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Ajouter une intrigue dans votre langueA bachelor party weekend in the great outdoors takes some unexpected detours.A bachelor party weekend in the great outdoors takes some unexpected detours.A bachelor party weekend in the great outdoors takes some unexpected detours.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Grace Fitzgerald
- Ruth's Bridesmaid
- (as Grace Kelley)
Avis à la une
My girlfriends and I were so excited to see this movie, thinking it was going to be a fun movie. Characters start to make bad decisions and one thing leads to another and so on. You get the idea. The Stag will either surprise or disappoint you, depending on what your expectations are. Still, it's a film BOTH genders can enjoy, and it shouldn't be limited to "a movie for the ladies." In the end, what the audience gets is a casserole of movie elements and little of the satisfaction that comes from watching these types of movies. The sound editing was weird to me. The main plot of the film was constantly being interrupted. Don't make a mistake of watching this film if you have any self respect.
What may seem like a small fun, light-hearted comedy on the surface, turns out to be an incredibly fun, emotionally moving story which addresses the topic of masculinity in 2014.
It's simple, it's really simple even – it's just a group of guys going on a Stag, and they unfortunately have to share it with the bride's crazy brother, known only as "The Machine" – so what makes it so special? It's an incredibly well executed, heart-warming tale in which every character is unique and lovable, and each actor delivers a fantastic performance in their respective roles. Andrew Scott of BBC's Sherlock is probably the main attraction here, but even his brilliant performance is easily upstaged by Hugh O'Conor and Peter McDonald who completely dissolve into their roles.
Peter McDonald and John Butler's script brings to life these characters in a very fun-loving way. There's nothing outrageous or false about the comedic moments, they're genuine and at times heart-warming, which is a welcome change from what we've come to expect from comedy films. But beyond a few gags there's so much honesty in the storytelling and how the events unfold that you can't help but be drawn to it and immerse yourself in the characters' situation, to the point where you feel like you're a guest at their wedding after the Stag. With so many human, authentic moments, there is something about this tale that will undoubtedly appeal to you – and then there's the comedic aspect of the film, which is above-all, the icing on the cake.
"The Stag" brings forth a very important message about how we have a tendency to approach modern masculinity in a traditional fashion, and the movie acts as a learning experience for both the audience and the characters, resulting in the most heart-warming Irish comedy in the last 5 years.
Follow me on twitter: @StuartComerford
It's simple, it's really simple even – it's just a group of guys going on a Stag, and they unfortunately have to share it with the bride's crazy brother, known only as "The Machine" – so what makes it so special? It's an incredibly well executed, heart-warming tale in which every character is unique and lovable, and each actor delivers a fantastic performance in their respective roles. Andrew Scott of BBC's Sherlock is probably the main attraction here, but even his brilliant performance is easily upstaged by Hugh O'Conor and Peter McDonald who completely dissolve into their roles.
Peter McDonald and John Butler's script brings to life these characters in a very fun-loving way. There's nothing outrageous or false about the comedic moments, they're genuine and at times heart-warming, which is a welcome change from what we've come to expect from comedy films. But beyond a few gags there's so much honesty in the storytelling and how the events unfold that you can't help but be drawn to it and immerse yourself in the characters' situation, to the point where you feel like you're a guest at their wedding after the Stag. With so many human, authentic moments, there is something about this tale that will undoubtedly appeal to you – and then there's the comedic aspect of the film, which is above-all, the icing on the cake.
"The Stag" brings forth a very important message about how we have a tendency to approach modern masculinity in a traditional fashion, and the movie acts as a learning experience for both the audience and the characters, resulting in the most heart-warming Irish comedy in the last 5 years.
Follow me on twitter: @StuartComerford
I somehow ran across this title after review of the title 'Calvary' (2014), another film from the Irish Film Board that I was impressed with. I was quite delighted with this tale of a bachelor stag gone awry, that didn't take the low road of comedy, as the infamous 'Hangover' Trilogy.
Long time friends Davin and Fionan find themselves planning and impromptu stag party for the rather effeminate and polite groom. What starts off as a simple little camping trip between 5 friends turns into a rather long evening of mishaps, bad decisions, and inconveniences. Enter 'The Machine,' brilliantly played by Peter McDonald, the grooms soon to be brother in-law, and a character of insulting bravado, who acts as an instigator throughout the film. Things begin nicely enough, but little by little, plans get skewed and they all end up off course.
