Braquage à l'ancienne

The new film, GOING IN STYLE, is the equivalent of eating a Grilled Cheese Sandwich with Tomato Soup on a cold, rainy Sunday afternoon - very familiar, very welcome and very comforting.  It's not going to win any Academy Awards or change the course of movie history, but this film delivers - competently and professionally - what it promises to deliver with no fuss and no muss.

Starring film veterans Michael Caine, Morgan Freeman and Alan Arkin, GOING IN STYLE tells the story of how these three are pressed against the wall, financially, and their last resort is to rob a bank to get the money they need.

And...it's fun...not hilarious...not groundbreaking, but fun.  Caine, Freeman and Arkin believably play 3 long time friends who are nearing the end.  There is a comfort there with each other and it was pleasant to spend time with them.  Joining them was the one and only Ann- Margret and the always fun Christopher Lloyd (in, hands down, the best performance and most interesting character in the film).

Notice, I've used the words comforting, pleasant and pleasing.  I did NOT use the words groundbreaking, hilarious or epic.  I certainly enjoyed myself and am glad I saw it.

And you will too, whether you see this film in the movie theater or run across it as you are lying on the couch some rainy Sunday afternoon.

Letter Grade:  a solid "B"

7 (out of 10) stars and you can take that to the Bank (of Marquis)

Going in Style isn't one of those typical "let's make fun of old people" films. Yes, it has a few gags about old age, but the majority of the film is just about three men, who happen to have white hair. Michael Caine, Morgan Freeman, and Alan Arkin are three friends barely making ends meet. Morgan can't afford to visit his family, Michael's in danger of losing his home, and Alan clips coupons along with many other retirees whose Social Security doesn't cover all expenses. After Michael is present during a bank robbery, he comes up with the idea of robbing a bank himself, with a little help from his friends.

Michael and Morgan are given the most acting to do, since Alan is mainly the comic relief, and they are wonderful. They could have easily written the film off as a silly comedy and thrown their lines away, but both of them put their whole hearts behind their performances. Joining the supporting cast is Ann-Margaret, who inexplicably has a crush on Alan Arkin instead of the dreamy Michael Caine. She's basically the same as she was in Grumpy Old Men, but it's nice to see her still in circulation. Matt Dillon, who hasn't aged a day since Crash, Josh Pais, Christopher Lloyd, and Richie Moriarty also have small but memorable parts.

These days, it's extremely expensive to go to the theaters, and we often find ourselves saying, "Eh, I'll just rent it." I went to the theaters to see Going in Style, and it was worth every cent. This movie is hilarious, heartwarming, and extremely entertaining. If you just want to laugh at old people, go rent Dirty Grandpa or Last Vegas. But if you're looking for three Academy Award winning actors in a very sweet story, better acting than you'd expect in a comedy, and a film that respects older actors, this is one of the best.

Personally, I really like the works of Zach Braff, I fell in love with him in the series "Scrubs", which, thanks to the actor's play of Braff, delighted the fans for many years. Later I became interested in his first feature film "Garden State", which showed an unusual director's style of Braff. Then, after many years, the second film "Wish i Was Here" appeared, in which the matured director shared with the audience his experiences about the upbringing of children and death. Before watching "Going in Style" i found out that the film is a remake of the same picture released in 1979, this prompted me first to see it. Let's move on to the film itself.

Actors Actors on the main roles, Braff took the first magnitude: Morgan Freeman, Michael Kane, Alan Arkin. Each of the actors is already a professional in their field, so they played at their good level: convincingly and vigorously. This film is the sixth joint work of Morgan Freeman and Michael Kane after the trilogy of Christopher Nolan about Batman and the "Now You See Me" dialog. Not a bad role was the young actress Joey King, who played the granddaughter of the character Michael Caine. I think that the actress will have many good and interesting roles in the future. Also pleased with the appearance of Christopher Lloyd, who was remembered by the majority for the role of Dr. Emmett Brown in the trilogy "Back to the Future".

Story As I wrote earlier, before watching this film, I already looked at the version of 1979. When I went to the film, I assumed that I would see the story one by one, only with the eyes of another director. But, as it turned out, the film's writers foresaw this and pleasantly surprised me by changing the plot in key places. Both films, the 1979 film and the Braff movie are based on the work of Edward Cannon.

