NOTE IMDb
7,4/10
58 k
MA NOTE
Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.Un garçon de 15 ans et une femme de 27 ans se retrouvent un jour de pluie dans le jardin national de Shinjuku Gyoen.
- Récompenses
- 2 victoires et 2 nominations au total
Miyu Irino
- Takao Akizuki
- (voix)
Gou Maeda
- Takao no ani
- (voix)
Suguru Inoue
- Matsumoto
- (voix)
Megumi Han
- Satou
- (voix)
Mikako Komatsu
- Aizawa
- (voix)
Yûki Hayashi
- Moriyama
- (voix)
- (as Yuki Hayashi)
Wataru Sekine
- Young Takao
- (voix)
Taishi Murata
- Student B
- (voix)
- …
Crash Buist
- Takao's Brother
- (English version)
- (voix)
Avis à la une
This movie is technically brilliant.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.
It also has a very pretty score that works well with its subdued mood.
The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.
I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.
The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.
I think this is an incredible movie and with tiny changes it would have been amazing.
Promoted as a feature-length film, Shinkai Makoto's Garden of Words surprisingly only lasts 46 minutes. However, it was enough for the director to portray human emotions as well as understand the purpose of relationships.
The word "love" in modern Japanese is "ai", but in the ancient language, it was actually written as "koi", which is a compound of two other Kanji means "solitude" and "sad". Though Garden of Words is set in modern times, "love" in this film will be portrayed in its original meaning, which leads to a story about longing and loneliness, as well as suggesting an unhappy ending for love.
At the center, there is Takao, a 15-year-old student who wants to become a shoe-maker. On rainy days, he often plays truant in a Japanese-style garden and learns to make shoes there. By chance he meets Yukino, a mysterious woman much older than him, and whenever it rains, the two of them meet each other in the garden. Over time, their relationship deepens and the mystery surrounding Yukino finally reveals itself on a dry day.
Similar to Shnkai's previous films The Place Promised in Our Early Days, 5 Centimeters Per Second, Children Who Chase Lost Voices, the most impressive thing about Garden of Words are the vibrant & unique visual elements. In this latest film, he continues to develop his own unique style. Clean and cute, a little bit cheesy even, Shinkai uses excessive glare and light pink tones, and the result is a bombastic impressive 46- minute picture.
The park's natural setting, with green trees drooping into the water, the wind stirring the small rocks, creates a space ripe with romance and poetry, which helps ease anxiety. Although the scenes in the school, Yukino's house, train station etc were beautifully drawn, the brightest points in the painting of Garden of Words are the natural moments when two people sit in the park together and enjoy the stillness of emotion.
Garden of Words delivers a simple, soft love story, though many would argue that it is taboo. The director knows how to manipulate love, make it as natural as rain, by arranging the meeting at a far away location from where they work/study, only meeting on rainy days to make their feelings vibrate. Eventually, when the truth of their fate is revealed, the audience completely accepts it, because their love for each other is full of sincerity and cultivated diligently through the rainy days.
Garden of Words is a triumph of visual style over substance. It can be very predictable, can be very cheesy when two people are hugging and crying at the end. But the movie creates honest and fresh emotions, accompanied by an impressive visual expression. Garden of Words is not simply the binding of the last two people through some lines of Japanese poetry that they read to each other, It is also the shining of unique storytelling style with images.
And with the blink of an eye, a small gesture is enough to say everything about human emotion, words probably are not needed anymore. Garden of Words gives you a unique experience, exploring the visual and aesthetic language of love.
Trung Rwo
The word "love" in modern Japanese is "ai", but in the ancient language, it was actually written as "koi", which is a compound of two other Kanji means "solitude" and "sad". Though Garden of Words is set in modern times, "love" in this film will be portrayed in its original meaning, which leads to a story about longing and loneliness, as well as suggesting an unhappy ending for love.
At the center, there is Takao, a 15-year-old student who wants to become a shoe-maker. On rainy days, he often plays truant in a Japanese-style garden and learns to make shoes there. By chance he meets Yukino, a mysterious woman much older than him, and whenever it rains, the two of them meet each other in the garden. Over time, their relationship deepens and the mystery surrounding Yukino finally reveals itself on a dry day.
Similar to Shnkai's previous films The Place Promised in Our Early Days, 5 Centimeters Per Second, Children Who Chase Lost Voices, the most impressive thing about Garden of Words are the vibrant & unique visual elements. In this latest film, he continues to develop his own unique style. Clean and cute, a little bit cheesy even, Shinkai uses excessive glare and light pink tones, and the result is a bombastic impressive 46- minute picture.
The park's natural setting, with green trees drooping into the water, the wind stirring the small rocks, creates a space ripe with romance and poetry, which helps ease anxiety. Although the scenes in the school, Yukino's house, train station etc were beautifully drawn, the brightest points in the painting of Garden of Words are the natural moments when two people sit in the park together and enjoy the stillness of emotion.
