Nicky Larson

Prepare yourself for a cinematic journey through the bustling streets of Tokyo with "City Hunter." This Japanese film not only takes us on a tour of the urban landscapes of the capital, but also uses the city as a character in its own right. From narrow alleyways to gleaming skyscrapers, Tokyo is more than just a backdrop; it's a crucial piece of the narrative, pulsating with life and energy in every scene.

But let's talk about the true shining star of this masterpiece: Suzuki Ryohei. This man is not just an actor; he's a force of nature on screen. His performance as the protagonist is nothing short of phenomenal. He manages to switch between hilarious moments and tense moments with enviable ease. And when it comes to action scenes, he simply shines. His movements are so fluid and precise that it's like watching a deadly ballet.

In summary, "City Hunter" is an explosion of action and comedy that takes us on a visual journey through Tokyo. With an exceptional performance by Suzuki Ryohei and a refreshing approach to the dynamics between genders, this film is a true gem of contemporary Japanese cinema.

I first started watching this anime in my early 20s, and it became the 'go-to-anime' for me and my siblings. Comprising of humour, action and great music, the anime continued to be great to watch even these days. This movie, captured the essence of the anime. They didn't try to change it much from what we all know aboy Ryo (a perv), and surpasses Jackie Chan's ridiculous, yet funny version of the great 'City Hunter'. If Netflix is pursuing anime-live action remakes, then this is definitely a model for the upcoming remakes - stick to what we love about the show and try to keep it as close as possible to the anime/manga. Great watch! 8/10.

If you know City Hunter, watch the movie. You won't regret it. The casting is great and it is a true joy to watch an animation come to live. Better than One Piece live action, which was superb.

If you don't know the anime, watch a few episodes first, before you get on the movie. The artwork, soundtrack of the first seasons and movies, is like a stepping stone of what made anime today. This show was along the time of Ranma 1/2, Saint Seya, and all that other good stuff.

I collected all the manga and cd's in the 90's and 00's, big fan of the show. Now in my 40's I just enjoy watching an amazing live action translation that does the show justice.

I think you can ignore the bad reviews. If you liked other Netflix anime-to-film adaptations, this is one of the better ones in my opinion.

I have NOT seen the earlier anime nor read the comics. I probably have seen the Jackie Chan filmed version yet remember nothing from it. This is VERY GOOD Netflix television. The first act especially is non-stop crazy, stylish action in every way, plot, acting, shot-framing, action scenes and lots of girls.

I did like Parasite Gray and the Netflix filmed version of Avatar Air Bender. I could NOT get thru Netflix One Piece. I recognize the new One Piece has a ton of talent behind and on the screen.

When I put on my film critic hat, there is one big problem these anime-to-film adaptations struggle with. Their source material is from comics which came out 1985-1995. If nothing else, this means these shows have little to no relevance to the world of the 2020s, For example the cos-play (costume dress up) convention scene seems a bit dated; and yet, the expressions of the extras and how the scene plays out dramatically is wonderful--unless you already saw it in the comics and in the anime.

Netflix's City Hunter takes DNA from Jame Bond, comic books, anime, and other 20th century pop culture. Fortunately as in the best of Netflix's anime-to-film adaptations, the commitment behind and on the screen is 100%. In film dedication counts for much. As you undoubtedly expect, this is more well-produced, mindless, fun distraction.

You can tell Ryohei Suzuki is a diehard fan. This was absolutely amazing. Every part of the film feels like it had been made with care and love for the source material.

All main cast were excellent, with Suzuki being the obvious standout. He is Ryo Saeba, and he put in the work. His execution of the hand-to-hand combat and gunplay is phenomenal. He truly makes Ryo feel like the most formidable man you have ever seen.

The comedy, too, has been updated to modern times. Ryo is still as lecherous as ever, but he never puts his hands on anyone without their consent, which is a welcome change.

This film sets a new standard for adapting manga and anime right. I am very hopeful for a sequel.