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IMDbPro

Posthumous

  • 2014
  • Not Rated
  • 1h 34min
NOTE IMDb
5,7/10
1,9 k
MA NOTE
Posthumous (2014)
Trailer for Posthumous
Lire trailer2:13
2 Videos
7 photos
ComédieDrameRomance

Ajouter une intrigue dans votre langueAfter false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound... Tout lireAfter false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.After false reports of his demise put him and his work on the map, an artist decides to continue the charade by posing as his own brother. Soon, a reporter enters his life and has a profound effect on him.

  • Réalisation
    • Lulu Wang
  • Scénario
    • Lulu Wang
  • Casting principal
    • Brit Marling
    • Jack Huston
    • Lambert Wilson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    1,9 k
    MA NOTE
    • Réalisation
      • Lulu Wang
    • Scénario
      • Lulu Wang
    • Casting principal
      • Brit Marling
      • Jack Huston
      • Lambert Wilson
    • 12avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Posthumous
    Trailer 2:13
    Posthumous
    'Posthumous': Oh Brother
    Clip 1:22
    'Posthumous': Oh Brother
    'Posthumous': Oh Brother
    Clip 1:22
    'Posthumous': Oh Brother

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux23

    Modifier
    Brit Marling
    Brit Marling
    • McKenzie Grain
    Jack Huston
    Jack Huston
    • Liam Price
    Lambert Wilson
    Lambert Wilson
    • Daniel S. Volpe
    Tom Schilling
    Tom Schilling
    • Ben
    Alexander Fehling
    Alexander Fehling
    • Erik Alder
    Nikolai Kinski
    Nikolai Kinski
    • Kaleb Moo
    Fabian Stumm
    Fabian Stumm
    • Curator 1
    Viviane Bartsch
    • Hostess
    • (as Vivian Daniel)
    Peer Martiny
    Peer Martiny
    • Curator 2
    Oleg Tikhomirov
    • Waiter
    Anja Karmanski
    Anja Karmanski
    • Galerist
    Joost Siedhoff
    • Landlord
    Christoph Glaubacker
    • Cop 2
    Pamela Knaack
    • Camille Seekamp
    Martin Stange
    Martin Stange
    • Detective
    Harald Siebler
    Harald Siebler
    • Arman Rubell
    Bogdan Tomassini-Buechner
    • Magistrate
    Isabelle Redfern
    • Randy
    • Réalisation
      • Lulu Wang
    • Scénario
      • Lulu Wang
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    5,71.9K
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    Avis à la une

    9lenagvozdovic

    For all the artistic souls out there

    You know all those little and not so little questions we all have? About life, and art, and existence, and happiness, and meaning and meaningless, and whether sometimes is worth it, and what it would entail for you to sacrifice in order to obtain that which is important? And then, how important is it anyway? This is a movie about that. All of that. I know nothing about cinematography and it's techniques, about the takes and angles, and movements and captures. I am just a viewer, a random bystander and I'm reviewing this tittle as such. It is in one word beautiful.

    It captured my attention, evoked my thoughts and feelings, made me root for these characters, hoping for the best. It has such an interesting premise of what happens after we die. Does our name echoes after we perish? Did we accomplished anything extraordinary, worth mentioning and worshiping? It's about art, and it's meaning and creativity. It's about love and understanding. It's a way of understanding life and one's wishes and desires in a slightly philosophical way I'm a sucker for.

    I loved that artistic approach, I loved the music, I loved how atmospheric the movie is, and I loved its quirkiness and sort of lightness.

    I've yet to watch Brit Marling's movie I don't like, and Jack Huston is such a perfect choice, it seems, for those artistic weirdos, both in this movie and as Jack Kerouac in "Kill Your Darlings". Brilliant.
    6ulisses_phoenix

    A film showing how to develop a brand...

    Told within the setting of the subculture of the art world, this film uses the standard RomCom formula to unfold its story. All the elements of that well-defined genre are present in this film -- the only deviation from the normal course of development is the way the preexisting relationship ends.

    This would have been a great, entertaining film if it where not for the fact that it was an entirely white cast. No black characters at all. Not one. Just a few seconds (literally seconds) of black background extras and most of them were partially obscured. If this were the 1950's that might be expected, but in the 21st century it's an inexcusable racial bias that totally ruined this film.

