Jojo Rabbit

For me this film is a total paradox. I have never laughed so hard in one scene and then cried like a baby in the next. It's unique. Go watch.

This is fantastic Political Satire; we need to be able use Satire in the correct way and Waititi did just that. If you think this movie is offensive here is Satires definition:

Satire 1 a literary work holding up human vices and follies to ridicule or scorn 2 trenchant wit, irony, or sarcasm used to expose and discredit vice or folly

Jojo Rabbit demonstrates that there is hope, both for humanity and Hollywood. By the latter I mean it's hard to imagine how a film this original got made in an era of reboots, remakes, sequels and prequels (mostly bad)

The characters are charming and quirky, the dialogue clever and the plot wisely confines itself to telling an intensely personal story rather than one of the war itself. The young male star is perfect, and the other performances shine as well. It does seem though that Scarlett got less time on the screen than she deserves.

The director cleverly doesn't show us certain things, and a lot of good choices were made in the editing room.

Hollywood, if you're listening, more like this please.

Probably one of the most controversial films to come out of TIFF, I went into Jojo Rabbit with cautionious optimism since I am fan of Taika Waititi while still being aware of the divineness it has spawned in some critics. I was pleasantly surprised on how emotional and thought provoking he made this film while still being very funny without going too far.

Jojo is a 10-year old boy who dreams of fighting for his country and making his hero proud. And that hero just so happens to be Adolf Hitler during the final year of WW2. Jojo's blind fanaticism is so extreme he imagines Adolf as his best friend to give him advice, which to no surprise, is not that helpful. After an accident at the Hitler Youth camp, Jojo has to stay with his mother only to discover she is hiding Elsa, a teenage girl who is the very thing his Nazis beliefs have told him to fear and hate: a Jew. As Jojo tries to learn about Elsa's "kind", he begins to sees Elsa as the thoughtful yet scared person she really is and not the monster his beliefs have told her to be.

The smartest thing I can say is Waitia knows when to make a joke about Nazi's beliefs and ideals but then let the bleakness of WW2 set in to embrace the deeper themes and emotions. Within the first act, Jojo sees his world through rose-tinted glasses as he gleefully gives the Nazi salute to his fellow neighbours on a bright sunny day. All of the Nazi characters are heightened and exaggerated for comic relief from Sam Rockwell's Captain Klenzendorf being a tired and annoyed German soldier, Rebel Wilson as the ignorant Fraulein Rahm to Stephen Merchant as the Gestapo agent Deertz. Waititi takes pleasure in making Nazis the but of the joke from showing them being over-committed to saluting each other for just a simple introduction to their obliviousness of believing any stupid fake news they are told came from Hilter himself. Once Jojo settles with Elsa sharing his house, his world begins show its true ugliness as Germany becomes more desperate to hold their ground against the Allied forces. At that point Waititi slows down on the comedy and allows moments of shock and drama to settle in to remind the audience what is the horrible cost of ignorance and blind faith. Cinematographer Mihai Malaimare Jr. switches the color scheme from bright and saturated to cold and grey as the seasons pass to reflect the change in Jojo's state of mind. The parallels to the modern day become very clear without getting too blunt.

The cast plays each of their roles perfectly. Roman Griffin Davis carries the story as a naïve but yet innocence Jojo. Davis is perfectly cast with perfect comedic timing while still being able to sell the emotional beats that are needed. And he has great comedic and emotional chemistry with Thomasin McKenzie as Elsa. McKenzie displays the hardship her character has gone throughout her life and yet still making her fun and sharp-witted when she points out shallowness of Jojo's ideals. Also who is worth mentioning is Scarlett Johansson as Jojo's mother Rosie. Probably the best performance of Johansson I have seen so far, she brings a huge feeling of joy and optimism that is needed to help Jojo's growth as a character. Out of all of the adults that are blind to the horrors the Axis power is inflicting upon the world, Rosie is the only one that is able to see through it and confront it. As for the big question of Waititi himself playing a young boy's interpretation of Adolf Hitler, he handles it very well. His comedic performance is there to show the absurdity of Jojo's brainwashing from the Nazis's teaching. And it helps that he never to tries to humanize the portrayal of his character. There were even a few moments where he becomes a bit more antagonistic towards Jojo as he begins doubting the faith in his idol.

Jojo Rabbit may be a controversial pick if it does get nominated for awards consideration (after I saw it on the last day of TIFF, it surprisingly won the People's Choice Award), but I feel like it is a movie needed for today's political issues. Taika Waititi uses the story of a boy's misguided fantasy and faith to show how easy it is for society to be manipulated into hating minorities, religions and/or groups of people especially when fake news and social media is present. But by the end of the day he shows that compassion and love are still worth embracing in a cruel world so as long as we are able to confront to cruelty in ourselves first.

It's WWII and Germany is losing the war. 10 year old Jojo Betzler (Roman Griffin Davis) can't tie his own shoes and has an imaginary friend in Hitler (Taika Waititi). He is starting Hitler youth training under weary war veteran Captain Klenzendorf (Sam Rockwell). He refuses to kill a rabbit and the guys ridicule him as Jojo Rabbit. One day, he finds a girl living in the wall of his late sister's room. His mother Rosie (Scarlett Johansson) is hiding Jewish girl Elsa (Thomasin McKenzie).

This is an inventive film. It is feel-good and heart-breaking. It has comedy and tragedy. It is an outside-the-box, brilliant film from the unusual Taika Waititi. The kid is brilliant. The best friend is funny. ScarJo is terrific. There are some big-time emotional gut punches. There are surprising turns. This is one of the year's best.