The Keeping Room

The American Civil War is a time period that's been told almost exclusively from the male perspective and has most often centered on Northerners (winners do write history), so to see a story about southern women enduring the brutality of the war's end is rather surprising. What makes it satisfying, and a truly excellent film, is how sharp the storytelling is. Writer Julia Hart uses the small story of three women, two sisters (Brit Marling and Hailee Steinfeld) and their young slave (Muna Otaru), to capture the massive effects the war had on the southern way of life, but never hits you over the head with its larger themes. Instead, it tells its story almost as a home- invasion thriller, with a slow-burning sense of dread filling every ounce of the runtime. Bleak, tense, and at times difficult to watch, The Keeping Room isn't fun, but you'll be happy you saw it.

A thinly plotted , mainly slow but often tense Civil War piece with three fine lead performances and a good rather different one from Sam Worthington. An interesting take on what happens when law breaks down in a soon to be defeated land.

This is a woman's tale. It's not about some feminist women not wanting men around. This is about women who are forced into the position of having to learn to live without men while wishing they would come home. I love that it was a slow burn because it really pulled me into how they were feeling. My only disappointment was the ending but great movie, regardless.

There's a merit on doing all female leads drama thriller set on volatile era of Civil War, especially when there's social prejudice involved. However, aside from some admittedly fine performance, the movie feels clunky and slow. It doesn't have the intricacy or characterization beyond the basic formula of "there are bad men coming", and even that takes the film about half its runtime to get the pace going.

This is the story of three women, one of whom is colored, as they defend their home from outsiders. Each woman might not be easily relatable at first, but the acting as well as decent investment time to them manage to deliver a few heavy thought provoking and intimate scenes. Brit Marling as the oldest one keeps a strong presence even though her character may be lacking in term of actual strength.

Muna Otaru as Mad, the colored housekeeper or technical maid, has a unique personality as the caretaker of the girls and also her own woman. As for the antagonist Sam Worthington makes do, he's decent but his motivation doesn't have the same focus as the girls', which means less connection to the character as he basically stumbles on the predicament he himself creates. The cinematography works by keeping an intentionally bleak and less stylish version of Wild West.

This is a deliberate pace for drama, not action or thriller. It does feel terribly slow at times, not in a good Tarantino build up style. Furthermore, there's not much cat-and-mouse cerebral standoff, which feels like a missed opportunity, especially when it could've used the setting as intense backdrop. Panic Room with Jodie Foster had trade of wit between protagonist and antagonist that created depth and utilized its premise, while here it's more of random gunslinging action.

The Keeping Room has a couple of good performances, especially geared towards heavy themes such as race prejudice and violence towards women. However, instead of putting more focus on home invasion to elevate the drama, its slow pace removes any thrill to what could've been a powerful commentary of an era and its lingering issues.

Watched this without reading reviews and was pleasantly surprised. Acting is phenomenal, and the movie feels real to the 1865 era. All three lead female actresses were outstanding.