Nick Wasicsko prend ses fonctions de maire de Yonkers en 1987 et doit faire face au problème de la construction de logements sociaux dans le quartier blanc de la classe moyenne.Nick Wasicsko prend ses fonctions de maire de Yonkers en 1987 et doit faire face au problème de la construction de logements sociaux dans le quartier blanc de la classe moyenne.Nick Wasicsko prend ses fonctions de maire de Yonkers en 1987 et doit faire face au problème de la construction de logements sociaux dans le quartier blanc de la classe moyenne.
- Récompenses
- 3 victoires et 23 nominations au total
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If nothing else, it is worth watching the series for the craftsmanship alone. I can't remember the last time I've seen something this well done. This show just oozes talent, David Simon and Paul Haggis make an excellent pair and do a great job creating a realistic of 80s-90s Yonkers. The acting across the board is also phenomenal, it seems every time I watch Oscar Isaac he is playing a totally different character, truly a talent. The show itself may be a little slow, but is totally fascinating and really keeps you interested with all of the different characters. Show me a Hero is not solely a political drama, thinking it is would be fundamentally misunderstanding the show. It's a show about real people and real politicians, which are both hard to come across.
Nick Wasicsko was a councillor in the city of Yonkers, New York, when he went for the allure that power wields and became mayor. This was at a time when the council was being told that it had to build low income housing and 'affordable' homes. The problem was that these had to go in the nice part of town where all the white voters loved. And if you want to be re-elected then you do what the voters want.
Now this sounds like the usual tale of haves and have nots but it is more than that. The series follows the lives of some of the 'would be' new tenants and the people objecting and all the lovely Machiavellian politicians and their scheming ways. It is a warts and all kind of approach and at times you find it hard to single out the god guys and indeed the gals.
It is very well made as you would expect from HBO but it does take its time to get going and find its stride, but at 6 episodes long it does have the time to do that. All acted really well with good period detail and a kind of inevitability about it that made me keep coming back for more. A social drama with a heart but it kind of wears it on different sleeves and is all the better for it.
Now this sounds like the usual tale of haves and have nots but it is more than that. The series follows the lives of some of the 'would be' new tenants and the people objecting and all the lovely Machiavellian politicians and their scheming ways. It is a warts and all kind of approach and at times you find it hard to single out the god guys and indeed the gals.
It is very well made as you would expect from HBO but it does take its time to get going and find its stride, but at 6 episodes long it does have the time to do that. All acted really well with good period detail and a kind of inevitability about it that made me keep coming back for more. A social drama with a heart but it kind of wears it on different sleeves and is all the better for it.
Just amazing. It's rather understated and procedural many of the times (but nothing unsurprising if one has seen David Simon's TV series). What it does in the six hours is amazing though. Its character development is exquisite, and by the time it's over it feels like it was a run of an actual television series. Of course, it could only be this long, but that doesn't stop me from wishing it WAS a longer series. Oscar Isaac is an amazing actor. I've said it before and I'll say it again, he's doing things not many actors right now are (or even can). The amount of raw talent he has, as well as the amount of warmth he can convey is staggering. That's what makes the end of the series so heartbreaking. I really hope this wins the Miniseries Emmy next year, and that Isaac also takes home the trophy.
This is a completely compelling and gripping drama that successfully explores an event from all the sides involved. As the story unfolds the viewer gets introduced to what at first seems like a lot of desperate groups of people, the first being the protagonist. We are introduced as the episodes unfold to not only the antagonist but we actually get introduced to the characters who the event actually effects. So for once we get to see how effects of decisions made actually effect the characters lives directly as opposed to them them just being theoretical of just facts or figures. Thats the only way I can describe it without spoilers. Spoilers would not be fair to this great production.
The acting is top notch. Some of the character actors in this production who we've all seen in things in the past actually shine here and do their best work. I guarantee that 20 minutes into the first episode you are hooked. Once you gather who the players are you really get sucked in.
