Ajouter une intrigue dans votre langueWhen a mysterious train accident forces a man to change his plans, he is confronted with a series of choices. Each decision he makes leads to a different scenario, each one filmed by a diffe... Tout lireWhen a mysterious train accident forces a man to change his plans, he is confronted with a series of choices. Each decision he makes leads to a different scenario, each one filmed by a different director with a different cast.When a mysterious train accident forces a man to change his plans, he is confronted with a series of choices. Each decision he makes leads to a different scenario, each one filmed by a different director with a different cast.
- Récompenses
- 8 victoires et 3 nominations au total
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What the film 'Train Station' implies is that the simplest decisions are often the ones that send our lives into the most unexpected directions. We try to prepare ourselves for every situational outcome, but turn left rather than right and an entirely new butterfly effect occurs. This indie film selection is a remarkable exercise in the roulette of randomality and choice. 'Train Station', produced and directed by Yosef Khouwes, is a collaborative effort between forty, yes forty filmmakers and forty-three actors, playing the same character across twenty-five different countries. Every time the main character is faced with a decision the scene transforms into a new location, along with new actors continuing the previous actors' roles. At each point in time when the protagonist chooses their path, they become an entirely new person existing in an entirely new location. As a philosophical implication: Your universe changes along with your choices and you essentially become reinvented through your own actions.
WHAT IF?
The film begins unassumingly enough in a Nairobi train station. The man in brown, as all the players in his persona will be wearing, has just been told that his train has been delayed for an undetermined length of time. He can either wait or return to his home. He makes his choice and immediately the scene cuts to a train station in another city with our unnamed traveler, played by a new actor, abruptly demanding a refund on his ticket. As he leaves the station a series of random events occur, demanding choices at every turn. The sequence of events and continuity moves well from city to city and actor to actor. Each choice leading to a new situation, leading to new choices, ultimately resolving themselves as the means to an end. But the story is incomplete, because what if? What if our character makes a different choice at any particular point in the sequence of events? The directors play through several series of events multiple times, each beginning at square one. As our character makes different choices leading to different outcomes, as in life; each series of events draws cleverly to its own end, but always leaving the protagonist stranded at another fork in the road. One observation is in how the juxtaposition of culture and tradition from country to country affects the decisions made by each personification of the main character. It's easy to lose track if you're not paying attention. The film takes the viewer through many examples of human nature and behavior employing a myriad of uniquely stylized scenes. The tone of the movie is set only after the unnamed traveler decides to wait for his train. There he is met on the platform by an "old man who knows"; suggesting a hint of Krishnamurti , and a philosophical conversation begins about choice, free will and awareness. The performances were convincing except for one or two rough patches of dialogue here and there, but the pacing and structure of the entire film were smoothly scripted. As each scenario unfolds the film expands into a series of short films each with its own international backdrop. Beyond the narrative, the feature itself is a fine example of the "visual art" of filmmaking. The context is relevant, the cinematography is crisp and the locations appeared to have been well scouted for color and texture. Even though I thought one or two of the scenes were a bit contrived; maybe a little too "slapstick", other scenes were very noir-esque, laced with Lynchian nuances and sublimely surreal. As artists we understand that coordinating that level collaboration is a monumental feat in itself. But when the process yields this promising of a result, well that's the icing on the cake! Bottom line? Train Station is an ambitious experiment in art house filmmaking that actually holds up.
EJ Wickes/Cult Critic Mag/CICFF
WHAT IF?
