Kishibe Rohan Rûvuru e iku

This film is a bit of a fable, a bit Hitchcock horror; and it throws in a supernatural surreal twist. Very entertaining and visually macabre if a bit overly slow in spots.

Initially it begins as a modern celebrity manga creator heads to the Louvre in search of a painting with his publicist. But it soon has many twists and turns as the origin of the painting, its creator, its fake and that creator, and the various ways all the paintings' owners and creators lives connect, take the story through many portals and emotions.

The enigma of a haunting girl and the obsession of finding the blackest black in a painting that holds a dark and conviluted path through history.

Really hope that someone will list the musicians from the score; some really nice musical choices.

I went in completely blind... and I loved it. I do not know the source material, and I am admittedly not interested in anime or manga, but I have to say that this film entertained me through and through.

The beauty of the film rests on its simplicity. It is a modest yet lovely film. It doesn't try to dazzle you or to show off. The story is straight forward, yet it has a bit of intrigue and suspense. The acting is good. The shot composition and visual language is competent; yet every facet play with one another and it ends up enriching the film at every level.

We follow Rohan, who is a master sketch artist. He is also endowed with a power that allows him to freeze someone and be able to read their minds. As an artist, he is interested in colors, and so he sets out to find the blackest black imaginable, which the rumor suggest can only be seen on one cursed painting that has been lost for years.

So the first part of the film is a detective plot into the art world, that leads Rohan from an auction house to the maze-like basements of the Louvre. And all that is already pretty good. But then without (sufficient) warning, the film lays out a layer of Japanese horror-mysticism on you, and that is where is become its own unique thing. And it is wonderful. I gave me literal chills at times, but it never uses jump scares or music. It relies on story elements and character building to create situation which give you frights. A central theme of the film is that the blackest black painting is so black and evil that if you look at it you lose your mind. When the film decides to just focus on that black painting in the frame and zoom in ever so slowly, I was genuinely terrified.

Fear is psychological. In Jaws, we see the shark only in the last half-hour of the film. Here, we are watching a black screen. This film succeeds because it give us all the tools and information to fear that dark screen, that black void.

It is kinda the perfect Halloween movie.

Rohan

The movie, like this TV series, punches well above is budget for quality and enjoyment.

The simple and artful direction, camera work, costumes, and acting create an aesthetic that honors manga and artistic pursuit.

The actors interactions and dialog imbue the personalities of their characters and lift the writing to life. Patient dialog and camera shots bring a methodical presence to the mystery revealing plot.

One gets the sense the crew and cast love their work, as the creativity, detail and care is evident. While the budgets for special effects and sets are clearly limited, the careful use of locations, costumes, and visual aesthetic more than make up for it.

The gentle, and minimalist story telling results in a wonderfully pleasant experience. And I hope all involved are able to continue these stories.