NOTE IMDb
4,8/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueIn a world where clone soldiers from three military tribes are locked in a perpetual battle of air, land and technology, one clone is separated from the battle and finds herself on the run w... Tout lireIn a world where clone soldiers from three military tribes are locked in a perpetual battle of air, land and technology, one clone is separated from the battle and finds herself on the run with a group of unlikely companions.In a world where clone soldiers from three military tribes are locked in a perpetual battle of air, land and technology, one clone is separated from the battle and finds herself on the run with a group of unlikely companions.
- Réalisation
- Scénario
- Casting principal
Donny Falsetti
- Columba Tech A
- (as Donny Quinn)
Daniel Murphy
- Columba Tech B
- (as Michael Daniel Murphy)
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This production is not for everyone, and I admit to not being particularly interested in the integrated video game / CGI type of fantasy sci-fi production myself, but this was interesting enough to warrant a watch, and I'm not regretting having done so.
Admittedly, the plot is rather clumsily constructed, which detracts somewhat from what this could have been.
Having said that though, the actual artistry committed to this creation is something to behold.
Having been confined to a relatively limited budget, this was an impressively ambitious effort, perhaps overly so, but it is visually a spectacular expression of the artform.
For me at least, Mélanie St-Pierre's character as Khara made the film. Without her, not sure how well this effort would have fared.
To be fair, this production starts out very strong, with Khara and her cadre of clonettes on board their warcraft, the inital scenes with the mysteroius Driud entity and it's wily cohort, prying their way into the AI core, the invasion battle scenes . . . but OK, no spoilers here.
But then, as the story begins to stretch out as a meandering journey through various travails, it just seems to lose steam along the way, with various action scenes tossed in as props to keep the excitement level artificially inflated.
By the ending scene (the film is divided into a series of acts), it just seems that the writing was getting tired, and just had to throw in the proverbial "to be continued" invading hordes of the whatevers as a sort of departing plot prop (no spoiler here, there are numerous other details not included in this description).
It's somewhat unfortunate, as there were several potential story threads and philosophical ponderings which could have been much more richly enabled and elaborated upon, but were left somewhat vacant.
Garm Wars is an interesting template which could be further developed, but definitely could benefit from more finely honed story crafting to match the remarkably rich visual motifs into which this template has been enmeshed.
I want to give its creators credit for a fascinating effort, and wouldn't be against seeing another, more well developed (and funded) effort in this direction.
I'm torn between a 6 and 7 rating . . . but am giving a benefit of a doubt, let's go with a 7.
Admittedly, the plot is rather clumsily constructed, which detracts somewhat from what this could have been.
Having said that though, the actual artistry committed to this creation is something to behold.
Having been confined to a relatively limited budget, this was an impressively ambitious effort, perhaps overly so, but it is visually a spectacular expression of the artform.
For me at least, Mélanie St-Pierre's character as Khara made the film. Without her, not sure how well this effort would have fared.
To be fair, this production starts out very strong, with Khara and her cadre of clonettes on board their warcraft, the inital scenes with the mysteroius Driud entity and it's wily cohort, prying their way into the AI core, the invasion battle scenes . . . but OK, no spoilers here.
But then, as the story begins to stretch out as a meandering journey through various travails, it just seems to lose steam along the way, with various action scenes tossed in as props to keep the excitement level artificially inflated.
By the ending scene (the film is divided into a series of acts), it just seems that the writing was getting tired, and just had to throw in the proverbial "to be continued" invading hordes of the whatevers as a sort of departing plot prop (no spoiler here, there are numerous other details not included in this description).
It's somewhat unfortunate, as there were several potential story threads and philosophical ponderings which could have been much more richly enabled and elaborated upon, but were left somewhat vacant.
Garm Wars is an interesting template which could be further developed, but definitely could benefit from more finely honed story crafting to match the remarkably rich visual motifs into which this template has been enmeshed.
I want to give its creators credit for a fascinating effort, and wouldn't be against seeing another, more well developed (and funded) effort in this direction.
I'm torn between a 6 and 7 rating . . . but am giving a benefit of a doubt, let's go with a 7.
I saw this movie the first time by accident while surfing through channels and thought it was a horrible, disjointed mess. However I was intrigued by the music. Great soundtrack, like nothing I had ever heard before. Was searching for information on the music and started reading about the movie plot and the symbolism involved so I decided to re-watch the film with that perspective. The movie was very good but felt I missed a few things. On my third viewing I purchased it because I liked it so much. Kevin Durand was excellent! The chemistry between his character, Skellig, and Khara was really good as well. I would love to purchase the soundtrack but unfortunately it is unavailable at this time. Give this film a chance....it is truly unique. I wish they would make a sequel.
