Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.Une linguiste est recrutée par l'armée pour communiquer avec une forme de vie extra-terrestre après que douze vaisseaux spatiaux mystérieux se soient posés aux quatre coins du monde.
- Réalisation
- Scénaristes
- Stars
- Récompensé par 1 Oscar
- 71 victoires et 268 nominations au total
Avis à la une
Denis Villeneuve is without a doubt an upcoming director and I can't wait to see Blade Runner 2049. Prisoners, Sicario and now Arrival (haven't seen Enemy yet, or some of his earlier work). Denis knows how to capture the tension. It is almost the strongest point of all of his films. Minimal use of computer generated images, and main focus on story, characters, acting and thrilling scenes. Back on IMDb board, I have noticed a lot of people calling Arrival a boring movie. So many hypocrites these days. People trying to point out every possible flaw to look and sound smarter while at the same time hailing far worse movies. Calling it boring and slow while at the same time complaining no originality in Hollywood, only giant CGI laser explosions extravaganza. Go watch Independence Day. In Arrival there is no action, no explosions, just some amazing acting performances combined with good directing, editing and cinematography. There was not a single moment I felt bored.
An intriguing, interesting and original story focussing on Louise Banks (Amy Adams) a preeminent linguistics professor who must lead humanity in communicating with visiting aliens. I think what most caught me surprised that it's so different from all the other scifi alien "attacks" movies - it's not all action all-guns-blazing at the threat - yet, rather a thoughtful humanity driven movie. Amy Adams is amazing as the protagonist demonstrating humanity as well communicating and befriending the aliens' unknown language and the impact it has on her. She carries the movie single-handed. I think it's a very beautiful message about humanity, what's the whole story is about. And tragic, surely, that despite knowing her future and the painful future she will have, she will not change anything. That's a great message. "Despite knowing the journey, and where it leads... I embrace it... and I welcome every moment of it."
This is a very, very well made film, which is thought provoking, measured, engaging, and thoroughly well made.
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
There is nothing brash, or heavy handed about it, the story is superbly told, with well grounded characters. The story is of course sci fi, and hugely creative, but it's never silly, it is incredibly intelligent.
Awesome special effects, I loved the design of the alien race, and their language, quite incredible.
A story of hope, which I loved. 9/10
Arrival is a sci-fi masterpiece. The acting is tonally perfect. The script is very well written and manages to make the complicated sci-fi lingo seem plausible. Denis Villeneuve directs this film with a gripping realism. The score is haunting and otherworldly at the same time, perfect for the subject matter. The story utilizes the concept of time brilliantly, almost like it's another character.
This is a sci-fi drama. It's not an action film. It's an intimate study that shy's away from big theatrics, instead opting for a philosophical discussion that challenges the viewer. The twist is beautiful and heartbreaking. I love that this film makes you think, it's what great sci-fi is suppose to do.
Watch this.
This is a sci-fi drama. It's not an action film. It's an intimate study that shy's away from big theatrics, instead opting for a philosophical discussion that challenges the viewer. The twist is beautiful and heartbreaking. I love that this film makes you think, it's what great sci-fi is suppose to do.
Watch this.
From where they came, nobody knows, but now they're here, and as you'd guess the world is rife with dread and fear, but there's one thing they all agree, communication is the key, and that's exactly at the centre of, your sphere. So you're lucky when the army comes a calling, it's not too long before your upward bound and falling, where you find two heptapods, who could give you quite a prod, it's engaging, thrilling, scary and enthralling. Alas, the story is too good to give away, after barriers of words and shapes have played, often cryptic, intertwined - complex, deep, just as designed, a piece of cinema that has come, from the top grade.
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Bande-son
Écoutez un extrait de la bande originale ici et continuez à l'écouter sur Amazon Music.
Le saviez-vous
- AnecdotesTed Chiang, who wrote the story the film is based upon, approved the film, saying "I think it's that rarest of the rare in that it's both a good movie and a good adaptation... And when you consider the track record of adaptations of written science fiction, that's almost literally a miracle."
- GaffesIn the main landings chart, the Australian contact point seems to be in the Indian Ocean off Geralton in Western Australia. Later, there is a brief shot of an alien spacecraft with central Sydney in the distance across water; Sydney is on Australia's east coast.
- Citations
Ian Donnelly: [reading from a book by Louise Banks] "Language is the foundation of civilization. It is the glue that holds a people together. It is the first weapon drawn in a conflict."
- Crédits fousDenis Villeneuve's daughter, Salomé Villeneuve, is listed as "Hazmat Suit Specialist".
- Bandes originalesOn the Nature of Daylight
Written and Performed by Max Richter
Courtesy of Deutsche Grammophon GmbH
Under license from Universal Music Enterprises
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- How long is Arrival?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La llegada
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 47 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 100 546 139 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 074 047 $US
- 13 nov. 2016
- Montant brut mondial
- 212 758 656 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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