[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
Guide des épisodes
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Retour à Howards End

Titre original : Howards End
  • Mini-série télévisée
  • 2017–2018
  • 12
  • 1h
NOTE IMDb
7,2/10
7,1 k
MA NOTE
POPULARITÉ
3 163
38
Hayley Atwell in Retour à Howards End (2017)
Howards End
Lire trailer2:16
6 Videos
99+ photos
Costume DramaPeriod DramaDramaRomance

Les divisions sociales et de classe au début du XXe siècle en Angleterre à travers l'intersection de trois familles - les riches Wilcox, les Schlegels doux et idéalistes et les Basts de la c... Tout lireLes divisions sociales et de classe au début du XXe siècle en Angleterre à travers l'intersection de trois familles - les riches Wilcox, les Schlegels doux et idéalistes et les Basts de la classe moyenne inférieure.Les divisions sociales et de classe au début du XXe siècle en Angleterre à travers l'intersection de trois familles - les riches Wilcox, les Schlegels doux et idéalistes et les Basts de la classe moyenne inférieure.

  • Casting principal
    • Matthew Macfadyen
    • Hayley Atwell
    • Philippa Coulthard
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    7,1 k
    MA NOTE
    POPULARITÉ
    3 163
    38
    • Casting principal
      • Matthew Macfadyen
      • Hayley Atwell
      • Philippa Coulthard
    • 54avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 1 victoire et 12 nominations au total

    Épisodes4

    Parcourir les épisodes
    HautLes mieux notés1 saison

    Vidéos6

    Howards End
    Trailer 2:16
    Howards End
    Howard's End: Episode 3
    Trailer 0:25
    Howard's End: Episode 3
    Howard's End: Episode 3
    Trailer 0:25
    Howard's End: Episode 3
    Howard's End: Episode 2
    Trailer 0:28
    Howard's End: Episode 2
    Howard's End: Season 1
    Trailer 2:14
    Howard's End: Season 1
    Howard's End: Episode 4
    Trailer 0:25
    Howard's End: Episode 4
    BUILD: The "Howards End" The Book Influenced The Actors of STARZ 'Howards End"
    Video 1:31
    BUILD: The "Howards End" The Book Influenced The Actors of STARZ 'Howards End"

    Photos100

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 94
    Voir l'affiche

    Rôles principaux42

    Modifier
    Matthew Macfadyen
    Matthew Macfadyen
    • Henry Wilcox
    • 2017
    Hayley Atwell
    Hayley Atwell
    • Margaret Schlegel
    • 2017
    Philippa Coulthard
    Philippa Coulthard
    • Helen Schlegel
    • 2017
    Alex Lawther
    Alex Lawther
    • Tibby Schlegel
    • 2017
    Joe Bannister
    Joe Bannister
    • Charles Wilcox
    • 2017
    Donna Banya
    Donna Banya
    • Annie
    • 2017
    Tracey Ullman
    Tracey Ullman
    • Aunt Juley
    • 2017
    Bessie Carter
    Bessie Carter
    • Evie Wilcox
    • 2017
    Joseph Quinn
    Joseph Quinn
    • Leonard Bast
    • 2017
    Rosalind Eleazar
    Rosalind Eleazar
    • Jacky Bast
    • 2017
    Yolanda Kettle
    Yolanda Kettle
    • Dolly Wilcox
    • 2017
    Sandra Voe
    • Miss Avery
    • 2017
    Gavin Brocker
    • Crane
    • 2017
    Miles Jupp
    Miles Jupp
    • Percy Cahill
    • 2017
    William Belchambers
    William Belchambers
    • Burton
    • 2017
    Hannah Traylen
    Hannah Traylen
    • Nancy
    • 2017
    Jonah Hauer-King
    Jonah Hauer-King
    • Paul Wilcox
    • 2017
    Julia Ormond
    Julia Ormond
    • Mrs. Wilcox
    • 2017
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs54

    7,27.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    pd78w

    Please forgive me, but...