Cinematography Separately, I would like to note the excellent and beautiful camera-work of Rodney Charters, which positively influenced the film and created for him a memorable style.

The Result Although the film is not based on the original script of Zach Braff, his style is still very clearly traced in the picture. I believe that under the leadership of Braff, the film turned out to be much more energetic and cheerful compared to the previous interpretation of the work of Edward Cannon. Remained pleasantly surprised and pleased of film. I look forward to the next product of Braff.

9 out of 10

So here's the thing: if you told me, out of the blue, with no context whatsoever, that there was a heist flick with Michael Caine, Morgan Freeman, Alan Arkin and Ann-Margaret (or you could have me at just Caine) where they plot to rob the Brooklyn bank that's screwed them over after a royal f***-over from their blue collar job, I'd say 'sign me up!' That it would also be a comedy wouldn't be so bad an enticement either; one might be reminded of something that could've starred these same actors from the 70's (ever seen The Hot Rock?) and spiked with some relevant social issues. Matter of fact, as I only recently learned, this is a *remake* of a movie from the 70's (whether it had the same horrible-bank horrible-company thing I'm sure I don't know).

The problem is it's now 2017 and their age can't be taken out of the text of the film - this is the Grumpy Old Men or even The Bucket List of NYC heist movies - and the director Zach Braff is a hack. Sorry, but... no, I'm not sorry to type that. While I haven't Wish I Was Here, Garden State is not simply in retrospect but what I knew at the time to be an unconvincing and cloying indie that had some decent acting and (not mutually exclusive) some highly self-conscious directorial moves and writing that... well, it didn't date well then much less now.

I don't mean to beat up on Braff's film - good for him for making a movie, it wasn't a crime or anything - except to point to how in his third film out he has moved up to now making an unconvincing and typical and safe middle-brow comedy. It's not that the trailer even showed anything like an edge, but... damn, he could've tried, not to mention some twists and reveals near the end that made me groan so loud I got looks from some of the AARP folks in the theater. Oh, and the social issues are dealt kind of up front and we only sort of see the consequences/ramifications of what this does to people (it's closer to the depth of something like Tower Heist in that way).

And yet I have an admiration for this movie getting to see these faces and, at the least, Braff doesn't get too much in the way of Caine and Freeman and Arkin to do what they can with Melfi's also safe script. They work well together and I found myself laughing more than I expected from if not all of the dialog (though there's one or two clever moments from Melfi) then from how they deliver it. There's lifetimes of experience and knowledge and depths of pathos from these actors, even with Arkin who always seems to be Cranky-Ass Arkin (but this is likely an act, so to simply be this personality so convincingly is impressive), and they play off with as much comedy as they can get from the supporting cast like Christopher Lloyd as a dementia-ish Knights of Columbus fellow and Ann Margaret as Arkin's would-be love interest.

The heist itself is shown in broad strokes and we can buy it because, um, movie. I was fine with most of it, up until it strains credulity though this is largely when the alibis have to come out and all of the loose ends come together (and even here I could believe it, at least in the predictable-safe world its set in). Maybe my critical standards are getting rusty and I should harsher on this, not the least because it features a set-up involving a botched preparatory theft of... ingredients for Chicken Cordon-Bleu from a small super-market that is paid off in a way that makes less sense than it should. I wanted it to do a little more, but what it gave me was fine - I may just be a sucker for this cast and that, for what morsels they're given, they do as much and then some with it. It's an excellent Laundromat Movie: if it came on while I was doing/waiting for my laundry, I'd be highly satisfied.

In a theater.... ehhh... Extra points too for Matt Dillon as a non-plussed cop and a humorous Keenan Thompson as the security hack at the super-market.

This is another one of those films that I've been meaning to watch and I've only just got round to it and I have to say, I wish I had watched it sooner. It's a lovely little film with some good laughs and great characters played by some acting greats. While this film will never go down as one of the greats of Hollywood, it is none the less a good old fashioned comedy with a good story line. Some of the critics are trying to poke holes in it, and to be fair there are a few little hiccups and goofs, but it's a comedy, it's not supposed to be that accurate. Watch it for what it is, A good old school comedy, and you will enjoy it as much as I did.