What made this film such a pleasure was how real the whole situation seems. If you've ever been hiking with friends, you learn very quickly who are the capable friends, and who are not. This film delightfully plays into this idea, when friendships are tested out in the wilderness after a few slight mishaps. At no point did this film scream fake, and I found myself laughing along with the banter. Each character brings a little bit of their own humour in this film, and each personality was perfect for their role. The run on jokes are timed very well, and even though you know they might be coming, they still deliver laughs.
A great heartfelt comedy, funny and smart throughout.
6/10
Long time friends Davin and Fionan find themselves planning and impromptu stag party for the rather effeminate and polite groom. What starts off as a simple little camping trip between 5 friends turns into a rather long evening of mishaps, bad decisions, and inconveniences. Enter 'The Machine,' brilliantly played by Peter McDonald, the grooms soon to be brother in-law, and a character of insulting bravado, who acts as an instigator throughout the film. Things begin nicely enough, but little by little, plans get skewed and they all end up off course.
What made this film such a pleasure was how real the whole situation seems. If you've ever been hiking with friends, you learn very quickly who are the capable friends, and who are not. This film delightfully plays into this idea, when friendships are tested out in the wilderness after a few slight mishaps. At no point did this film scream fake, and I found myself laughing along with the banter. Each character brings a little bit of their own humour in this film, and each personality was perfect for their role. The run on jokes are timed very well, and even though you know they might be coming, they still deliver laughs.
A great heartfelt comedy, funny and smart throughout.
6/10
Marketed as an Irish version of The Hangover, cinema goers expecting to see a gross-out outlandish comedy will be left disappointed. In its place they will find a charming, genuinely touching and not to mention hilarious comedy drama. This is a movie that belongs more in the realism of Barrytown then the fantasy world of Las Vegas.
At her wits end with fiancée Fionan's (Hugh O'Conor) obsessing over every detail of their upcoming nuptials (particularly in one fantastic scene with wedding planner Justine Mitchell – who nearly walks off with the film in her brief scene), Ruth (Amy Huberman), enlists the help of his best man Davin (Moriarty himself, Andrew Scott) to take the metro Politan Fionan away for a stag weekend. He is joined by mild mannered U2 denier Simon (Brian Gleeson), gay couple Kevin and Kevin (Andrew Bennett and Michael Legge) and, against his best efforts, by Ruth's boorish brother, known as The Machine (Moone Boy's Peter McDonald).
The set up is nothing original, with everything from The Hangover to last year's Few Best Men mining the pre-wedding blow-out as an excuse for raunchy, far flung mayhem. What sets this film apart is that none of the cast fall into their expected token role. The Machine could quite easily have turned into the movie's equivalent of Stiffler but McDonald (who also co-wrote the script) is in spectacular form, grounding his character with real depth and a realism to any group of friends who all have that 'one' within the group. He never crosses the line to offensive or tasteless and, as a result, the audience is rewarded with a character that resembles an actual person as opposed to a catchphrase spouting bore.
The cast are excellent across the board, Brian Gleeson (son of Irish film legend Brendan) shows enough guile and put upon humor to suggest it won't be too long before his name isn't suffixed with his famous father's name and becomes a respected talent in his own right. Andrew Bennett and Michael Legge convey a wonderful chemistry as a couple plagued with all too real and topical problems and thankfully their sexuality is never played for tasteless laughs. Their story arc is beautifully handled and threatens to overshadow the main plot, which sees tensions between Davin and Fionan simmering to a boil due to the best man's feelings towards his friend's fiancée. Scott, fresh from his reappearance in Sherlock, gives a wonderfully nuanced performance, his eyes tinged with sadness while maintaining his loyalty to his best friend. The duality is never conveyed better than during his heartbreaking rendition of the Patrick Kavanagh classic Raglan Road, which hopefully will find its way into the soundtrack. Stuck with what could have been the least interesting role in the movie theater, stand out Hugh O'Conor inhibits Fionan with enough restraint so as to never make the character a whiny cliché, but also stands his ground enough that we never want to just see him cast aside for the more romantic Davin to step in. It is a very tricky balancing act and O'Conor, who has been on the cusp of a break out role for the past few years, absolutely nails it.
The film though will ultimately live and die by one measuring stick, is it funny? And on that front the film is a massive success. Foregoing any artificially outrageous set pieces – no tigers or giraffe decapitations here. The film instead relies on the delivery of its talented cast, along with its slick humor and stinging one liners. This is not to say that director John Butler is above moments of crudeness, as he puts his game cast through the ringer during one unforgettable reenactment of the Emperor Penguin huddle. It is a nice commentary on male bonding rituals without ever sacrificing story for laughs. It is the best Irish film for quite some time and seems destined to be spoken about in the same terms as The Snapper or The Commitments. Highly recommended. www.followingthenerd.com
At her wits end with fiancée Fionan's (Hugh O'Conor) obsessing over every detail of their upcoming nuptials (particularly in one fantastic scene with wedding planner Justine Mitchell – who nearly walks off with the film in her brief scene), Ruth (Amy Huberman), enlists the help of his best man Davin (Moriarty himself, Andrew Scott) to take the metro Politan Fionan away for a stag weekend. He is joined by mild mannered U2 denier Simon (Brian Gleeson), gay couple Kevin and Kevin (Andrew Bennett and Michael Legge) and, against his best efforts, by Ruth's boorish brother, known as The Machine (Moone Boy's Peter McDonald).
