Free Fall

Although one is initially alerted to the possible use of the police academy setting to metaphorically delineate some of the dynamics present in a society's norms as part of its imposed conditioning (the training academy especially implying a sense of regimentation), this very well-made film actually registers most of its concerns in a low-key manner, allowing some indirection to come through the proceedings by giving enough space for subtler impressions and meaning.

Apparently, many viewers want to characterize the film's subject in terms of a conflicted choice between heterosexuality and homosexuality, which makes about as much sense as merely portraying its content as the treatment of a love triangle; it reveals a rather limited level of engagement and even suggests that such issues are far from politically resolved in their minds. But while the storyline could be read on the surface for perplexing issues around self-identity, sexual or otherwise, it is ultimately about someone who gradually allows himself the freedom to experience not only different ways of loving others, but also the vital ways in which life actually unfolds in a broader sense, beyond the difficulties of imposed human limitations.

The courage of Lacant's film lies in its delineation of what life is like when one truly begins to negotiate one's freedom by opening up fully to the presence of ambiguity and not knowing - entering into the "free fall" of the title - and going beyond limited distinctions, to find and live out what is actually true from moment to moment. A Taoist expression comes to mind as one follows Marc's trajectory into his own realm of truth: the more free you are, the more unpredictable you become.

Which asks us all: can you live out your truth in this most uncompromising way? Or, can you live with someone who is? What does freedom look like in a world full of all the shoulds and musts which we and others continually wish to impose upon ourselves? Marc begins to show us as he learns to submit to his own free-fall - which is no less than remaining open and vulnerable to whatever is transpiring.

The performances are excellent throughout, although working from a carefully written script which tends to deliberately tailor the depth of all the other characters beside Marc. Thus, while in the end Kai shows up as little more than a catalyst for Marc's awakening and perhaps generating our wish for a bit more character development, it is really Marc's story after all, and we are meant to inhabit the film's shades of meaning by traveling through his experiences from his vantage point.

It could be said that in a society no longer concerned with an immature sense of morality or inadequate ethics, Marc would both be able to bear a child with a woman as well as express the love he might feel for another man, if he is so inclined. But Marc, like the rest of us, is born in time, and therefore occupies a certain karmic status, posited by the complexity of circumstances… and the way to the truth is largely through one's karma.

Although we humans are still somewhat tribal and limited beings, whose sense of freedom is defined and grounded in our very limitations, the film nonetheless demonstrates in its closing statement that we can only live meaningfully by choosing from our own freedom - and thus encountering the possibility of a real and lived life, beyond all expectations - if we assume the courage to do so… a courage exemplified by director Lacant in this direct and honest film.

This film is very, very erotic and just as exotic in the way the story is presented. From a film point of view it is unique in that the film's construction is very new, so new in fact that you marvel at just how seamlessly it is all put together. The cast is uniformly superb, with the three lead actors truly shining in a very believable way. The story itself is quite passé especially in view of the progress made with gay rights in Europe and Germany in particular. But the two male leads are so hot who cares? And the third supporting actor, an absolutely stunning woman, is a perfect foil for the two men who are bouncing off the walls for each other. As a film buff myself and also as an individual who has seen virtually every good film made with a gay plot, I can say this film stands at the very top, the highest peak, in just how beautifully the story is told. A couple of the reviews here were nasty because they feel the story here is as old as the hills and to some degree that is true, but the human heart in its varied dimensions is always new in terms of where it goes and how people react to where they are taken.

It's been awhile since I wrote last review and I'm pretty sure want to write this one. I want everybody know, gay or straight that this film is far more than just "worth watching", but I'll say this film is like one self-mirror, a reality that maybe happen in everyday life.

The acting is great, I called it natural. I really miss a good acting like this since "Weekend" in 2011 nailed it. The poster itself is really eye catching. See that poster remind me of "Brokeback Mountain".

About the script, no doubt, one of the best in 2013. It's great and I love it. I've seen some of gay theme films about gay police or gay in law enforcement environment always or mostly turn bad, but here, in "Free Fall" totally different. The director try to pull every string that guide us to see that love can be happen everywhere, even in a cocky place like police department in natural way. It's not like sexual fantasy like we used to see in porn industry, but it's drama, it's tears, it's life, it's a real drama between two man, in a right place an time love grow.

And don't really care about the ending, or the beginning, or the middle. This film tell us that love always find it's way home.

When I started to watch Free Fall, I had no idea what I was in store for. The only reason I was mildly interested in it is because I noticed Hanno Koffler, whom I had seen in an earlier homosexual film I really enjoyed, Summer Storm. It is a film that sucks you in from the beginning, at first being all jumbled up and out of place leaving room to wonder, and then has a very steady progression.

The characters are genuine and believable. (I don't know what it is but foreign gay films are always much better than American ones.) There are very heartbreaking and heartwarming scenes, as well as just uncomfortable ones; it is a roller coaster of emotions. Another thing is there was also some intense and erotic scenes; the two leads have excellent chemistry together. Some cookie-cutter gay problems ensue, but overall the films stands it's own in knowing that it needs to be more than "just a gay film". I was really impressed with the subtle and wonderful deliverance of Kay Engel by Max Riemelt. He's a very beautiful man and some of his scenes are worth seeing just for the sheer acting value.

Very pleasing, a movie that has definitely stuck with me for all it gives. The runtime is necessary for all the material to sink in. Don't understand the comments that say it could have been shorter.

There's one review here that says that the movie is boring. In my opinion it is not, it just gets boring at certain point. I think there are indeed limitations with the story which could have been solved by letting us know a little bit more of Kay. I think that would have been the best solution since the alternative was letting us hear what Borgmann was feeling, his struggle…which would have been a cheap resource. I don't agree with the commenter that does not understand why it is so hard for this man in this day and age to accept his sexuality. There are many factors and his parents' reaction works as a way to let us know what might be holding him back.

The weakness of the movie lies in the fact that it starts showing us something that we have seen many times before. At least the ending was satisfying, was simple and real.