    ... I much preferred the 1992 Emma Thompson/Anthony Hopkins/James Ivory movie version. Perhaps I'm too much a fan of Merchant Ivory films. It's a pleasure watching Matthew Macfadyen in anything. And I look forward to future roles for Hayley Atwell. It's not that this mini-series version is inferior. It simply didn't arouse as much of my sympathy for any of the characters as the 1992 version.
    7TheLittleSongbird

    BBC takes on EM Forster

    Love the book, and EM Forster's other work, and the 1992 film is not only one of the best Forster adaptations it is a wonderful film in its own right. BBC have done a lot of very good to outstanding period drama adaptations and the cast are a talented lot, so a large part of me was really looking forward to their adaptation of 'Howard's End'.

    Watching all four episodes, found myself finding a lot to like about 'Howard's End' (2017) but feeling also it had its short-comings that stopped me from loving it. Of this and the 1992 film, as unfair it would seem to compare, there is no question which is the better one of the two, with the 2017 adaptation lacking the nuanced depth, emotion and elegance of the film.

    There is a lot to like about 'Howard's End' (2017). It is impeccably made visually, with the period detail sumptuous and evocative, stylish costumes, beautiful photography and even more beautiful scenery/locations. The direction is admirably restrained without being pedestrian.

    'Howard's End' (2017) is intelligent and controlled, doing a lovely job exploring Forster's many themes and insights that still hold relevance and provoke thought today (at least to me). Appreciated the subtle, restrained approach to the storytelling, and on the most part keeps the many layers and characterisation interesting.

    Casting is also strong, with the standouts being Hayley Atwell, capturing Margaret's good intentions, spirit and emotional repression with ease, and a movingly poised Julia Ormond. Matthew MacFadyen brings a suitable amount of charisma. A lot of talk has been made about the diversity, this didn't bother me at all and am sure Forster himself wouldn't have been bothered by it, it didn't seem jarring and to me it seems to be something insignificant blown out of proportion.

    On the other hand, as indicated, 'Howard's End' had its shortcomings. The first episode was something of a slow starter, it needed more zest and tighter pacing for an episode that felt more like set up than anything else. Stick with it though, because the other three episodes improve on this when the story and characters become richer and deeper. Timeline changes could have been clearer, sometimes it did feel jumpy and one doesn't know how much time has passed.

    For me, and quite a few others it seemed, the music was a bit too intrusive and the sound could have been toned down. While the cast were on the most part very impressive, Tracy Ullman overdoes it a bit.

    In summary, good but could have been more. 7/10 Bethany Cox
    8annlevtex

    A Worthy Adaptation

    I fell in love with Emma Thompson's portrayal of Margaret Schlegel in the 1990s film version. I loved the film as a whole. But this version is just as worthy, and being a four-hour series, can embrace a larger picture and more importantly, a larger canvas of characters.

    Leonard Bast is central to the plot, but in the film, he was a cipher, a vessel and a canvass for the sisters to paint. I read the book and while women of their class might have seen him that way, I didn't, and I liked that he was given more of a presence and personality. In the film there was no real connection between him and Helen, while in this version, there is one, however tenuous and fleeting. I felt it gave him the respect he deserved, and in doing so strengthened the underlying message.

    I also preferred this version of Henry. Hopkins is brilliant, but to me, Margaret's attraction to him in the film made little sense. No, not even in Edwardian times. She was fierce and self-possessed, he was dull and rigid, and she didn't need his money or stamp of approval. I needed to buy the connection and this version made it breath so much more freely. Not even Emma Thompson can convince me of something unpalatable.

    Some stories just need more time to unfold. Four hours worked well enough, whereas two and half, or even three, didn't. I still love the film version and Helena Bonham Carter is just irreplaceable, but Philippa Coulthard makes a great Helen too People who want to have an issue with Jackie Bast or a few servants or doctors being minorities can fuss away about it all they want. It might be historically unlikely, but it is by no means historically "incorrect" and it shouldn't jar anyone who is paying attention to what matters in the story. If anything it adds to it.

