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6,9/10
4,5 k
MA NOTE
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Regarder Jordan Firstman Answers Burning Questions About Impressions And "Ms. Marvel"
Jordan Firstman part à la recherche du cinéaste Sebastian Silva qui a disparu à Mexico. Il soupçonne la femme de ménage de l'immeuble de Sebastian d'être impliquée dans sa disparition.Jordan Firstman part à la recherche du cinéaste Sebastian Silva qui a disparu à Mexico. Il soupçonne la femme de ménage de l'immeuble de Sebastian d'être impliquée dans sa disparition.Jordan Firstman part à la recherche du cinéaste Sebastian Silva qui a disparu à Mexico. Il soupçonne la femme de ménage de l'immeuble de Sebastian d'être impliquée dans sa disparition.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 13 nominations au total
Juan Andrés Silva
- Juan
- (as Juan Silva)
Avis à la une
The film had a lot going for it, but it also had some glaring issues that were hard to ignore.
First and foremost, I couldn't help but be annoyed by the fact that the movie was filmed in Mexico with no Mexican actors playing Mexican characters. It felt like a missed opportunity to add authenticity to the story, and it was distracting throughout the film.
On the positive side, the characters were a highlight for me. They were well-developed and likable, which made me invest in their journey. The chemistry between the actors was palpable, even if they weren't Mexican, and this added depth to the story.
Speaking of the story, it was refreshingly original and natural. I appreciated the unique narrative and the way it unfolded. The plot kept me engaged, and I was genuinely curious about how it would all play out.
However, my enthusiasm took a hit towards the end. It felt like the filmmakers didn't put as much effort into wrapping up the story as they did in setting it up. The ending felt somewhat lazy and left too many loose ends, which left me somewhat unsatisfied.
In the end, I'd rate this movie a solid 7. Despite its flaws, the original storyline and well-drawn characters made it an enjoyable watch. I just wish the filmmakers had paid more attention to authenticity and a satisfying conclusion.
First and foremost, I couldn't help but be annoyed by the fact that the movie was filmed in Mexico with no Mexican actors playing Mexican characters. It felt like a missed opportunity to add authenticity to the story, and it was distracting throughout the film.
On the positive side, the characters were a highlight for me. They were well-developed and likable, which made me invest in their journey. The chemistry between the actors was palpable, even if they weren't Mexican, and this added depth to the story.
Speaking of the story, it was refreshingly original and natural. I appreciated the unique narrative and the way it unfolded. The plot kept me engaged, and I was genuinely curious about how it would all play out.
However, my enthusiasm took a hit towards the end. It felt like the filmmakers didn't put as much effort into wrapping up the story as they did in setting it up. The ending felt somewhat lazy and left too many loose ends, which left me somewhat unsatisfied.
In the end, I'd rate this movie a solid 7. Despite its flaws, the original storyline and well-drawn characters made it an enjoyable watch. I just wish the filmmakers had paid more attention to authenticity and a satisfying conclusion.
Wasn't expecting a few unexpected twists and the fast sudden change of leads within a movie with 2 protagonists. Impressive. This has a genuine feel of reality and it follows a very logical route of story telling. And that's exactly how the guilty character would behave with anyone caught in that dire predicament. The female helper was truly superb in her performance giving so many conflicting and disturbing vibes of what exactly is she in character essence. She can seem naive and somewhat intellectually slow, yet her instinctive prodding for an accomplice to erase her reckless misdeed betrays her darker nature. Again, the ending was another unexpected twist from her yet unpredictable surrender of truth when she could have had simply fade into oblivion. Great show.
I just loved watching this movie. Hard to watch in some parts but overall this is a modern age art film at his best.
It was such an interesting idea from the director to come out with this story. It's like a moodboard of the queer community but also about the difference between being a local or a visitor in a foreign country.
I wasn't expecting the twist through not even halfway the movie. The character of Vero is silly but also brilliant. Jordan is just being Jordan and we just love to watch. Like he said, he's a happy clown!
Between all the shots on the dicks, the Hitchcock mystery or the drugs use, this movie was very original and it just shows that you don't need alot of budget or material to make a movie that will catch your attention and made you think after.
It is also refreshing to watch a queer movie that is not about finding your identity or about love.
We need more projects between Sebastian and Jordan!!
