Jonathan Strange & Mr Norrell

It is very difficult to sum up of even describe Jonathan Strange and Mr Norrell without it sounding lame, which it most certainly isn't. I was unsure what to expect from the title and few screen shots I had seen. There was no promotion for it at all in Australia, as it has yet to be screened here on terrestrial TV. I wasn't sure whether to expect a comedy, a drama, or fantasy. In the end I got all three in some measure, and more. Set in the early 1800's, magic is known of, but rarely practiced in England, that is until a long time practitioner Mr Norrell arrives on the scene to try and bring credibility to real magic. Jonathan strange emerges around the same time, as a newly fledged Magician, and the two inevitably meet. I'll give away no more of the story, but it is written in such away that makes the occurrence of actual magic in the early 19th century believable, as it is accepted as fact by the general public. The weaving of the story with historical events and excellent acting throughout just sucks in those viewers who are willing to suspend their belief and enjoy the ride. Highly recommended, but you have to accept the premise to fully enjoy.

It's very seldom we get shows that have a body of beauty and intelligence in them. Most of TV today is quick gratification, recycled imagery, and predictable turn of events. Strange & Norrel is like reading a Dickens novel... slow romantic build-up with thorough insight to its characters. It's not a show for everyone but for people who enjoy investing time on a good universe, this is it. I read the book a decade ago probably... and loved it. It's a joy to see it on screen, portrayed by the right actors. If you're looking for Harry Potter-esque or LOTR-esque magic, then this is NOT a show for you. But please do try watching Strange & Norrel, it will broaden your magical imagination to a more mature perspective ;)

This is BBC drama at its very best and a great showcase for why the licence fee is such good value. The quality of acting is superb with brilliant casting, lighting, costumes and direction. Hats off to Peter Harness, Nick Hirschkorn and Toby Haynes for writing, producing and directing respectively such a complex book into television drama of the highest quality. Those who have read the complex and sonorous book will be aware of the feat this adaptation has required. This production oozes class and looks set to grip viewers under its spell.

And all this without a single shirt needing to be torn off. At least, thus far.

After the first two episodes I'm hooked! The first episode started out a little slow, developing the characters and establishing the plot. I was sufficiently entertained and interested so that I watched the second episode. By the mid-point of the second episode the pace of the story quickly picked. The main characters feel real, as people, colleagues and competitors. The magic seems natural too. I found it very entertaining without being forced or too fantastic. The acting, costumes, locations, photography and CGI all are first class. I can't wait for the rest of the series and I will probably get the book too. I would consider this much more adult and better than the Harry Potter franchise. Which makes me wonder if we'll hear objections from religious conservatives? There's a lot of magic here but it's such lighthearted fun, I think it will be a shame if people miss this one.

The book won the Hugo and was nominated for the Nebula, which is why I decided to read it. It is an awesome if extremely challenging read. It took me several passes before I was able to get into the meandering story and actually finish it. But, hey, it took the author a decade to write! Who am I to complain? One of the reasons the book is so challenging, if not off-putting, is its style. It is written in the venerable style of the great 19th century British authors, so if you hated reading Jane Austin in high school, you probably won't like this book, and you may not like the show.

For many reasons, I didn't expect the television show to be an easy, far less effortless, thing to watch. And it isn't. I can't quite imagine what it would be like to come into it without the benefit of having read the book. But I'm sure many have. Like the book, I think you need to be in a certain "suspend disbelief and be patient" mindset.

On the other hand, in the last decade since it was published, we've all gotten use to alternative histories, haven't we, with "Merlin" and "Atlantis" and "Dracula" -- the list goes on and on. The Brits do these exceedingly well. From that early and rather silly "Robin Hood" up to the present with "The Musketeers" (the latter sharing an actor with this show) these series are nothing but improving. The genre is getting perfected. We've grown accustomed to the idea of alternative histories.

And a retelling of the Napoleonic wars is basically what the story is about. It is an alternative history about a time that (to be honest) I'm not very interested in. But I am interested in fiction about magic -- from Butcher's Dresden books to the Neal Stephenson mystical masterpieces, and so this is right up my alley. I like the show, having watched the first two episodes. It is gearing up to do what the books do so brilliantly -- which is allow you to get lost in this strange universe where nothing is as you expect it or remember it, and where these two very odd (and very different) men partake in a very strange dance.

I'm impressed, actually, that someone even tried to put the book to film. One might wonder if a story about friendship and insanity would translate well, but with the wonderful actors and the fantastic writing, I am looking forward to see how this all shakes out. The story, if it follows the book, will just keep getting weirder and weirder.