The Last of Robin Hood

Anthony Hopkins and Toby Jones did amazing work as Alfred Hitchcock; Meryl Streep was incredible as Margaret Thatcher while Helen Mirren was gobsmacking as the Queen, but Kevin Kline's portrayal of the aging Errol Flynn is positively eerie.

He looks like him, he speaks like him and he has caught the mannerisms. Kline was 15 years older than Flynn, but Errol's hard-living evened things up; its almost as though he has crossed back from the other side.

To modern generations, Errol Flynn, if they have heard of him at all, would have to be of passing interest at best, and this movie about his last love affair with Beverly Aadland must seem an odd little movie. Dakota Fanning may even be of more interest. Possibly they would also be put off by the age difference between Errol and Beverly - he was pushing 50 and she was 15.

However for those of us who were alive when Flynn was still making films, and were interested enough to read any of the books about the guy, this movie is close to fascinating.

With some knowledge of his life, you have to appreciate all the little touches seeded throughout the film. One was the way the relationship with Beverly starts with Flynn trying his well-practiced technique of seducing women by discussing with a co-conspirator in front of them how perfect they would be for a part in an upcoming production.

However, after taking advantage of her in a somewhat disturbing scene, his feelings for her go beyond a quick conquest and they become involved in an oddly-matched and dangerous relationship.

Much of the movie is told from the viewpoint of Beverly's mother, Florence, played by Susan Sarandon, who comes across as the stage mother from hell.

Rather than being overshadowed by Kline, it's Dakota Fanning's movie too. She underplays while projecting naïveté on the one hand, and worldliness beyond her years on the other. The last part of the movie shows the effect her unwanted celebrity has on her stability, while Florence actually revels in it.

The film has been criticised, scathingly by some reviewers, not only for skimpy production values, but also for sanitising the relationship, and for not taking more of a moral stance over the underage aspect. However, I do feel we are made aware of the situation throughout the film, and it doesn't ever really get a seal of approval.

Nevertheless, according to Roland Fisher, Beverly Aadland's husband of 40 years, she admitted to loving Errol Flynn until the day she died (in 2010).

Knowing a fair bit about the subject probably has a lot to do with whether or not you will appreciate this film - I for one found it totally absorbing.

The first time I saw Errol Flynn in a movie was The Dawn Patrol. I was blown away by his talent, since I'd expected him to be a swashbuckling stereotype; but, I was also impressed that someone in 1938 could give such a spot-on impression of an actor who hadn't yet been born: Kevin Kline. Once I found out Kevin Kline had made a biopic of Errol Flynn, I rented it as soon as I could.

The Last of Robin Hood is quite sad, as it focuses on the last portion of the great legend's life. I'll never understand why it took Hollywood so long to cast Kevin Kline in this movie, since he made a smash as "The Pirate King" in 1983. Had they cast him in an Errol Flynn biopic in 1985, 1990, 1995, 2000, it could have been a different kind of movie. The story could have been more exciting, featuring a star at the beginning of his career, or making a particularly memorable film. This movie shows how the great swashbuckler declined, his dependence on alcohol, his lack of career prospects, and his shocking romance with an underage girl. It's not uplifting, it doesn't honor his legacy, and it doesn't even pay tribute to his great talent. Simply put, it's depressing. If Flynn himself saw this movie, he'd probably be mortified.

Why is this movie worth watching, then? Because Kevin Kline is Errol Flynn. He brings the silver screen heartthrob back to life and puts him in another movie, something we all would love to see. Just as Robert Downey Jr. becomes Charlie Chaplin so completely, you forget it's not a documentary, you'll start to believe there were hidden cameras around Flynn's home that captured him in embarrassing moments. I might not have enjoyed watching this movie, but I was in awe of Kevin Kline's talent-just like I was of Errol Flynn's in The Dawn Patrol.

Not worst than any other biographical motion picture produced by commercial American cinema, and certainly not up to the highest achievements in biographical movies made by this industry. But it is done not only with affection but with respect, even to that "moral majority" that causes so much despair and sadness all over the world, with its stern point of view that changes whenever the wind blows. And above it all the film is graced with very good performances by Kevin Kline as Errol Flynn, Dakota Fanning as Beverly Aadland and especially Susan Sarandon, splendidly restrained as Florence Aadland, a role that Shelley Winters would have turned into a thunderous bitch. I liked it and enjoyed it very much maybe because I like every now and then a bit of television, or maybe because I have always liked Errol Flynn, an actor that was so incredulous of his own talent, when as a matter of fact he was a wonderful performer of action and gallantry expressions.

Errol Flynn, a "Larger than Life" Movie Star who Shined as Brightly as His On Screen Persona would let Him. An Adventurous and Handsome Man with Agile Abilities and a Killer Smile Who Could and Would Woo Audiences and Young Girls with Equal Ease.

His Self-Destructive Lifestyle is Legendary. In this Movie, Kevin Kline States..."I was told by a Doctor that if I didn't stop drinking and doing drugs I would be dead in six months...that was ten years ago and I have lived every day and night since, as if it would be my last."

He certainly Did. Considered a Rogue, a Womanizer, and Immature (all true), Flynn was a Likable and Fun Guy to be Around by most Accounts.

It seems that Beverly Aadland (Dakota Fanning) was Smitten and this is Their Story. The Last Two Years of Flynn's Life, totally Dedicated to Beverly, are Seen here as a Romantic Tale of Two People that are Devoted.

Sure, the Age Difference is Extreme and She is Under Age (15 but posses a birth certificate stating she's 18, acquired by her career controlling Mom played by Susan Sarandon). In the Movie Their Illicit Behavior is Shown as Respectful and Not Salacious.

It's a Little Movie about a Big Star and a Chorus Girl, Not an Unfamiliar Situation, and the Film Plays it perfectly Straight and Not Explosive.

The Good Cast is Better than the Soft-Peddled Script and Everything is Underwritten, Underplayed, and Undeserving of "My Wicked Wicked Ways" Author and Beverly Aadland.

Not an Awful Account of what happened, but perhaps Not as Good as it Might Have Been. Fiction is Stranger than Truth. After Viewing this You Might Not Think that Their Relationship was that Strange after all.

I am a big fan of the Golden age of Hollywood and Errol Flynn will always hold a soft spot in my heart. This tells the story of how the aging and ill Flynn met his last wife. She was a mere 15 years old – one Beverley Aadland (Dakota Fanning). This was a spirited girl who was being driven to be an actress by her alcoholic mothers own ambitions. This is Florence Aadland played brilliantly by Susan Sarandon.

From what I know of this part of Flynn's life the film is fairly faithful to the facts. Kevin Kline as the ageing Lothario is actually excellent – he plays the part with enough of the rogue to be believable but with the right level of empathy to make the man live. They also recreate some of the last filmatic roles and that part of the film is very enjoyable.

The problem is it does not go anywhere too exciting in the 94 minute run time and so has been criticised for that. That said I really enjoyed it. I think you will get a lot more out of this if you are interested in Flynn and enjoy a good performance or two and this certainly has that.