    I loved this version. Kudos to all involved, especially Atwell, Coulthard, McFadyen, and the young actor playing Tibby. Oh, and Ullman. It can be scary to take on a classic that has supposedly been "claimed" by film deities. They did it proud.
    5Emma-M-V

    Emotionally Unengaging

    This series is quite beautiful in terms of scenery, score and cinematography, and though the dialogue is a bit meandering and often feels to be of little consequence I did enjoy the dynamic between the three siblings and their aunt.

    The main issue I have with the series is the total lack of chemistry between any of the romantic pairs. Absolutely none of their relationships felt believable.

    The only characters I felt had any potentially sexual chemistry was Mrs Wilcox and Margaret, so to see Margaret later paired with the bland, unlovable and callous Mr Wilcox was baffling. The feelings which they supposedly have for each other do not read as authentic, and so Margaret becomes a less likeable character as a consequence.

    Furthermore, several pieces of the story feels disjointed - I'm thinking particularly of the space between episodes 1 and 2 and the of end; both places where large amounts of time is skipped over. This kind of skipping is of course typical of epilogues, but in this case it felt weirdly jarring. They were obviously trying to wrap the series up in a neat little bow, but if felt anything but neat.

    Without spoiling the end, the events which lead to the resolution seemed extremely cheap and almost offensive in how certain characters were disposed of.

    If nothing else the series did make me curious to read the book Howard's End and see whether the series fails due to going too far away from the source material, or not having the proper means to give the source material life.
    8alan_hart-80083

    Howards End

    Although I felt the 1992 film was so good that it couldn't be improved on, I found this TV version surprisingly good and the four hours hardly seemed enough to contain all the strands of the story. The acting was perfect, neither overdone nor underdone. As it happens, I live in Stevenage and know the location of Howards End well. The location used was somewhere else of course but I thought it was quite like the original could have been in 1890 when the author would have known it, and perfect for the purposes of the drama. I sympathise with the points people make about black servants and so on, but whether or not these exist in the book, they are certainly quite plausible for the time. The winner for me was E.M. Forster again, as it was in 1992, but I will miss the programme and wish there could be a sequel - perhaps another Passage to India. It's indeed a pity that Forster stopped writing novels so soon, as with his understanding of social mores and change, he would have been a good person to write about the 1930s or 1940s. The last hour was for me a blissful one.

    Vous aimerez aussi

    La petite Dorritt
    8,2
    La petite Dorritt
    Retour à Howards End
    7,4
    Retour à Howards End
    Belgravia
    7,5
    Belgravia
    The Way We Live Now
    7,6
    The Way We Live Now
    Daniel Deronda
    7,2
    Daniel Deronda
    Emma
    8,1
    Emma
    Cranford
    8,3
    Cranford
    Sanditon
    7,6
    Sanditon
    The Paradise
    7,7
    The Paradise
    Kin
    7,4
    Kin
    Nord et Sud
    8,5
    Nord et Sud
    Raison et sentiments
    8,0
    Raison et sentiments

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Hayley Atwell and Matthew McFadyen worked to together in "The Pillars of the Earth" in 2010.
    • Connexions
      Referenced in Honest Trailers: The Oscars (2017) (2017)

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ19

    • How many seasons does Howards End have?Alimenté par Alexa
    • What is a "protein builder?" In episode 2, Miss Schnegel takes Mr. Wilcox to an avante-garde restaurant where they serve "protein builders" and "reform food."

    Détails

    Modifier
    • Date de sortie
      • 30 novembre 2018 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Site officiel
      • British Broadcasting Corporation (United Kingdom)
    • Langues
      • Anglais
      • Allemand
      • Chinois
    • Aussi connu sous le nom de
      • Howards End
    • Lieux de tournage
      • Myddleton Square, Clerkenwell, Londres, Angleterre, Royaume-Uni(Schlegels' house)
    • Sociétés de production
      • Playground Entertainment
      • British Broadcasting Corporation (BBC)
      • Starz Originals
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure
    • Couleur
      • Color
    • Mixage
      • Stereo

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Hayley Atwell in Retour à Howards End (2017)
    Lacune principale
    What is the Hindi language plot outline for Retour à Howards End (2017)?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la pageAjouter un épisode

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.