Une journaliste rêve de devenir la nouvelle présentatrice d’un journal mais après un coup d’un soir avec un inconnu, elle se retrouve en plein cœur de Los Angeles sans téléphone, voiture, pa... Tout lireUne journaliste rêve de devenir la nouvelle présentatrice d’un journal mais après un coup d’un soir avec un inconnu, elle se retrouve en plein cœur de Los Angeles sans téléphone, voiture, papier, ni argent, 8 heures à peine avant l’entretien d’embauche le plus important de sa vie... Tout lireUne journaliste rêve de devenir la nouvelle présentatrice d’un journal mais après un coup d’un soir avec un inconnu, elle se retrouve en plein cœur de Los Angeles sans téléphone, voiture, papier, ni argent, 8 heures à peine avant l’entretien d’embauche le plus important de sa vie.
- Réalisation
- Scénario
- Casting principal
- Denise
- (as Sarah Wright Olsen)
Avis à la une
I really looked forward to this. I like Elizabeth Banks and it looked promising. The early parts aren't that funny but once the plot kicks in and she has to find her way out of "the hood," it picks up. It reminded me somewhat of After Hours or maybe even Adventures of Babysitting. Banks is very good, as well as being particularly hot in this. The supporting cast is really what makes it work. Kevin Nealon is fun as a weirdo helicopter reporter. Bill Burr and Ethan Suplee are great as a couple of clueless cops. But the highlight for me was the trio of Pookie (Alphonso McAuley), Hulk (Da'Vone McDonald), and Scrilla (Bob from Walking Dead). I don't want to spoil too much about their scenes but all three are terrific, especially McAuley who talks like a Fat Albert character come to life.
This is a funny comedy with a generally pleasant tone that I liked. Yeah it's somewhat predictable and formulaic but no one's trying to reinvent the wheel here. It's a good way to spend an hour and a half. One little thing I wanted to mention because when it happened in the movie, I had to roll my eyes a bit. James Marsden's bartender character is revealed to not just be a bartender but also a writer. Why is it that movies always do that? Someone can't be JUST a bartender or a waitress or a mechanic -- they always have to be something more "respectable" on the side or they are aspiring to be something like that. Just once I would like one of these movies to feature a working-class character who is happy with their life and does not want to go to law school or own the company or become a big movie star. Because ultimately what they are saying is that Marsden is not good enough for Banks if he is just a bartender, which is shallow and sad.
With echoes of "The Out of Towners" and "After Hours," the movie works mainly because of Elizabeth Banks's character. She's funny, she's likable, she's sexy... what more could you want out of a screen heroine?!
The writing, for the most part, is realistic and smart. A well-structured story full of unpredictable events and offbeat characters. Full of surprises. Full of tiny details (like the plastic center in a pizza delivery box... how many times have we dealt with that... yet when has it ever been in a movie??)
But perhaps most importantly, the movie has heart. And taste. It goes so far above and beyond what passes for comedy these days, it's ridiculous. Farrelly Brothers, Apatow and especially Adam McKay -- watch and learn.
So if you want to see a well-written, well-directed, hilarious movie with a great premise that will put a smile on your face for 95 minutes, see "Walk of Shame." I have absolutely no shame in admitting I loved it.
(And normally I hate just about everything these days.)
The plot plays out like any number of movies in the genre. Main character gets drunk, wakes up in a bad situation and has to try and retrace their steps to get from point A to point B (point B often being supremely important). While the plot was predictable, it's what happens between point A and point B that matters.
Despite the number of movies similar, the director was still able to find some uniquely funny scenes to put Banks' character in. Some scenes that come to mind are an impound lot and a crack house. While not all scenes hit the mark, there was enough here to be worth a viewing. I also found the running gag about Banks' characters profession to be extremely funny.
So what make this seemingly mediocre film worth viewing? Two things in my opinion. Firstly, this is the first movie of this type where I actually felt for the character. I wanted her to get where she wanted to go and that kept me involved in the movie. Secondly, I appreciate the fact that we can have a movie like this without relying on extremely rude and crude scenes. Yes, there is profanity and some implied sex but in comparison to other films with similar plots (Hangover), this movie is tame. But that doesn't mean it's not funny as I feel it is able to remain funny throughout.
If you into movies like the Hangover, Hot Tub Time Machine, or Bridesmaids, then this is a must watch. If you love comedies then this is also a good bet. It may not end p being a movie you need to own but you can do much much worse than giving this movie a shot.
If you're going to a movie with a hot blonde in a tight yellow dress on the poster - you better expect what such type of movies usually puts on the screen. You'll get your laughs.
Yet, Walk of Shame was so much more than just a slightly dirty comedy. It gave an insight to the life of LA area some might not realize there is. It showed how friendship is important and that total strangers are not necessarily wierdos and perverts.
And, of course, Meghan is a nice girl from Texas. That's great.
As a cat lover, I was mildly surprised to the problem that Banks' character has. So strange. I have the same problem with some dogs, so no big deal!
Le saviez-vous
- AnecdotesThe character "Pookie" played by Alphonso McAuley is a nod to Chris Rock's character "Pookie" from New Jack City (1991). Some of the same lines were mentioned during the crackhouse scene.
- GaffesAirbags do not stay inflated.
- Crédits fousKeep your zombie ass moving.
- ConnexionsReferenced in Chelsea Lately: Épisode #7.93 (2013)
- Bandes originalesDrama On The Dancefloor
Written by Jon Ingoldsby, Lux Lovelle, Sven Martin, Julian Schramm
Performed by Lux Lovelle
Courtesy of Sven Martin and Julian Schramm
Meilleurs choix
- How long is Walk of Shame?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Walk of Shame
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 59 209 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 751 $US
- 4 mai 2014
- Montant brut mondial
- 8 122 990 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1