Un père divorcé et son frère aîné, ex-détenu, ont recours à un stratagème désespéré pour sauver le ranch familial dans l'ouest du Texas.Un père divorcé et son frère aîné, ex-détenu, ont recours à un stratagème désespéré pour sauver le ranch familial dans l'ouest du Texas.Un père divorcé et son frère aîné, ex-détenu, ont recours à un stratagème désespéré pour sauver le ranch familial dans l'ouest du Texas.
- Nommé pour 4 Oscars
- 47 victoires et 174 nominations au total
Kristin K. Berg
- Olney Teller
- (as Kristin Berg)
Katy Mixon Greer
- Jenny Ann
- (as Katy Mixon)
Howard Ferguson Jr.
- Vernon PD Officer
- (as Howard S. Ferguson Jr.)
Avis à la une
In a summer (or should that be year or decade) of vapid sequels, remakes, and overblown superhero catastrophes, who would have expected an entertaining, intelligent, well-crafted, suspenseful, character- driven, modern-day western with a brain. Riding on Taylor Sheridan's razor-sharp script and David Mackenzie's nuanced direction, Jeff Bridges, Chris Pine, and (especially) Ben Foster (along with everyone else who appears on the screen) inhabit this film as wryly humorous, heartfelt, vicious, painfully tragic, and realistic members of a society reaping the fruits it has tragically sown. Best film so far this year.
With Taylor Sheridan as the writer and David MacKenzie at the helm, I had high hopes for this movie. Both of their last respective projects (Sheridan - Sicario, MacKenzie - Starred Up) were gritty, violent, and engaging. All of those hold true for Hell or High Water.
The main characters, Chris Pine and Ben Foster turn in great performances. Ben Foster plays the ex-con brother. And as usual, he turns in what I think was the best performance of the movie. He has a knack for playing a top notch supporting role, and often times gets overlooked. Chris Pine also nails it as the more straight laced brother. For a pretty boy of Hollywood, his portrayal is authentic. Jeff Bridges also compliments these two well as the older, sort of jaded officer. Both him and Foster even provide a good amount of laughs, but neither overdo it.
The setting of the movie really sets it above others in the genre. I would say this movie is more crime/drama or heist film than Western, but it definitely has a Western vibe due to its northwest Texas setting. The area has been hit hard by the recession, a failing farm industry, and big oil. It all makes the recklessness and danger Foster and Pine engage in that much more enjoyable, and even sort of relatable. The audience can at least sympathize with them as they do what they think is right.
Overall, this film is well worth a watch. It can be put in a league with more recent films like The Town, Drive, and The Place Beyond the Pines.
The main characters, Chris Pine and Ben Foster turn in great performances. Ben Foster plays the ex-con brother. And as usual, he turns in what I think was the best performance of the movie. He has a knack for playing a top notch supporting role, and often times gets overlooked. Chris Pine also nails it as the more straight laced brother. For a pretty boy of Hollywood, his portrayal is authentic. Jeff Bridges also compliments these two well as the older, sort of jaded officer. Both him and Foster even provide a good amount of laughs, but neither overdo it.
The setting of the movie really sets it above others in the genre. I would say this movie is more crime/drama or heist film than Western, but it definitely has a Western vibe due to its northwest Texas setting. The area has been hit hard by the recession, a failing farm industry, and big oil. It all makes the recklessness and danger Foster and Pine engage in that much more enjoyable, and even sort of relatable. The audience can at least sympathize with them as they do what they think is right.
Overall, this film is well worth a watch. It can be put in a league with more recent films like The Town, Drive, and The Place Beyond the Pines.
'Hell or High Water' is a bit of an odd duck. Mainly because it got a wide release. This is the only great film that has released in 2016 that got a wide release. I mean, there are only four or five films that I thought have been really great and all of them have either got basically no theater release or a limited viewing. I truly hope that this spurs more films like it though. More well crafted movies that actually have characters you can get invested in. There have been so many films this year that have completely failed due to poor character writing. Now, this film isn't perfect. So lets just get the negatives out of the way before we get into what makes this great.