OK so this film is insane. For two reasons:
1- for being utter nonsensical fantasy gibberish 2- for investing as much time, effort and money into developing such a bonkers story into such an amazingly vivid spectacle of CGI beauty.
Nothing about this film made much of any sense to me. I've just finished watching it and literally have NO idea what a Garm is. Absolutely none. I understood nothing about this film other than some mad old bloke and some woman with a gun were on the run, accompanied by some other bloke with an unreasonably large gun.
Now, I said this film was visually beautiful, and it is. There are some breathtaking scenes in it. Unfortunately, to balance that out and reinforce the rating of a majestic four that I have given it, they have countered these high action scenes with two really, REALLY long scenes of the aforementioned people just sitting on their buttocks discussing the also aforementioned nonsensical drivel.
So the only way I would recommend this film to you is if you were really high, and even then I would suggest fast forwarding through the beach scene and any other time they seem to be too focused on the act of talking. The only strength of this film lies in its aesthetic beauty and I will admit the dog was the only element of bafflement that I found entertaining.
..and if you aren't high, then do yourself a favour and pick any other film in the world.
1- for being utter nonsensical fantasy gibberish 2- for investing as much time, effort and money into developing such a bonkers story into such an amazingly vivid spectacle of CGI beauty.
Nothing about this film made much of any sense to me. I've just finished watching it and literally have NO idea what a Garm is. Absolutely none. I understood nothing about this film other than some mad old bloke and some woman with a gun were on the run, accompanied by some other bloke with an unreasonably large gun.
Now, I said this film was visually beautiful, and it is. There are some breathtaking scenes in it. Unfortunately, to balance that out and reinforce the rating of a majestic four that I have given it, they have countered these high action scenes with two really, REALLY long scenes of the aforementioned people just sitting on their buttocks discussing the also aforementioned nonsensical drivel.
So the only way I would recommend this film to you is if you were really high, and even then I would suggest fast forwarding through the beach scene and any other time they seem to be too focused on the act of talking. The only strength of this film lies in its aesthetic beauty and I will admit the dog was the only element of bafflement that I found entertaining.
..and if you aren't high, then do yourself a favour and pick any other film in the world.
The 2 star review is right, there's no beginning, there's no end, there's barely a story. It's more like a showpiece for the CGI studio than a movie. I finished watching it and really had no idea what just happened.
To be fair the effects, model creation, and scores are fantastic, unfortunately too much time is devoted to them instead of actual character/story development.
Apparently the story universe is created by the director/writer just for this movie, I have to say it has good potential, but this movie did not take advantage of it. Hopefully we will see a sequel to better develop it.
Hey, if you are bored on a Saturday night, why not, certainly not the worst movie out there.
To be fair the effects, model creation, and scores are fantastic, unfortunately too much time is devoted to them instead of actual character/story development.
Apparently the story universe is created by the director/writer just for this movie, I have to say it has good potential, but this movie did not take advantage of it. Hopefully we will see a sequel to better develop it.
Hey, if you are bored on a Saturday night, why not, certainly not the worst movie out there.
I am a big fan of Mamoru's work. He has a specific style in which many aspects of the story are not explained. Here we have Final Fantasy like computer graphics with live actors and one Basset hound running around. Very unique vehicles, ships and armor design. Quite good action/battle scenes. But plot is hard to understand and should have more detail, it is hard to follow since you are dropped in the middle of entire culture clash with just scraps of information to go on.
I enjoyed it since it was like watching newer Final Fantasy movies, some scenes reminded me of Avalon (also Mamoru's work). And give it 7 out of 10 especially because of amazing graphics and fights scenes. Dialog could use improvement.
I enjoyed it since it was like watching newer Final Fantasy movies, some scenes reminded me of Avalon (also Mamoru's work). And give it 7 out of 10 especially because of amazing graphics and fights scenes. Dialog could use improvement.
Le saviez-vous
- AnecdotesThe director is interested in celtic /Irish culture. There are images of dolmen graves. Some of the soundtrack is in Gaelic language but sung by Mongolian singers in Mongolian style for extra impact.
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- How long is Garm Wars: The Last Druid?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Garm Wars: Son Druid
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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