The set up is nothing original, with everything from The Hangover to last year's Few Best Men mining the pre-wedding blow-out as an excuse for raunchy, far flung mayhem. What sets this film apart is that none of the cast fall into their expected token role. The Machine could quite easily have turned into the movie's equivalent of Stiffler but McDonald (who also co-wrote the script) is in spectacular form, grounding his character with real depth and a realism to any group of friends who all have that 'one' within the group. He never crosses the line to offensive or tasteless and, as a result, the audience is rewarded with a character that resembles an actual person as opposed to a catchphrase spouting bore.
The cast are excellent across the board, Brian Gleeson (son of Irish film legend Brendan) shows enough guile and put upon humor to suggest it won't be too long before his name isn't suffixed with his famous father's name and becomes a respected talent in his own right. Andrew Bennett and Michael Legge convey a wonderful chemistry as a couple plagued with all too real and topical problems and thankfully their sexuality is never played for tasteless laughs. Their story arc is beautifully handled and threatens to overshadow the main plot, which sees tensions between Davin and Fionan simmering to a boil due to the best man's feelings towards his friend's fiancée. Scott, fresh from his reappearance in Sherlock, gives a wonderfully nuanced performance, his eyes tinged with sadness while maintaining his loyalty to his best friend. The duality is never conveyed better than during his heartbreaking rendition of the Patrick Kavanagh classic Raglan Road, which hopefully will find its way into the soundtrack. Stuck with what could have been the least interesting role in the movie theater, stand out Hugh O'Conor inhibits Fionan with enough restraint so as to never make the character a whiny cliché, but also stands his ground enough that we never want to just see him cast aside for the more romantic Davin to step in. It is a very tricky balancing act and O'Conor, who has been on the cusp of a break out role for the past few years, absolutely nails it.
The film though will ultimately live and die by one measuring stick, is it funny? And on that front the film is a massive success. Foregoing any artificially outrageous set pieces – no tigers or giraffe decapitations here. The film instead relies on the delivery of its talented cast, along with its slick humor and stinging one liners. This is not to say that director John Butler is above moments of crudeness, as he puts his game cast through the ringer during one unforgettable reenactment of the Emperor Penguin huddle. It is a nice commentary on male bonding rituals without ever sacrificing story for laughs. It is the best Irish film for quite some time and seems destined to be spoken about in the same terms as The Snapper or The Commitments. Highly recommended. www.followingthenerd.com
A nice find... The film starts off with a few cliché' (though tolerable) scenes, but once "The Machine" (Peter McDonald) enters the film, the movie sets off on its eccentric (and sometimes hilarious) adventure in the wood.
A feel good movie that has quite a few funny scenes, with just the right amount of sincere "sweet moments" thrown into the mix.
Compared to The Hangover series, The Bachelor Weekend is more believable and draws you into connecting with the characters.
A good film you may have missed!
A feel good movie that has quite a few funny scenes, with just the right amount of sincere "sweet moments" thrown into the mix.
Compared to The Hangover series, The Bachelor Weekend is more believable and draws you into connecting with the characters.
A good film you may have missed!
Le saviez-vous
- AnecdotesAmy Huberman was pregnant during filming.
- GaffesDuring the final scene when The Machine is singing One, his boutonnière appears to move from the left lapel to the right and back again. What is actually happening is the image was reversed in post-production, probably to make the direction the actor was looking match the other shots. Thus, not only does the boutonnière change sides, the pocket and handkerchief does, too (as well as the hand with which the actor holds the microphone).
- Crédits fousToward the end of closing credits "U2, we <3 you" can be read.
- ConnexionsReferences Les Soprano (1999)
- Bandes originalesOne
Written by Bono (as Hewson), Adam Clayton (as Clayton), The Edge (as Evans), Larry Mullen Jr. (as Mullen)
Performed by Peter McDonald (as The Machine) and The Covers
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- How long is The Bachelor Weekend?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Bachelor Weekend
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 600 000 € (estimé)
- Durée1 heure 34 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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