There aren't many problems here. The only big issue for me lies in the films story. It's really not that good. Once you step back to examine it, it's actually pretty by the numbers. If you've seen any heist movie ever than you probably know where this film is going. It follows a very standard formula that rarely deviates from it's by the numbers approach.
But it wasn't until I took a step back that I noticed it. That's due to how well executed it is. It's one of those films that's so finely crafted that you don't really notice it's issues. That's what I loved about the film. It has such great characters that the familiar beats it hits actually feel genuine. Because you get to know these people and you feel like their choices matter to what's happening on screen.
Which came as a breath of fresh air in a time when films have become so predictable and convenient. Our three main characters are played by Jeff Bridges, Chris Pine, and Ben Foster. Who were all at their very best for this movie. Foster was the weakest of all but when acting across from Bridges, is hard to really stand out. Yet, that is exactly what Chris Pine does. I have never seen him give this kind of performance.
I'm glad to see him taking on nuanced roles that legitimately show his range. It felt almost like his performance in 'Z for Zachariah' but he's far more compelling to watch here. Which really adds to his character. He is the one that you have to feel for most. And his sad yet determined personality really pushed you through the film.
On the other end, Ben fosters character introduced the most conflict to the film. To avoid spoilers, I won't go into his character much but the film respected him enough to not make him the bad guy. It's so easy to make a character like that the films bad guy but he never becomes that person. It respects its characters enough to make them humans with problems instead of saying this guys the bad one and this guy is the good one.
And it's all shot and directed with the utter most care and effort. With nearly every shot you can feel the attention to detail and the work put into making this the way it is. It may not be Alejandro Inarritu levels of ingenuity but I loved seeing effort being put into making the film. It's very rare to see great directing and inventive cinematography in wide release films like this.
'Hell or High Water' is rare breed. It's a great film that got a wide release. There is a lot of love and care put into this and it shows. It's well shot, directed nicely, has a solid score, is brilliantly acted, and offers excellent characters. This is definitely worth going out and seeing. That being said, It falls just short of being amazing. The story is pretty by the numbers and it's ending doesn't really seem to know what it wants to do. However, it remains a great film and is definitely worth supporting in theaters.
There aren't many problems here. The only big issue for me lies in the films story. It's really not that good. Once you step back to examine it, it's actually pretty by the numbers. If you've seen any heist movie ever than you probably know where this film is going. It follows a very standard formula that rarely deviates from it's by the numbers approach.
But it wasn't until I took a step back that I noticed it. That's due to how well executed it is. It's one of those films that's so finely crafted that you don't really notice it's issues. That's what I loved about the film. It has such great characters that the familiar beats it hits actually feel genuine. Because you get to know these people and you feel like their choices matter to what's happening on screen.
Which came as a breath of fresh air in a time when films have become so predictable and convenient. Our three main characters are played by Jeff Bridges, Chris Pine, and Ben Foster. Who were all at their very best for this movie. Foster was the weakest of all but when acting across from Bridges, is hard to really stand out. Yet, that is exactly what Chris Pine does. I have never seen him give this kind of performance.
I'm glad to see him taking on nuanced roles that legitimately show his range. It felt almost like his performance in 'Z for Zachariah' but he's far more compelling to watch here. Which really adds to his character. He is the one that you have to feel for most. And his sad yet determined personality really pushed you through the film.
On the other end, Ben fosters character introduced the most conflict to the film. To avoid spoilers, I won't go into his character much but the film respected him enough to not make him the bad guy. It's so easy to make a character like that the films bad guy but he never becomes that person. It respects its characters enough to make them humans with problems instead of saying this guys the bad one and this guy is the good one.
