Retour à Howards End

Hayley Atwell enchants in this brilliant and faithful BBC adaptation of EM Forster's great novel. All of the actors are very convincing in their portrayal of multi-faceted characters. I didn't want the show to end. It's a thorough examination of class and social mores, and the message is not lost in time and very much relevant today in the debate between liberals and conservatives. The human spirit, compassion and love prevail. A must-watch for period drama fans like me.

I'm writing this review after episode 2, mainly to counter some of the other overly critical reviews of Howard's End.

I loved the movie version with Emma Thompson and Anthony Hopkins, but I feel this miniseries version can explore further some of the issues and topics E.M. Forster touched on in his book; class, gender, nationality etc. Also the mirrored circumstances across the class divide and how characters deal with them

As regards race and some of the casting i.e. the housemaid and Jacky Bast, I think they were interesting choices and one Forster would have approved of. He was a fierce opponent of racism (especially anti-anti-semitism) and, to answer another question a reviewer posed, yes there were black people in Edwardian London, all part of the class struggles of the period.

The cast are all excellent, especially Hayley Atwell and Philippa Coulthard. The costumes and cinematography are great. In the first episode the background music seemed rather loud and obtrusive, but this wasn't a problem for me in episode 2. I'm looking forward to episodes 3 & 4.

To those who say it's slow and nothing happens, I'm not sure what to say. Maybe watch the other channel with 'I'm a celebrity get me out of here' on it, or a Transformers movie.

Although I felt the 1992 film was so good that it couldn't be improved on, I found this TV version surprisingly good and the four hours hardly seemed enough to contain all the strands of the story. The acting was perfect, neither overdone nor underdone. As it happens, I live in Stevenage and know the location of Howards End well. The location used was somewhere else of course but I thought it was quite like the original could have been in 1890 when the author would have known it, and perfect for the purposes of the drama. I sympathise with the points people make about black servants and so on, but whether or not these exist in the book, they are certainly quite plausible for the time. The winner for me was E.M. Forster again, as it was in 1992, but I will miss the programme and wish there could be a sequel - perhaps another Passage to India. It's indeed a pity that Forster stopped writing novels so soon, as with his understanding of social mores and change, he would have been a good person to write about the 1930s or 1940s. The last hour was for me a blissful one.

I really have enjoyed the series but some of the casting just is so out of place it's incredibly distracting. At first I was confused by the doctor treating an upper middle class family in Edwardian England being Asian. Then with the servant being black which would have been extremely unusual but not entirely implausible. But then with an interracial marriage that raises NO eyebrows? It stretches incredulity and pulls you directly out of the story.

Colorblind casting only works when it's not impossible in the actual story. In this case it's so improbable it's distracting. I don't understand the thought process involved in casting a classic like this. Especially where it would make massive changes to the story if the characters are not white as that was the reality of the era.

That said, the cast handled their jobs brilliantly and it was charmingly done.

...is that they don't put their money where their mouth is and have a lead character played by a racial minority person. Inserting people of color in some of their recent productions is just too obviously done because they have to stick a minority in there somewhere or they will feel the trendy white guilt. It is an insult to anyone with a logical and realistic brain cell in their head why they do this. And although I am sure the minority actors are very happy to have the roles and the money and the exposure, you would think they would feel somewhat put out because they are being used to be tokens of political correctness not because of their talents.