    The film opens with the protagonist doing voice-over talking about bee colony collapse syndrome. Although the subject is referred to later on with respect to the male lead's art, I have no idea what bee colony collapse has to do with this film. It's obviously some kind of metaphor but I have no idea what it means -- perhaps something to do with the birds and the bees? In any case it was not made clear in the film, at least not to me.

    One noticeable aspect about the relationship between the protagonists was how subtly manipulative they were. Both of them were deceitful towards each other, pretending to be something they weren't or pretending not to know what they did know in order to get what they wanted -- and each of them used subtle extortion to hook the other into the new relationship. And as these two were pulling each other's chain, a subplot about the underhanded development of the guy's art career was unfolding. I suppose it's fitting that the story is set in the art world, possibly the most pretentious subculture on the planet (second only to film critics, of course!).

    Technically, the film was very good. The cinematography was great, the score was excellent, and the acting was pretty good. The dialogue was not as simple-minded as you find in a typical RomCom, and character/plot development was relatively smooth. The humor was not a laugh-out-loud type of humor, but more of a witty, entertaining type of humor. But that racial bias in the cast -- that really sunk the film. I would have given it a rating of 8, but because of the racial bias, it gets a 6.

    Advisory: textual content ~180 wpm, racial bias in the composition of the cast.

    Rating: 6/10, (submitted July 28, 2020, 9:30 p.m. EDT)
    7TheNeel

    deepest emotions represented with the lightest touch... beautiful

    The Pandora express.. very soothing style of storytelling, the story is simple (kind of) but I felt it to be beautifully told..

    A misunderstanding starts the story through which the protagonist starts to receive what he thought he always wanted.. by the end of the story he got what he never knew he was missing..

    I felt the film explores the idea of ambitions and desires, how these contradict but either doesn't necessarily be a bad thing and how they amends with time and become something different..

    The music is beautiful. The acting is ordinary. It has a happy ending.

    A certain secondary character felt neglected by the film.

    Ignoring that and considering it's just 93mins it is most definitely worth a watch.

    I recommend it for people of all age groups. Thumbs Up,
    8alfredormzr

    Remembering why I love Brit Marling's movies

    I decided to watch this film immediately I saw that Brit Marling acts in it, and certainly, I wasn't disappointed. In this movie the breathtaking beauty of this actress can be tested again, as it was in "Another Earth" or in "The East". And it's not only her gorgeous face what captivated my sight, also her performance took me into the deepest emotional side of my mind, not for crying, of course, but honestly, in every time I've seen her acting, I felt in love of her character. This film lets the viewer not only to have a nice romantic moment, such as anyone can get in any classical movie from Hollywood. Instead, its value is due to the topics that are treated on it; to be with someone that loves you is not enough, he or she has to be your biggest fan. To have someone to be with is amazing, but also its desirable if that person makes you explore your most creative parts of yourself. What would anyone prefer, happiness or greatness? If the most recognized artists' lives are read, you can find out that they weren't happy.
    Emerenciano

    You gotta be kidding!!

    Ok, it's a romantic comedy and we shouldn't expect much of it. But, come on, there are so many clichés and it is so far from real life that it is difficult to follow this. There are some good sentences and Huston and Marlin are good actors. But the whole thing is completely dischargable.

    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      It is impossible to see the Southern Cross constellation (Crux) in Europe. This asterism is the most familiar star pattern in southern hemisphere and you can only see it from northern hemisphere in tropical latitudes, near the horizon and in certain seasons of the year. (Scene where Liam looking the night sky from the bench).
    • Citations

      McKenzie Grain: What is this place - it smells of cigarettes and urine...

      Liam Price: That's the smell of creativity!

    • Bandes originales
      Chambermaid Swing
      Performed by Parov Stelar

      Written by Marcus Fuereder

    Meilleurs choix

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    FAQ15

    • How long is Posthumous?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 octobre 2014 (Allemagne)
    • Pays d’origine
      • États-Unis
      • Allemagne
    • Langues
      • Anglais
      • Allemand
      • Espagnol
      • Italien
    • Aussi connu sous le nom de
      • Aşkı Bulunca
    • Sociétés de production
      • Flying Box Productions
      • Getaway Pictures
      • Arden Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 18 091 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Couleur
      • Color

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