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6,3/10
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Un écrivain oscarisé dans un marasme quitte Hollywood pour enseigner l'écriture de scénarios dans un collège de la côte Est.Un écrivain oscarisé dans un marasme quitte Hollywood pour enseigner l'écriture de scénarios dans un collège de la côte Est.Un écrivain oscarisé dans un marasme quitte Hollywood pour enseigner l'écriture de scénarios dans un collège de la côte Est.
Shannon Marie Sullivan
- Sue
- (as Shannon Sullivan)
Kevin Michael Kennedy
- TSA Officer Kevin
- (as Kevin Kennedy)
Avis à la une
I did not expect much from this movie, surprisingly I smiled from start to finish. The Rewrite is a lively comedy about second chance and self-acceptance. A one-time awarded Hollywood screenwriter takes a job as a writer-in-residence at Binghampton University! "Gotta pay the bills"
It's a far cry from his former glorious LA life and his teaching skills are questionable. As the leading man, Grant embraces his maturity in this project, it suits him well. I was charmed by the chemistry from a solid cast including Allison Janney as a humorless Jane Austen scholar and the radiant Marisa Tomei. Sometimes all we need is one humble witty comedy like The Rewrite!
Hugh Grant and Marissa Tomei. That actually should be enough. And most of the running time it is enough. At the highest points this get, it is really witty and funny and light entertainment. Nicely written then. But maybe some passages would've worked better with a re-write (yes I went there - pretty sure not the first and only one to do so of course).
Apart from the obvious pun and the already mentioned lead cast, we have a more than stellar surrounding cast. If you haven't seen Whiplash yet, do so. Though you might see the actor playing nice here with a completely different mind set. There are some extra bits at the end credits, with a really nice pun from one of the younger cast members. I also liked the fact that it didn't shy away from hot topics. Even if not entirely discussing them through (not always necessary)
Apart from the obvious pun and the already mentioned lead cast, we have a more than stellar surrounding cast. If you haven't seen Whiplash yet, do so. Though you might see the actor playing nice here with a completely different mind set. There are some extra bits at the end credits, with a really nice pun from one of the younger cast members. I also liked the fact that it didn't shy away from hot topics. Even if not entirely discussing them through (not always necessary)
What a fun and charming movie. It's so good to see Hugh Grant in a film that utilizes both his comedic timing and that let's him ground himself in things a bit more serious. It would be easy to dismiss this film as formulaic (and I suppose it is to a certain extent, but what movie isn't these days?), but it does allow Grant's character to peel back some layers to reveal a man more complicated and not quite so lacking in depth as you might expect at first. Marisa Tomei is wonderful as Grant's student and confidant. It's so nice to see two talented actors of comparable age building a terrific camaraderie and rapport with each other and the dialogue. JT Simmons is terrifically funny with a nice supporting role as the dean. In fact, the whole supporting case is great. This is the movie that happens when you have a tremendous cast, taking a nice story, and making it believable and funny without some of the hackneyed tics that Hollywood always likes to tack on. Really worth your time.
Marc Lawrence (Miss Congeniality, Miss Congeniality 2: Armed and Fabulous, Two Weeks Notice, Music and Lyrics, etc) both wrote and directed this light hearted comedy and while its focus is on comedy, the film has a lot to say about midlife crises, career choices, student life, and learning to be optimistic.
An Oscar-winning writer, Keith Michaels (Hugh Grant) is on hard times – poor followup films, no interest from the industry, bad debts, a divorce, and writer's block – and his agent finds him a screen writing teaching job in Binghamton, NY at SUNY. Arriving in the town he is put off by the incessant rain, drinks in a local bar and picks up a student (Bella Heathcote) who wants to be in his screen writing class and his bed, and makes a fool of himself at the faculty welcoming reception when he angers the Jane Austen expert Mary Weldon (Allison Janney), embarrasses his boss Dr Lerner (JK Simmons), and has a wretched start with his first class (instead of reading the 30 screenplays from which he is to select his class he instead goes online and selects the most attractive girls). He encounters Holly (Marisa Tomei), a single mom taking classes there and that develops slowly into a meaningful, life changing relationship. Despite the efforts of friends he has made, his affair with a student nearly dismisses him from his job, but he stays because of his unexpected growing interest in his students and in teaching – and Holly, of course.
The movie is light but good hearted and Hugh Grant, Marisa Tomei et all make it very worth watching.
An Oscar-winning writer, Keith Michaels (Hugh Grant) is on hard times – poor followup films, no interest from the industry, bad debts, a divorce, and writer's block – and his agent finds him a screen writing teaching job in Binghamton, NY at SUNY. Arriving in the town he is put off by the incessant rain, drinks in a local bar and picks up a student (Bella Heathcote) who wants to be in his screen writing class and his bed, and makes a fool of himself at the faculty welcoming reception when he angers the Jane Austen expert Mary Weldon (Allison Janney), embarrasses his boss Dr Lerner (JK Simmons), and has a wretched start with his first class (instead of reading the 30 screenplays from which he is to select his class he instead goes online and selects the most attractive girls). He encounters Holly (Marisa Tomei), a single mom taking classes there and that develops slowly into a meaningful, life changing relationship. Despite the efforts of friends he has made, his affair with a student nearly dismisses him from his job, but he stays because of his unexpected growing interest in his students and in teaching – and Holly, of course.
The movie is light but good hearted and Hugh Grant, Marisa Tomei et all make it very worth watching.
Film of Choice in a Boeing 767 at 36,000 feet - The Rewrite. I wanted something light and predictable for a 7 hour transatlantic flight and had about 50 films to choose from, how times have changed. The rewrite stars Hugh Grant as a once bright young Oscar winning screen writer who hasn't written anything of note since. Divorced from his wife, alienated from his son and so broke his electric gets cut off, he is forced to take a teaching position in a small American town in the back of beyond. This is a typical Hugh Grant vehicle, and while there is nothing outstanding about this film, if you are a fan of his acting style and the way he bumbles through his film is the same fashion time and again, you are guaranteed to like this film. I find I can watch his films and enjoy them, and he is helped along here by Marisa Tomei who is a single Mum taking his class. Unlike its main character, this film is not an Oscar winner but is a fairly watchable effort.
Le saviez-vous
- AnecdotesThe scene in which Hugh Grant's character watches himself in a video clip on the Internet is the video of the actual acceptance speech given by Hugh Grant in 1995 when he won the Golden Globe as the Best Actor in a Comedy/Musical for 4 mariages et 1 enterrement (1994). They dubbed the speech to reflect the fictional movie screenplay at the center of The Rewrite.
- GaffesWhen Holly mentions the book "Late Bloomers" to Keith she says that Alan Rickman got his first movie role at the age of 48. Alan Rickman's first movie role and big break was in Die Hard (1988) and he was 42 when the movie was released.
- Citations
Keith Michaels: Dr. Lerner, you must have an opinion on this?
Dr. Lerner: Hah! I have a wife and four daughters; I have no opinions.
- Crédits fousDuring the closing credits several additional scenes are shown, including Sara crying while watching the end of "Dirty Dancing" on her computer in a library cubicle and Holly dancing with her daughters in the dance studio.
- Bandes originalesDon't Wait Too Long
Written by Madeleine Peyroux, Jessie Harris and Lawrence Klein
Performed by Madeleine Peyroux
Courtesy of Rounder Records
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- How long is The Rewrite?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Reescribiendo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 4 453 524 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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