"Le proprietà dei metalli" (The Properties of Metals) is, technically and emotionally, a well-made film. The actors give it their all, the cinematographer captures the beauty of the Italian countryside, and the screenwriter delivers a decent script. But why is this film on the festival circuit? What elevates it to festival status? Am I missing something?
Perhaps I'm being overly critical, but the film feels like it's checking all the boxes for a festival darling without offering anything truly unique or groundbreaking. It's a familiar tale of a young boy with extraordinary abilities, set against the backdrop of a picturesque Italian village. The film's pacing is deliberate, the performances are solid, and the visuals are undeniably stunning. Yet, it lacks a certain spark, a sense of urgency or originality that would make it truly stand out.
The film's central premise, a young boy's apparent ability to bend metal, is intriguing, but it's never fully explored or explained. The film hints at a deeper mystery, but it ultimately shies away from delving into the supernatural or the fantastical. Instead, it focuses on the boy's relationship with his family and the villagers, which, while touching, feels somewhat predictable.
The performances are commendable, particularly young Martino Zaccara as Pietro, the boy with the mysterious abilities. He conveys a sense of wonder and vulnerability that is both endearing and heartbreaking. David Pasquesi, as the scientist investigating Pietro's abilities, delivers a nuanced performance that balances skepticism with curiosity.
The film's cinematography is undoubtedly its strongest asset. The Italian countryside is captured in all its glory, with sweeping vistas and intimate close-ups that create a sense of both grandeur and intimacy. The film's color palette is rich and vibrant, adding to its visual appeal.
However, despite its technical merits and solid performances, "Le proprietà dei metalli" ultimately feels like a missed opportunity. It's a film that could have been so much more, but it settles for being merely good. Perhaps this is the curse of festival films, a tendency to prioritize style over substance in the pursuit of critical acclaim.
In conclusion, "Le proprietà dei metalli" is a well-crafted film that is ultimately forgettable. It's a beautiful film to look at, but it lacks the emotional depth and narrative complexity that would make it truly memorable. While it may be a hit on the festival circuit, it's unlikely to leave a lasting impression on audiences beyond its initial run.
