Blackwood

Blackwood is a supernatural horror/haunted house film in the vein of The Others, What Lies beneath and the Orphanage. If you like hard horror this may not be for you but if you're big on mood, atmosphere and things that go bump in the night you won't be disappointed. Set in the Wales/Bristol/Cotsworld region the film capitalises on what The UK has in spades; brooding sky's, panoramic moorlands, eerie woods and old houses that you know are harbouring dark secrets behind their closed doors. I've watched a bunch of good paranormal movies from the states recently, especially the Blumhouse movies but although they do have some good scares they never have the right sorts of locations to give you a chill as they can't escape things being too contemporary and suburban. This film is more of a classic grown up ghost story that understands the rules that fear begins in the mind. If you're looking for a film that's a bit different to the other summer fare give it a look in. Great twist too.

Well, I am a huge fan of the 'things that go bump, spill your popcorn' kinda movie, so was interested from the start to see what these guys were pumping so hard in their reviews. I'm all for that to get your low budget flick a bit of a boost, but no-one likes to feel conned. The story is the usual predictable rip off of 'The Shining', house in country, tick, husband in crisis moves family away against their best wishes, tick, husband starts to lose the plot (not the only one), tick, we all see dead people, tick, lots of dark rooms, wide angles and flickering, etc, etc . . . Which is all cool, except the character development is almost non-existent, his poor wife is left as a totally 2 dimensional character, and the husband struggles to convince with such poor dialogue to work with. In conclusion, without giving anything away (you'll see it all coming a ways off), it's nothing that hasn't been done a hundred times before, and with far more flair. Rather than copying everything that's gone before, try making something original. Poor.

If the answer is 'yes' then you might as well not read this review and not bother watching 'Blackwood.' Don't get me wrong – it's not bad. It's one and only problem is that it's so unoriginal that if you've even seen one previous supernatural/ghost story then you've basically seen this story (and quite possibly done better).

A teacher moves his family into an old creepy house, largely against their wishes. Once there, spooky things start to happen. Every quarter of an hour you'll catch sight of a reflection that wasn't there, or a shadow in night which disappears upon investigation. If that sounds scary to you, maybe you will get something out of it. Personally, I grew out of thinking that was in any way spooky when I was about ten.

The acting is nothing to write home about. That's not a criticism of the actors. They're good enough, as I've seen them in other things. However, they just go through the motions and you can see every vague sub-plot coming a mile off.

It's a British film and, in typical British style, it's low budget. I know it's a bit unfair to expect a Brit-funded film to compete with Hollywood blockbusters when it comes to special effects, so I can't be too harsh on 'Blackwood' for not even trying. Don't expect hordes of monsters or vast action sequences interspersed with the story.

It's a 'slow burner.' Possibly too slow for its own good. Basically, if you think that a door shutting on its own is scary, then you might like this. Otherwise, just watch one of your many other horror/ghost story DVDs that you probably already own. It's better.

Now move along... nothing to see here.

Saw this at a festival last year and wasn't sure it was going to get distribution, but, against what appeared to be the general feeling it looks like it has a distributor for August, so have decided to post my notes.

The premise is the usual one for scary, strange-bump-in-the-night movies, emotionally challenged husband moves innocent family out of the big city and in to harms way. This is fine, after all, we all need to get our characters out of their comfort zones and into some kind of jeopardy, otherwise, 'Lassie' for example, would never have been made.

I totally love these type of films, but what follows is unfortunately something of a mash up of all the things you've seen before that have to appear in a make-'em-jump movie. Now, of course, we could try to to convince ourselves (a la Ben Affleck's speech to Col Dolittle in 'Pearl Harbour), that copying others is not bad, its an 'homage'. But then that would force you to accept the US remake of 'The Vanishing' was an 'homage' to George Sluizer's truly taut original. So we see 'Blackwood' is a fairly lame regurgitation of all the familiar tropes, there is a twist at the end, but if you don't spot it a mile you should pop out and show yourself a good time more often, either that or you've dozed off at some point. So all in all, not so unlike Lassie, a little bit more than just a dog.

I was surprised by some of the other reviews for this film, 10 out of 10? I was expecting a classic which had been gathering dust unloved, suddenly discovered and released to an adoring public, prompting review hysteria! I thought, wow! 'Bladerunner' IMDb rated 8.3, 'Citizen Kane' 8.5, 'Unforgiven' 8.3, this must be quite an undiscovered gem. It isn't.

Now, I don't claim to know much about the creative process of writing an original screenplay, but I'm pretty sure that the word 'original' is just about as important as 'screenplay'. This crazy-pa-moves-family-to spooky-house has been done, well lets say with no pun intended, to death.

I cannot understand why, essentially having really original takes on this theme, I'm looking at you, 'The Shining' and 'The Others', which took the idea in completely different and original directions, we need something like this which lacks any originality. The characters are written in 2 dimensions to such an extent that long before the end you simply couldn't care less what happens to them. But it doesn't stop the clichés coming thick and fast. Not only is this not a '10 out of 10' lost classic, it is derivative and lazy. It desperately needed rewrites from someone with something original to add to the genre. I felt conned.