And it's all shot and directed with the utter most care and effort. With nearly every shot you can feel the attention to detail and the work put into making this the way it is. It may not be Alejandro Inarritu levels of ingenuity but I loved seeing effort being put into making the film. It's very rare to see great directing and inventive cinematography in wide release films like this.
'Hell or High Water' is rare breed. It's a great film that got a wide release. There is a lot of love and care put into this and it shows. It's well shot, directed nicely, has a solid score, is brilliantly acted, and offers excellent characters. This is definitely worth going out and seeing. That being said, It falls just short of being amazing. The story is pretty by the numbers and it's ending doesn't really seem to know what it wants to do. However, it remains a great film and is definitely worth supporting in theaters.
The first time I watched this, I turned it off at about the 5-minute mark. I thought it was another dumb movie about inept country-bumpkins, which would rely on a mixture of slapstick and overly-done sappy and violent scenes in order to create enough of a pull to keep at least some audience members somewhat entertained.
How wrong I was.
I finally sat down and watched it with friends who insisted it was not what it appeared to be within the first few minutes of the film.
Without giving too much away, and having to use a spoiler tag, Hell or High Water is a story about two brothers who after the death of their mother, organize a series of (justified?) bank robberies. What ensues is a catch-me-if-you-can scenario with the pursuing "law" hell-bent on catching them, and them hell-bent on not being caught. In short, it is a typical story of cops and robbers (or so you would think), with an atypical, uncommon and unconventional narrative.
Given the plot, the remote setting and the almost nostalgic atmosphere and ambiance of the film, it is honestly a miracle, and more than a pleasant surprise, just how very gratifying and outstanding this film actually is.
A definite must-watch.
How wrong I was.
I finally sat down and watched it with friends who insisted it was not what it appeared to be within the first few minutes of the film.
Without giving too much away, and having to use a spoiler tag, Hell or High Water is a story about two brothers who after the death of their mother, organize a series of (justified?) bank robberies. What ensues is a catch-me-if-you-can scenario with the pursuing "law" hell-bent on catching them, and them hell-bent on not being caught. In short, it is a typical story of cops and robbers (or so you would think), with an atypical, uncommon and unconventional narrative.
Given the plot, the remote setting and the almost nostalgic atmosphere and ambiance of the film, it is honestly a miracle, and more than a pleasant surprise, just how very gratifying and outstanding this film actually is.
A definite must-watch.
This is definitely the type of simple film that many might dismiss when first hearing about it or seeing the promotional footage of it. What's really surprising about it is the amount of emotional and dramatic weight that it carries. It's not primarily interested in gun fights or car chases. Instead, it's interested in exploring the dynamics of race and culture, and in depicting everyone as flawed individuals who you still feel empathy for. It gives you a portrayal of what poverty and the economy can do, even when never attempting to justify the horrible behavior on display or trying to make excuses for its characters. It's filled with wonderful, thoughtful dialogue while also playing out like a realistic morality tale. The three leads are also fantastic, especially Ben Foster, who deserves to get more roles as the talented character-actor he is. This is highly recommended.
Le saviez-vous
- AnecdotesThe film is dedicated to David John Mackenzie (1929-2015) and Ursula Sybil Mackenzie (1940-2015), the parents of director David Mackenzie. Both died while he was making this film. You can also see references to them by their initials along with these years showing up on certain license plates throughout the film.
- GaffesThe Albuquerque skyline can be seen from the Rangers' office window.
- Citations
Toby Howard: I've been poor my whole life, like a disease passing from generation to generation. But not my boys, not anymore.
- Bandes originalesDollar Bill Blues
Written & Performed by Townes van Zandt (as Townes Van Zandt)
Courtesy of RCA Records Nashville
By Arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Enemigo de todos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 27 007 844 $US
- Week-end de sortie aux États-Unis et au Canada
- 621 329 $US
- 14 août 2016
- Montant brut mondial
- 37 999 675 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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