It was such an interesting idea from the director to come out with this story. It's like a moodboard of the queer community but also about the difference between being a local or a visitor in a foreign country.
I wasn't expecting the twist through not even halfway the movie. The character of Vero is silly but also brilliant. Jordan is just being Jordan and we just love to watch. Like he said, he's a happy clown!
Between all the shots on the dicks, the Hitchcock mystery or the drugs use, this movie was very original and it just shows that you don't need alot of budget or material to make a movie that will catch your attention and made you think after.
It is also refreshing to watch a queer movie that is not about finding your identity or about love.
We need more projects between Sebastian and Jordan!!
When an overwrought, angst-ridden, drug addicted filmmaker (Sebastián Silva playing a fictional version of himself) unexpectedly meets a wacky, unhinged comedian/social media influencer (Jordan Firstman playing a fictional version of himself) at a gay Mexican beach resort, the troubled director does all he can to distance himself from his new acquaintance when he becomes interminably annoying, especially in his incessant, unfocused pitches for collaborating on a new movie project. But, when the financially strapped filmmaker returns to his home in Mexico City, he reluctantly relents on the comic's offer when all his other production proposals are turned down by would-be backers. He thus invites his new writing partner to come stay with him while they hammer out the script, but, upon his collaborator's arrival, he finds the director has mysteriously disappeared. What ensues is a humorous gay comedy-mystery in which clues about the disappearance slowly emerge. At the same time, however, the story also delves into some surprisingly mature and insightful themes, developments very much in contrast to the film's screwball narrative and its somewhat manic opening act. Writer-director Silva's latest thus presents viewers with an intriguing combination of plot elements that one might think shouldn't belong in the same picture but that work surprisingly well together. While it's true that the ending seems somewhat abrupt and that some segments run on a little too long (particularly in the first half-hour), with a few others that could have been omitted entirely, the majority of the material nevertheless holds together well, making for an entertaining, if somewhat offbeat, time at the movies. Sensitive viewers are strongly cautioned, however, that the film features numerous scenes with explicit depictions of gay male sexuality, so those who are easily given to offense may wish to pass on this unrated release. Those considerations aside, though, this is a film that's more than it might superficially seem, particularly the further one gets into the story. It's quite an eye-opening ride into a world that many may be unfamiliar with, but it's also one that simultaneously makes us laugh and makes us think - a rare combination to be found in the same picture, to be sure.
... and that was the masterful performance by Catalina Saavedra, playing Señora Vero. She had a lot to work with inside this plot, and was the absolute best part of the film.
People are calling this a film with two protagonists. And yes, I suppose that strictly speaking, that's true. There is a switch in viewpoints about forty minutes in, and that's when the film takes a turn that it never recovers from. The protagonist after that point is superficial, annoying in the extreme, and exactly like you'd expect a "social influencer" to be. I suppose in that way, he is successful in the role. But, to turn the whole film over to this guy makes the viewing experience trying. I get satire, I didn't get this.
The plot was good for what it was. I only wish that there were better people put in front of the camera to play it out. I can't in good conscience recommend this, but if you must, it IS worth it for Catalina Saavedra's performance. The 5-star is for that and most of the background actors.
People are calling this a film with two protagonists. And yes, I suppose that strictly speaking, that's true. There is a switch in viewpoints about forty minutes in, and that's when the film takes a turn that it never recovers from. The protagonist after that point is superficial, annoying in the extreme, and exactly like you'd expect a "social influencer" to be. I suppose in that way, he is successful in the role. But, to turn the whole film over to this guy makes the viewing experience trying. I get satire, I didn't get this.
The plot was good for what it was. I only wish that there were better people put in front of the camera to play it out. I can't in good conscience recommend this, but if you must, it IS worth it for Catalina Saavedra's performance. The 5-star is for that and most of the background actors.
Le saviez-vous
- AnecdotesIn this movie Catalina Saavedra reprises her role as the maid - after having played the maid in the critically acclaimed 'The Maid' (2009) by the same director.
- Citations
Jordan Firstman: I'm sorry. I've, like, never met someone so obsessed with drowning.
- ConnexionsReferences La nana (2009)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Истлевший на солнце
- Lieux de tournage
- Zipolite, Oaxaca, Mexique(beach scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 14 707 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Rapport de forme
- 1.92:1
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