Joy
- 2015
- Tous publics
- 2h 4min
L'histoire de Joy, qui deviendra fondatrice et matriarche d'une puissante dynastie familiale.L'histoire de Joy, qui deviendra fondatrice et matriarche d'une puissante dynastie familiale.L'histoire de Joy, qui deviendra fondatrice et matriarche d'une puissante dynastie familiale.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 8 victoires et 23 nominations au total
Elisabeth Röhm
- Peggy
- (as Elisabeth Rohm)
John Enos III
- Roderick
- (as John Enos)
Avis à la une
David O. Russell has made some lovely films with Jennifer Lawrence, such as "Silver Linings Playbook" and "American Hustle". And here, with Lawrence once again, he's given her an excellent role (that resulted in an Oscar nomination) but that's really about all. Unlike the other films, the rest of the characters are so unlikable and nasty that watching the film is akin to pouring salt into your eyes.....it's just not particularly nice nor pleasant. Now the characters in these other films were not exactly nice folks...but you felt compelled to watch them. Not as much here...mostly because these other characters tend to dominate the story instead of accentuating it in "Joy".
Joy is a character originally envisioned as a biography of real-life Joy Mangano--a woman who invented some labor-saving household items which have made her rich. But as the script was written, the story began to diverge more and more and more from Mangano's life...to the point where it's mostly fiction.
In this story, Joy (Lawrence) is the glue that tries to hold her very dysfunctional and chaotic life together. And, it's tough considering that Joy's family has little in the way of boundaries and Joy is working her butt off. For example, her parents divorced long ago...yet the pair moved in with Joy....and bring chaos to her life as they fight AND the parents both bring their boyfriends/girlfriends into the home! The bottom line is that practically everyone in the family makes great demands on Joy and they don't seem to care that this is destroying her. And, frustratingly, Joy is practically incapable of telling any of these jerks no! I think too much of the film focuses on this chaos, as I found myself tense and frustrated watching her life. I just wanted these folks to go away!
Eventually, like the real Joy, this Joy manages to take her great ideas and market them...and make money from them. Too bad she didn't use this money and power to get restraining orders to keep everyone from her family out of her life. And, too bad it took so long and we needed to cringe constantly at the family until this breakthrough EVENTUALLY occurred. But even then, the family seems to do their best to make Joy's idea fall flat.
The bottom line is that it can be tough to sell a story where you don't like anyone. It can work...but it's an uphill battle...and here it just didn't work well for me. And, I can see why this Russell film didn't do as well in theaters as his other collaborations with Lawrence....making less in the States than it cost to make. As it is, it's watchable but a bit of a disappointment. Slow and not at all a joy to watch! It at least earns a 5 because there are some nice performances. The film MIGHT have worked better had the first half of the movie been reduced significantly and the final portion accentuated further.
Joy is a character originally envisioned as a biography of real-life Joy Mangano--a woman who invented some labor-saving household items which have made her rich. But as the script was written, the story began to diverge more and more and more from Mangano's life...to the point where it's mostly fiction.
In this story, Joy (Lawrence) is the glue that tries to hold her very dysfunctional and chaotic life together. And, it's tough considering that Joy's family has little in the way of boundaries and Joy is working her butt off. For example, her parents divorced long ago...yet the pair moved in with Joy....and bring chaos to her life as they fight AND the parents both bring their boyfriends/girlfriends into the home! The bottom line is that practically everyone in the family makes great demands on Joy and they don't seem to care that this is destroying her. And, frustratingly, Joy is practically incapable of telling any of these jerks no! I think too much of the film focuses on this chaos, as I found myself tense and frustrated watching her life. I just wanted these folks to go away!
Eventually, like the real Joy, this Joy manages to take her great ideas and market them...and make money from them. Too bad she didn't use this money and power to get restraining orders to keep everyone from her family out of her life. And, too bad it took so long and we needed to cringe constantly at the family until this breakthrough EVENTUALLY occurred. But even then, the family seems to do their best to make Joy's idea fall flat.
The bottom line is that it can be tough to sell a story where you don't like anyone. It can work...but it's an uphill battle...and here it just didn't work well for me. And, I can see why this Russell film didn't do as well in theaters as his other collaborations with Lawrence....making less in the States than it cost to make. As it is, it's watchable but a bit of a disappointment. Slow and not at all a joy to watch! It at least earns a 5 because there are some nice performances. The film MIGHT have worked better had the first half of the movie been reduced significantly and the final portion accentuated further.
Blue-collar visionary Joy (Jennifer Lawrence) has an idea for a revolutionary new home-cleaning product. With the help of her failed lounge singer ex-husband Tony (Edgar Ramirez) and despite the machinations of her crazy family she pitches the product to a home shopping channel mogul (Bradley Cooper).
The film Joy is what you would get if ingested psychedelic mushrooms, wrote an infomercial about Miracle Mop and got an excellent cast of Hollywood stars to appear in it. Nothing is more absurd than the very idea of this movie getting made as a wide release feature with the exception of the inexplicable critical acclaim it has garnered.
