Ping Pong Summer

The latest in a long line of 80s nostalgia films, 'Ping Pong Summer' differs a bit from the rest due to its indie film roots. The production is less polished and the story and characters more quirky. The results are a bit mixed, with its indie trappings being both a blessing and a curse.

The adult cast is quite good, with veterans like Susan Sarandon, John Hannah and Leah Thomson making the most of rather thankless roles. But the weight of the movie falls on the shoulders of its young first time actors, and it's here that 'Ping Pong Summer' both soars and sinks. At times there's a real charm to their performances and at others they lack the experience to lift the material to the level that it needs to work.

This is a feel good movie with a lot of heart, and though a bit uneven at times, it does reward you for sticking with it. Anyone who loves the 80s should definitely check it out. For everyone else, your mileage may vary.

Let's be honest, this is a terrible movie. What an odd mix of veteran actors (Susan Sarandon, Leah Thompson etc.) quite literally smashing up against terrible novices like the lead character's sidekick, Myles Massey. I continue to be amazed that people are actually paid to cast movies and they come up with bad actors all the time. The sidekick role is crucial here, yet they choose a kid who can't act. Go figure. Watching Sarandon, John Hannah and Leah Thompson attempt to add some flow to the movie while working with terrible actors reminds me of Natalie Portman struggling with Robot Hayden Christensen in the Star Wars prequels. I guess it has something to do with movie budget; perhaps they ran out of money after paying Sarandon, Hannah and Thompson.

Every once it awhile we see some promise, as when Rad and his family visit his Aunt and her husband. Amy Sedaris and Robert Longstreet show how it's done and provide a hint of what the movie might have been. Also Rad's sister was more than adequate in her role.

All this aside, the movie does well with costumes and general 1980s era eastern shore vibe, that's about it. The pacing is excruciating as we wait for lead character Rad to meet up with Susan Sarandon and when he finally does, it's almost a throwaway scene and before you know it we're (mercifully) at the finish line.

If the director was attempting some sort of filmmaking homage, I missed it completely. So much more could have been done for the eastern shore/Ocean City in a movie like this. I'm being brutally honest when I say that all during the movie I kept thinking how I could have rounded up some buddies and a mini HD camera and done a much better job. I kid you not. It's that bad.

This has to be one of the strangest movies I've attempted to watch in a long time. I thought the acting would be better with the cast members present, such as Sarandon and Hannah, but they aren't on screen enough to improve the movie. Growing up in the 80's myself the nostalgia factor was definitely there. When Rad orders a suicide...yep I remember drinking those gross concoctions, lol. The movie had promise, but was more like a balloon with its air let out. If you want to watch an 80's nostalgia movie about an outcast go with The Karate Kid. Or if you want to watch a good outcast movie watch The Way, Way Back. Stay away from this stinker.

For those of us who loved Michael Tully's directorial debut, SEPTIEN, it was rather surprising to discover that he had a dream. That dream is PING PONG SUMMER -- a movie so far removed from his directorial debut it is almost impossible to imagine that both were made by the same artist!

There have been a number of movies that have attempted to recreate the 80's in just as many ways. Because this film is written/directed by Michael Tully you might expect that he would create something similar to David Wain's WET HOT American SUMMER … only more twisted. But that is not his intent. But this is no parody. This is not cynical.This is not even an ode to 1980's movies.

PING PONG SUMMER is simply a nostalgic memory of a very specific moment not only in American culture -- but in the life of a 13 year old boy. And guess what, it's not about a boy trying to get laid or having to survive through a traumatic childhood. This is a movie about a slightly awkward kid trying to find a way to assert his identity.

During a family summer vacation, an awkward 13 year old tries to find a way to assert his identity. The only problem is that he is just a bit too young and innocent to understand what that means, Rad ends up having a nice summer. We follow Rad through the summer. Things do happen, but never in an even slightly unbelievable way.

The magic of the movie lies in it's simplicity. We often only see the world through the eyes of a normal kid. And we quite literally re-experience 1985 from his perspective. Hip Hop was just about to break mainstream, Boom-boxes ruled, the Arcade was THE place to be and it was crucial to master the art of achieving the perfect mix for your Icey! Oh, and do remember the obscene amount and choice of food at buffet restaurant?!?!

There is actually a great deal of humor here.,but don't expect generic slapstick or crass humor. The films humor most often sneaks in just below the radar. The funniest moments are are in the way the characters react to the situations and/or comments made by others. Even when Amy Sedaris and Robert Longstreet are introduced as the "looney" aunt and uncle — the humor is not directly aimed at their inappropriate behavior. The funny aspect of this short extended family visit is in the way Rad's family creatively navigates the situation. They are family, after all.

It would be hard for anyone who was between the ages of 12 to 19 in the year of 1985 not enjoy this movie. There was something bittersweet about the movie. It often feels like a memory.

One's impression while watching this film is fairly mixed: there were many parts that made it funnier than the typical Hollywood Asian rip-off (intentionally so) which kept me interested in the film. Furthermore, the acting is not as bad as typical of this genre, and I found some of the characters especially expressive and entertaining.

However, the fault of the film is that it falls victim to many of the errors of US rips on Japanese cinema: the quality being grainy and questionable, the simplicity of the plot and having shocking simplicity in the archetypes of good & evil, and furthermore, being overall rather corny.

But if you can stand for a typical "re-imagined" B movie, this is not so bad; I found it entertaining and its' pong scenes were not very shabby, either. And furthermore, the film did not fall victim to any ridiculous subplot or added Twilight-esque love-stories, nor was it ruined by an overwhelming personality clogging up the story, which can easily kill other films. For what they have, a decent film. If you see it for what it is, it is not hard to watch and enjoy it. Decent for anybody who has an attachment to the genre.