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The Harvest

  • 2013
  • Not Rated
  • 1h 44min
NOTE IMDb
6,1/10
8,8 k
MA NOTE
Samantha Morton, Michael Shannon, and Charlie Tahan in The Harvest (2013)
A couple who keeps their sick son in a secluded environment find their controlled lives challenged by a young girl who moves in next door.
Lire trailer2:07
3 Videos
35 photos
DrameMystèreThriller

Ajouter une intrigue dans votre langueA couple who keeps their sick son in a secluded environment find their controlled lives challenged by a young girl who moves in next door.A couple who keeps their sick son in a secluded environment find their controlled lives challenged by a young girl who moves in next door.A couple who keeps their sick son in a secluded environment find their controlled lives challenged by a young girl who moves in next door.

  • Réalisation
    • John McNaughton
  • Scénario
    • Stephen Lancellotti
  • Casting principal
    • Samantha Morton
    • Michael Shannon
    • Natasha Calis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    8,8 k
    MA NOTE
    • Réalisation
      • John McNaughton
    • Scénario
      • Stephen Lancellotti
    • Casting principal
      • Samantha Morton
      • Michael Shannon
      • Natasha Calis
    • 68avis d'utilisateurs
    • 90avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Vidéos3

    Official Trailer
    Trailer 2:07
    Official Trailer
    The Harvest: Katherine Punishes Andy
    Clip 1:59
    The Harvest: Katherine Punishes Andy
    The Harvest: Katherine Punishes Andy
    Clip 1:59
    The Harvest: Katherine Punishes Andy
    The Harvest: Maryann Discovers A Secret Room
    Clip 2:05
    The Harvest: Maryann Discovers A Secret Room

    Photos34

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 31
    Voir l'affiche

    Rôles principaux14

    Modifier
    Samantha Morton
    Samantha Morton
    • Katherine
    Michael Shannon
    Michael Shannon
    • Richard
    Natasha Calis
    Natasha Calis
    • Maryann
    Charlie Tahan
    Charlie Tahan
    • Andy
    Peter Fonda
    Peter Fonda
    • Grandfather
    Leslie Lyles
    • Grandmother
    Meadow Williams
    Meadow Williams
    • Sandra
    Journey Smith
    • Pitcher
    • (as Journey Alphonso Smith)
    Amina Robinson
    Amina Robinson
    • Pitcher's Mom
    Nolan Lyons
    • The Boy
    Maria Farrow
    Maria Farrow
    • Nurse 1
    Ashley Ingram
    Ashley Ingram
    • Nurse 2
    Roger Brenner
    • Little League Parent
    • (non crédité)
    Hayden Oliver
    Hayden Oliver
    • Schoolbus Kid
    • (non crédité)
    • Réalisation
      • John McNaughton
    • Scénario
      • Stephen Lancellotti
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs68

    6,18.7K
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    9
    10

    Avis à la une

    7yusufpiskin

    Amazing Cast.

    This is a brillant film with aa good story. About family and A mother love of her child. How sometimes there more doing unthink and unforgiving thing. The writing is on point and with a brillaint cast. Charlie Tahan in this were good. Samantha Morton and Michael Shannon are brilliant in this film!!
    7jzappa

    A Sense of Place, a Return to Form

    I am always more compelled when a story unfolds in an implicit fashion, as when John McNaughton's first feature film since 2001, The Harvest, opens on an incident that is not fully elucidated until several subsequent scenes contrast it with their own stakes and dimensions. We are kept in an ongoing state of anticipation by a patiently, implicitly unfolding story. Most movies feel more of a need to hit an overt, straightforward formula of beats, but what seasoned, patient filmmakers like John McNaughton are willing to hold out for is a contained, clear-cut storytelling style that slow-burns through on the way to pure and constant surprises.