Auteur David O.Russell (Who wrote, produced & directed) has been so successful in recent years with films like Silver Linings Playbook and American Hustle that it has perhaps made him complacent and even bored. Sometimes when that happens an artist can go off on an experimental tangent. Equally as often the same artist can take on a challenge that they shouldn't. That is what Russell did here in trying to turn an idea that wouldn't normally have been considered for a movie of the week on the Lifetime network and making a feature film out of it.
I feel like seeing it again just to make sure the actors were really saying the goofy lines of dialogue I heard. Some of them appear to be gleaned from a motivational speaker's teleprompter. Others sound like what you hear in a dubbed version of an awful Mexican soap opera. I'm embarrassed for the distinguished cast that they had to try to make sense of this weirdness.
Tinged with Fellini-esque surrealism the bizarre rhythm of sequence suggests it was absolutely butchered during editing by somebody on speed, then Ritalin, then speed again. I often found it incoherent. It probably made perfect sense to drug users.
If the film accomplishes one thing it is that everyone who sees it is gonna wanna buy a Miracle Mop. I started scouting for one online right after I saw it.
The film Joy is what you would get if ingested psychedelic mushrooms, wrote an infomercial about Miracle Mop and got an excellent cast of Hollywood stars to appear in it. Nothing is more absurd than the very idea of this movie getting made as a wide release feature with the exception of the inexplicable critical acclaim it has garnered.
Auteur David O.Russell (Who wrote, produced & directed) has been so successful in recent years with films like Silver Linings Playbook and American Hustle that it has perhaps made him complacent and even bored. Sometimes when that happens an artist can go off on an experimental tangent. Equally as often the same artist can take on a challenge that they shouldn't. That is what Russell did here in trying to turn an idea that wouldn't normally have been considered for a movie of the week on the Lifetime network and making a feature film out of it.
I feel like seeing it again just to make sure the actors were really saying the goofy lines of dialogue I heard. Some of them appear to be gleaned from a motivational speaker's teleprompter. Others sound like what you hear in a dubbed version of an awful Mexican soap opera. I'm embarrassed for the distinguished cast that they had to try to make sense of this weirdness.
Tinged with Fellini-esque surrealism the bizarre rhythm of sequence suggests it was absolutely butchered during editing by somebody on speed, then Ritalin, then speed again. I often found it incoherent. It probably made perfect sense to drug users.
If the film accomplishes one thing it is that everyone who sees it is gonna wanna buy a Miracle Mop. I started scouting for one online right after I saw it.
I was not drawn to Joy when it was first released because it just looked like a made for TV movie. I was surprised when Jennifer Lawrence was nominated for an Academy Award for her performance and still had no real desire to see Joy. Joy popped up on my new releases list on Apple TV today so I thought I would just watch the first 10 minutes to get an idea whether it would be watching or not. After 10 minutes I knew this was worth watching so my husband and I watched it and to both of our surprise we really liked it. Jennifer Lawrence was outstanding in her role as Joy. I've always thought Lawrence was an amazing actress since I saw her in Winter's Bone. She is the real deal. She is destined for more success with each film she is in. DeNiro is amazing as always. It is a wonderful story that should have received better reviews. I can understand why it wasn't a box office hit but it is definitely worth watching.
I confess an approach with a negative a priori. Having not really enjoyed Happiness Therapy (David O. Russell, 2012), I feared a film gathering the same director with the same main actors. And I was definitely wrong! First, Jennifer Lawrence plays admirably, and is excellently assisted by Robert De Niro, Bradley Cooper, Edgar Ramirez, Diane Ladd, Virginia Madsen and Isabella Rossellini. This film is also a fabulous and inspirational advocacy to an escape attempt from a disadvantaged environment filled with zombies (the mother Terry in particular, and the father Rudy to a lesser extent) thanks to an obstinacy skilfully measured out and the wise help of her former husband Tony. This movie is invigorating!
I should not have been surprised. Jennifer Lawrence is an AMAZING actor, one of the finest we have today. The story is not flashy, but the acting is superb. If you can enjoy movies without a lot of CGI and things blowing up, give this a try.
Le saviez-vous
- AnecdotesJoan Rivers is portrayed in this film by her real-life daughter Melissa Rivers. Director David O. Russell asked Melissa for input on dialogue written for her mother, particularly in the scene where she gives Joy clothing feedback.
- GaffesThe television cameras seen in the background at QVC weren't released until a few years after the events of the film take place. These cameras are also shown with LCD teleprompters, which weren't manufactured until the early 2000's.
- Crédits fousThe 20th Century Fox fanfare is shortened for the first half, in order to have the bells taking over it for the second half. Like in Le labyrinthe (2014), it cuts to black. The opening theme starts playing over the following Annapurna Pictures and Davis Entertainment logos.
- Bandes originalesPast Three O'clock
Written by Cary Ratcliff and George Ratcliffe Woodward (as George Woodward)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Joy: El nombre del éxito
- Lieux de tournage
- Haverhill, Massachusetts, États-Unis(Washington St.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 451 232 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 015 168 $US
- 27 déc. 2015
- Montant brut mondial
- 101 134 059 $US
- Durée
- 2h 4min(124 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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