The film begins unassumingly enough in a Nairobi train station. The man in brown, as all the players in his persona will be wearing, has just been told that his train has been delayed for an undetermined length of time. He can either wait or return to his home. He makes his choice and immediately the scene cuts to a train station in another city with our unnamed traveler, played by a new actor, abruptly demanding a refund on his ticket. As he leaves the station a series of random events occur, demanding choices at every turn. The sequence of events and continuity moves well from city to city and actor to actor. Each choice leading to a new situation, leading to new choices, ultimately resolving themselves as the means to an end. But the story is incomplete, because what if? What if our character makes a different choice at any particular point in the sequence of events? The directors play through several series of events multiple times, each beginning at square one. As our character makes different choices leading to different outcomes, as in life; each series of events draws cleverly to its own end, but always leaving the protagonist stranded at another fork in the road. One observation is in how the juxtaposition of culture and tradition from country to country affects the decisions made by each personification of the main character. It's easy to lose track if you're not paying attention. The film takes the viewer through many examples of human nature and behavior employing a myriad of uniquely stylized scenes. The tone of the movie is set only after the unnamed traveler decides to wait for his train. There he is met on the platform by an "old man who knows"; suggesting a hint of Krishnamurti , and a philosophical conversation begins about choice, free will and awareness. The performances were convincing except for one or two rough patches of dialogue here and there, but the pacing and structure of the entire film were smoothly scripted. As each scenario unfolds the film expands into a series of short films each with its own international backdrop. Beyond the narrative, the feature itself is a fine example of the "visual art" of filmmaking. The context is relevant, the cinematography is crisp and the locations appeared to have been well scouted for color and texture. Even though I thought one or two of the scenes were a bit contrived; maybe a little too "slapstick", other scenes were very noir-esque, laced with Lynchian nuances and sublimely surreal. As artists we understand that coordinating that level collaboration is a monumental feat in itself. But when the process yields this promising of a result, well that's the icing on the cake! Bottom line? Train Station is an ambitious experiment in art house filmmaking that actually holds up.
EJ Wickes/Cult Critic Mag/CICFF
Bringing together so many film makers from around the world and creating a feature film which is highly entertaining, thought - provoking, clever, imaginative and unique. It deserves to be watched and watched again. Truly a milestone in cinema history. The basic premise of one character changing bodies, languages, countries, age and sex yet being in the same story and selection of stories is a very clever device. Spanish director Luis Buñuel of course did this in Obscure Object of Desire, but only with 2 actors - Train Station takes this a whole lot further and it takes a few minutes to grasp what is happening, but once involved in the film the viewer is transported into this world and actually looks forward to the next change. This film is a rich tapestry of genre and story, like I said, an amazing achievement.
10surya7
an incredible collaboration! The magic of 40 minds, ideas, hard work coming together to make a beautiful film! The essence of various countries, languages, dialects, spaces,. everything coming together in a charming manner. the story of one character but seamlessly changing cast from sequence to sequence. already premiered at the Berlin international festival and having got some brilliant response! a must watch. hoping it travels to many more countries and festivals. and gets released worldwide. don't forget to find a way to watch this masterpiece. begins in one part of the world, ends in another. you have-not seen one of the same.
10ghkfilms
I wanted to write a review as soon as I got home from the theater, but I thought it best to let the experience saturate a bit as I was still trying to find a way to describe the feeling I had after seeing "Train Station." I kept comparing it to the first time I heard Bob Dylan's "It's All Right Ma (I'm Only Bleeding)" or when I first watched "E.T." as a kid, but even those moments fall short of the profound effect this movie had on me.
I have never seen the world so connected in any art form like I saw on Tuesday at The Main Art Theater in Royal Oak, MI. It was truly beautiful. The whole concept is ground breaking and CollabFeature's ability to make it happen is awe-inspiring. I know I will be talking about both the movie and my experience of seeing it for many years. I walked away feeling inspired, amazed, and incredibly grateful to have had the opportunity to attend this screening. I'm excited for others to see it and experience the innovative art of filmmaking in its purest form.
I loved every minute of it.
I have never seen the world so connected in any art form like I saw on Tuesday at The Main Art Theater in Royal Oak, MI. It was truly beautiful. The whole concept is ground breaking and CollabFeature's ability to make it happen is awe-inspiring. I know I will be talking about both the movie and my experience of seeing it for many years. I walked away feeling inspired, amazed, and incredibly grateful to have had the opportunity to attend this screening. I'm excited for others to see it and experience the innovative art of filmmaking in its purest form.
I loved every minute of it.
Innovative and entertaining, this film rocks. It keeps you engaged, as the pace, the scenery, and the actors are constantly changing, though the story is consistent and well-told. Just when you think you know where the story is heading, it goes in the opposite direction, then back to the opposite of the opposite direction. It makes you pay attention, makes you think, and afterward, you'll feel like taking a moment to absorb it all. It's funny, sad, freaky, it has a bit of a lot. The diversity of the filmmakers and styles makes this film worth watching. It's impressive that so many filmmakers from all around the world worked together to piece this project together. I look forward to future Collab projects.
Le saviez-vous
- AnecdotesThe German segment was shot on a real Street Fair on October 3rd 2012, during the celebration of the reunification of Germany at the famed Brandenburg Gate.
- ConnexionsReferences Le hasard (1987)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Железнодорожный вокзал
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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