    Certain aspects of McNaughton's technique deliberately old-fashioned, and however that befits your tastes, it is that unhurried confidence that allows acutely poignant relationships to pop. There is something refreshingly and uncomfortably profound about the way the fearfully unpredictable Samantha Morton, as the mother of wheelchair-bound Andy, undermines his father, played with tangible vulnerability by gifted Steppenwolf alum Michael Shannon, her fears pushing her to antagonize those nearest and dearest, lashing out with keen cruelty to deflect her vulnerability, and tragically poisoning the already precarious atmosphere around her.

    The Harvest, it should be made abundantly clear, is an acutely Midwestern film. You can feel it in its sentiment, in its traditional form, and in its piercing portrayal of awkward lulls and that apple pie sense of manners and politeness. Its center aim is on families and upbringing, and more specifically on the crippling feeling of being sheltered and living in a bubble. And as it unfolds into more psychotic territory, the more adult terror of being alone rears its ugly, ruining head.

    Every viewer who grew up in Middle America had friends whose parents they despised. And we all remember the seemingly mortal fear of getting in trouble. The discomfort and suffering in this movie are palpable, owing to the powerfully subtle performances, the delicate direction and the knowing script, but also owing to its powerful sense of place. And when things take a harrowing turn, we're so engrossed that the tension never stops. And even at its most "sensational," it always keeps its feet on the ground dramatically.
    5begob

    Smother

    Adventurous girl befriends a dying boy and uncovers a dark secret.

    This is carefully put together and well acted by the girl and boy. The obsessive mother looked like she was heading for Kathy Bates intensity, but I think the punches were pulled in the end.

    Problem I had with this was it starts as a conventional family drama and only ups the stakes halfway through, and even then it never develops a sense of menace. It's as if they thought the plot reveal alone would elevate the story beyond the Nancy Drew level.

    Also the pace is pedestrian. The director gets the technicals spot on, but I guess the screenplay didn't give enough to allow the tension to mount.
    8lizaio1

    Tense and uncomfortable, but good

    I have watched this one a couple of times to make sure I felt about it the way I did the first time I watched it, and I do. It's a slow-building drama with a lot of quiet dialog, but that makes Samantha Morton's outbursts that much more jarring and intense. Michael Shannon is able to convey a lot of emotion with very little action, and the child actors in the film do a good job holding their own. I won't give away any plot, as to talk about any of it would lead me down the spoiler path, but if you like a good thriller with a disturbing concept, this is worth a watch (or three).

    It's not a "lights off" type of movie, and I wouldn't classify it as horror, but it's a tense thriller in the vein of Fatal Attraction or The Gift. And, it's worth mentioning Samantha Morton again - she plays her role with utter abandon. You believe that she is her character and she's utterly captivating. While she does have shouting and drooling to get her point across, her subtle changes in facial expression and the scariness of her smile is awesome too.
    8kosmasp

    Parenting 101

    The director won't really care what you think of this movie. That much he made clear in his Q&A at the Frightfest Festvial this movie played at. Whatever you think of an attitude like that, it shouldn't matter on your opinion of this movie. Which is really good. It's the script, but also the performances. There are a lot of gray areas that are filled with life here.

    There is also a twist here, that you might see coming early on, or be surprised when you see it. Whatever the case, it is very powerful. So it's not when you know, but what you discover that will certainly leave a mark. In a very good way. And though it goes completely over the top towards the end, it still works ...

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Katherine races into to the burning basement, part of the ceiling collapses upon her. This mirrors a real event where part of the ceiling at Samantha Morton's London home collapsed on her.
    • Citations

      Richard: What's The Difference Between God And A Doctor? God Doesn't Think He Is A Doctor

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    FAQ17

    • How long is The Harvest?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 avril 2015 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Elephant Eye Films (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Can't Come Out to Play
    • Lieux de tournage
      • New York, États-Unis
    • Sociétés de production
      • Living Out Loud Films
      • Das Films
      • Elephant Eye Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 44min(104 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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