Garden of Words delivers a simple, soft love story, though many would argue that it is taboo. The director knows how to manipulate love, make it as natural as rain, by arranging the meeting at a far away location from where they work/study, only meeting on rainy days to make their feelings vibrate. Eventually, when the truth of their fate is revealed, the audience completely accepts it, because their love for each other is full of sincerity and cultivated diligently through the rainy days.
Garden of Words is a triumph of visual style over substance. It can be very predictable, can be very cheesy when two people are hugging and crying at the end. But the movie creates honest and fresh emotions, accompanied by an impressive visual expression. Garden of Words is not simply the binding of the last two people through some lines of Japanese poetry that they read to each other, It is also the shining of unique storytelling style with images.
And with the blink of an eye, a small gesture is enough to say everything about human emotion, words probably are not needed anymore. Garden of Words gives you a unique experience, exploring the visual and aesthetic language of love.
Trung Rwo
With it's short length of only 45 minutes, it's hard to call this a full movie - although don't let that deter you, as it's still better than most that I have seen, anime or otherwise.
When you hear about this movie one of the things that get repeated mention is it's visuals, and I concur. It's probably the most well made anime from a visuals standpoint.
The story isn't bad either, for only 45 minutes it sets up and tell a surprisingly deep and moving story. It is simplistic storytelling, but still very powerful. It is somewhat reminiscent of one of the director's previous films, 5 Centimetres Per Second, in that it uses a similarly "simple" story but one that relates strongly to emotions and situations felt by normal human beings. I also think this is a great movie to show people who normally don't like anime, as anime very often have different storytelling than I think many are used to. This one is more grounded without many of the "fantasy" elements that most anime's have.
The plot summary on IMDb do just fine setting up the story so I wont bother explaining it, it would just be redundant.
When you hear about this movie one of the things that get repeated mention is it's visuals, and I concur. It's probably the most well made anime from a visuals standpoint.
The story isn't bad either, for only 45 minutes it sets up and tell a surprisingly deep and moving story. It is simplistic storytelling, but still very powerful. It is somewhat reminiscent of one of the director's previous films, 5 Centimetres Per Second, in that it uses a similarly "simple" story but one that relates strongly to emotions and situations felt by normal human beings. I also think this is a great movie to show people who normally don't like anime, as anime very often have different storytelling than I think many are used to. This one is more grounded without many of the "fantasy" elements that most anime's have.
The plot summary on IMDb do just fine setting up the story so I wont bother explaining it, it would just be redundant.
this movie has such a nice mellow story to it very true to life, it does motivate you and shows you how real life is , it is truly a beautiful film that i would love to see more of similar to 5 cm per second.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
i think this shows that a story can be told in the right ways no matter how long it takes, this shows determination to reach a goal that we need to gain in this tough world.
I recommend this movie because the art is so beautiful and the soundtracks also, it truly is wonderful. This movie is a work of art. and this needs some awards.
I've always had mixed feelings about the works of Makoto Shinkai. Movies like 5 Centimeters per second are visually striking and evocative, but they are also essentially illustrated radio plays, where the story is told through words.
Garden of Words, surprisingly, is a movie that lets the images speak. While there's still a fair amount of narration, much of the story is told through its gorgeous visuals.
Thoughtful and touching, this movie proves I was right to keep watching Shinkai's films in spite of continual frustration and disappointment. I did it because I knew what he was trying for could work beautifully if he just learned to allow silence, and now he has. I hope this is a sign that he has matured into the animator I always hoped he'd be.
Garden of Words, surprisingly, is a movie that lets the images speak. While there's still a fair amount of narration, much of the story is told through its gorgeous visuals.
Thoughtful and touching, this movie proves I was right to keep watching Shinkai's films in spite of continual frustration and disappointment. I did it because I knew what he was trying for could work beautifully if he just learned to allow silence, and now he has. I hope this is a sign that he has matured into the animator I always hoped he'd be.
Le saviez-vous
- AnecdotesAccording to Makoto Shinkai, the film's central theme is loneliness. This was inspired by the Man'yoshu, Japan's oldest collection of poems; in that volume, love was represented by the word "koi", or "lonely sadness"; more accurately, a longing for someone in solitude. Shinkai described the film as a love story towards people who feel lonely or incomplete in their social relations, but who don't feel that they need to fix this loneliness.
- GaffesDuring the last scene after the credits, especially 45:35, there are no footprints from outside towards the sunshade.
- Citations
Takao Akizuki: A faint clap of thunder / Even if rain comes or not / I will stay here / Together with you.
- Crédits fousThere is a final scene after the credits.
- ConnexionsFeatured in MsMojo: Top 10 Most Beautiful Animated Movies (2022)
- Bandes originalesRain
Lyrics and Music by Senri Ôe
Performed by Motohiro Hata
Arrangement: Makoto Minagawa & Akifumi Tada
© 1988 by Sony Music Artists Inc.
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- How long is The Garden of Words?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Khu Vườn Ngôn Từ
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 852 788 $US
- Durée
- 46min
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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