The acting is top notch. Some of the character actors in this production who we've all seen in things in the past actually shine here and do their best work. I guarantee that 20 minutes into the first episode you are hooked. Once you gather who the players are you really get sucked in.
It was the name recognition of David Simon that brought me to this mini-series, although if I am honest little else from the plot summary really appealed to me. The story of Yonkers' objection to a court order that they must find sites for affordable housing to be built; it is a true story that unfolds over decades, has lots of council meetings, politics, and a large ensemble cast. While part of you will want to focus on the potential for big showboating scenes in those council meetings, with people fighting the good fight, the truth is that this is not a show that has heroic types, or big moments – so the 'true story' and 'decades' bits are really what you should consider. In this way the mini-series is not the most thrilling ride, and I say that as someone who enjoyed it. There are no big explosive moments and no barnstorming courtroom moments.
Instead the story unfolds through fines and political pandering, and really those politicians 'pushing' the housing in Yonkers are really just those who realize they cannot push back. In and around this we have the residents of the area, and those who would become residents. This gives the show a feeling of depth, but at the same time gives it the problem that it cannot spend too long with anyone, and also has too many plates spinning to be able to move the story with a sharp pace. That is what it has to do though, and it is impressive how well the decades-long narrative, with its complexity and commentaries, does manage to hang together and make for an engaging story.
I don't think it is perfect, and it does overextend its reach in how much it tries to bring to the table. However it is a quality piece of story-telling and I liked it as such. The quality is there in the writing, and the way such complexity is made accessible in an unsexy, unglamorous way – with real, flawed characters everywhere, just like real life. Performances are strong across the board – Isaac, perhaps being the one grabbing the headlines with his tragic character, but the cast is deep in good performances (and many HBO faces from Oz, The Wire, and other shows). It does have the feeling of a show you 'should' watch rather than one that you really 'want' to watch, however for its flaws, it is consistently solid in its story-telling, and it delivers a realistic, nuanced, and balanced presentation of the situation, where few are villains, even fewer are heroes, and mostly people are just flawed in whatever they are trying to do.
Instead the story unfolds through fines and political pandering, and really those politicians 'pushing' the housing in Yonkers are really just those who realize they cannot push back. In and around this we have the residents of the area, and those who would become residents. This gives the show a feeling of depth, but at the same time gives it the problem that it cannot spend too long with anyone, and also has too many plates spinning to be able to move the story with a sharp pace. That is what it has to do though, and it is impressive how well the decades-long narrative, with its complexity and commentaries, does manage to hang together and make for an engaging story.
I don't think it is perfect, and it does overextend its reach in how much it tries to bring to the table. However it is a quality piece of story-telling and I liked it as such. The quality is there in the writing, and the way such complexity is made accessible in an unsexy, unglamorous way – with real, flawed characters everywhere, just like real life. Performances are strong across the board – Isaac, perhaps being the one grabbing the headlines with his tragic character, but the cast is deep in good performances (and many HBO faces from Oz, The Wire, and other shows). It does have the feeling of a show you 'should' watch rather than one that you really 'want' to watch, however for its flaws, it is consistently solid in its story-telling, and it delivers a realistic, nuanced, and balanced presentation of the situation, where few are villains, even fewer are heroes, and mostly people are just flawed in whatever they are trying to do.
Le saviez-vous
- AnecdotesWinona Ryder cut her eyelashes for her part the city council woman, after writer David Simon sweet-mannered said they made her look too endearing.
- Citations
Nick Wasicsko: Hey, this mayor thing... when the fun part starts?
- ConnexionsFeatured in Late Night with Seth Meyers: Winona Ryder/Colin Quinn/Beirut (2015)
- Bandes originalesWhen The People Find Out
Performed by Steve Earle and The Dukes.
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- Покажіть мені героя
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- Durée
- 1h(60 min)
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- 16:9 HD
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