Southcliffe

This tries to be different and in the process just ends up a confused mess.

Could have been a decent crime mini series had it been told in a traditional way, but the way the time lines chop and change just end up making the whole thing disjointed. I thought I was going a bit loopy at first when things from a previous scene were repeated were repeated, it took a while to cotton on that this was the way the story was being told.

In its favour it does have a real sense of grimness to it, but that's not enough to rescue it unfortunately.

The acting is of a high calibre for the most part throughout and cinematography is atmospheric.

However, it just doesn't gel.

And then episode 4 happened. I got very confused. Claire was bonkers, I had not the first inkling what Chris was doing, nor the journalist dude, nor Chris's uncle. In fact the whole thing turned into a giant "Huh?" I couldn't quite grasp the reasoning behind any of their actions/behaviour. Nor did I really care as none of the characters were either likeable or relatable. A shame.

Very well done. Don't compare to everything else you have seen out there. More to come...

Southcliffe, a sleepy English town suffers a major tragedy, innocent people are gunned down by Stephen Morton for no apparent reason, Journalist David Whitehead attempts to get to the bottom of why.

It's a bleak watch, don't expect any cheer or light hearted moments, this is a tough watch. Very solid from start to finish, for me the best episode is the first one, you learn so much from it.

It jumps around a little in terms of timeframe, so it does need a degree of concentration. Some very big characters, some you'll like, most you won't, the worst perhaps being Paul, who really is a monster.

Sean Harris leads initially before handing over to Rory Kinnear, the pair are terrific.

David keeps on saying they should have seen it coming, was he right? I think so.

Very good 8/10.

Sometimes, stuff just happens, and it's not always pretty. 'Southcliffe' fictionalises rare but real stories when a loner has flipped and gone out and shot up his not so loving local community; and as such, it's quite realistic. The problem is, there isn't any real narrative here (at least, nothing sufficiently meaty to justify the happenings); and although in part this is the entire point of the series, it's also a slightly self-defeating point to make in a drama. It's hard to feel too involved when there's no underlying cause to events: the story of a journalist caught up in events has a similar, believable but essentially arbitrary feel. I often like series that give us no easy answers; but in the absence even of any real questions, this one didn't do it for me.