Ajouter une intrigue dans votre langueA documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", an... Tout lireA documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".A documentary that celebrates Rick Hall, the founder of FAME Studios in Muscle Shoals, Alabama, and the signature sound he developed in songs such as "I'll Take You There", "Brown Sugar", and "When a Man Loves a Woman".
- Récompenses
- 3 victoires et 11 nominations au total
Avis à la une
By the way, I have no idea why but this film, the Oscar-winning "20 Feet From Stardom" and "Sound City" all came out at about the same time---and ALL are very similar. So, if you like one, you probably would like to see the rest!
If you are a fan of the music that started out in the '60s in this country, this is a must see. It gives you an insight into how the music we listen to has come into being. From the roots in the blues and R&B morphing into Rock and Roll. You may find something out about your favorite songs that you never knew.
The setting for the interviews focuses you on the person speaking. There are some amazing images in the film. In some ways it shows the area in an almost idyllic frame. The historical footage is worth the ticket price alone.
Bonus points if you actually recognize the unnamed blues legend show while they talk about Sam Phillips. If you are going to create a list of must see movies about music and musicians, this will be on the short list.
Unfortunately, I think the musicians interviewed couldn't really explain what it was that made Muscle Shoals so special from a technical perspective. Bono, as always, was quite articulate, but he didn't offer anything technical. He instead talked philosophically about the power of the Tennessee River just as the Mississippi influenced the Blues. Most of the other musicians fell back on platitudes and clichés about funky white guys. Keith Richards was beyond hopeless as an interviewee. He seemed like he was doing a really bad Saturday Night Live impersonation of himself.
Don't get me wrong. The stories were entertaining. I particularly liked Greg Allman's story about how his brother Duane learned to play the slide guitar and Wilson Picket's story about the first time he came to Muscle Shoals. I also thought the documentary did a good job telling the history of the original FAME studio as well as the second studio started by the so-called "Swampers".
Nevertheless, I think at least one interview segment with a Rock historian or a musicologist to put everything in context and offer technical explanations would have been a great addition.
Finally, although it's clear that the Muscle Shoals musicians were far ahead of their fellow southerners on the issue of race, and the film rightly showcased this, it also showed clips of Lynyrd Skynyrd in concert proudly displaying a confederate flag. Displaying a confederate flag in 2013 is beyond bad taste. It's simply unacceptable.
Le saviez-vous
- AnecdotesWinner of the Grand Prize, Boulder International Film Festival, 2013.
- Citations
David Hood: When Duane came here, he was on the Wilson Pickett session that we did.
Jimmy Johnson: There was always a slight problem when we would go out, all of us white boys with a black artist, that we'd get looks, okay? But there was nothing as bad as going out with a long-haired hippie with us white boys. They couldn't stand that, right? And so both of them stayed back.
Gregg Allman: So, they went on lunch break and my brother went up to Wilson and he said, uh, "Man, why don't you cut 'Hey Jude', you know, that Beatles song?"
Wilson Pickett: And at that point, I was mostly trying to create an original career Wilson Pickett, right? My songs.
Rick Hall: Pickett and I, in unison, both said "Look, are you crazy? We're gonna cover the Beatles?" And, of course, Duane said "Exactly."
Jimmy Johnson: While we were gone, Duane changed our whole session. When you get to the vamp, it goes into just an unbelievable groove. Duane Allman was playing such great guitar fills that something happened in that vamp. And all of a sudden, there was southern rock. That was the beginnings of the Allman Brother Band.
- Crédits fousAlthough Steve Winwood is feature prominently, including with on-screen name identification, hie name is NOT listed in the end credits.
- ConnexionsFeatures Gimme Shelter (1970)
- Bandes originalesLand of 1,000 Dances
Written by Chris Kenner
Performed by Wilson Pickett
Courtesy of Atlantic Recording Corp/Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
Meilleurs choix
- How long is Muscle Shoals?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Studio Muscle Shoals
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 696 241 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 901 $US
- 29 sept. 2013
- Montant brut mondial
- 709 415 $US
- Durée1 heure 51 minutes
- Couleur