FGM, acid attacks, kidnapping as shown in this film, foot binding once common in China, isolation/exclusion, and stoning. One would think that the moral compass of religion would provide a safety net for women, but all the major religions were created for an illiterate populace where strength governed the ethos. In Muslim cultures Sharia law is overseen by males. In Judaism the patriarchs write the rules which saw women as jealous, vain, lazy and gluttonous; likely to gossip and receptive to the occult/witchcraft. Christianity with special emphasis given to Catholic, Orthodox, LDS religions simply exorcised the word "égalité".

    So what is to be done? Hirut had the answer. Education! Educating girls would have a singular impact toward maintaining the health of the family, and by extension the community. A few critical locals promoting female education will have far ranging regional influence, for example, Afghanistan.
    9skinsk-1

    Powerful Film

    I just caught a screening at the Jeonju International Film Festival in Korea, and I was very impressed. It was a riveting, well-edited and well-acted film about a primitive misogynistic mindset that is responsible for the abuse and deaths of women around the world.

    Based on a true story (probably one of the few with a relatively positive outcome) and filmed on location with an Ethiopian director and cast, Difret is educational and thought-provoking. I wish the director the best of luck bringing more material like this to the attention of the world. WELL DONE!

    And I recommend this film to anyone who has the opportunity to see it and support it!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      "Difret" is based on an actual drama that took place in 1996 and whose main protagonist was Aberash Bekale, a young Ethiopian girl.
    • Bandes originales
      Orbital
      by Denis Kilty feat. Elsie (Trailer)

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    FAQ18

    • How long is Difret?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 juillet 2015 (France)
    • Pays d’origine
      • Éthiopie
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Amharique
    • Aussi connu sous le nom de
      • Cesaret
    • Lieux de tournage
      • Ethiopie
    • Sociétés de production
      • Haile Addis Pictures
      • Truth Aid
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 49 667 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 777 $US
      • 25 oct. 2015
    • Montant brut mondial
      • 97 205 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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