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Ajouter une intrigue dans votre langueA drama based on Jimi Hendrix's life as he left New York City for London, where his career took off.A drama based on Jimi Hendrix's life as he left New York City for London, where his career took off.A drama based on Jimi Hendrix's life as he left New York City for London, where his career took off.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 10 nominations au total
André 3000
- Jimi Hendrix
- (as André Benjamin)
Robbie Jarvis
- Andrew Loog Oldham
- (as Robbie Jarvis-Dean)
Seán Duggan
- Evans
- (as Sean Duggan)
Avis à la une
@uberificbrownie In fact the women featured as Hendrix' friend and lover have come out publicly to declare the film is very inaccurate in several ways. You can read for yourself on the real Linda E.'s web site. She said that Ridley took bits of events that she wrote about in her autobiography and turned them around to fit his modern-day vision. I think she's right in some ways, certainly if you look at Atwell in the movie she's portrayed as being rather common and juxtaposed against Poots' character who is a posh intellectual/romantic.
You see what he's doing right off; Linda E. is the "old" Jimi who played juke joints with few noticing, Linda K helps him find the new Jimi who will be remembered forever. His process going from a back-up blues man to a legend was very likely a lot more complicated than that, and took more than a few notes from a friend to make him what he became.
But that's the Hollywood formula biopic, it encourages simplification of complexities. And sometimes, unfortunately when it comes to observing African American figures, the script may often have a White hand leading the Black hand along (see also 12 YEARS).
The other thing to note is that Ridley does seem to be a political conservative. They tend to observe black and white (not talking about race) more than grey.
It isn't hard to get things right like Hendrix' tone of voice (yes he was soft spoken) or his clothing and hair. Getting the rest "right" is likely harder.
You see what he's doing right off; Linda E. is the "old" Jimi who played juke joints with few noticing, Linda K helps him find the new Jimi who will be remembered forever. His process going from a back-up blues man to a legend was very likely a lot more complicated than that, and took more than a few notes from a friend to make him what he became.
But that's the Hollywood formula biopic, it encourages simplification of complexities. And sometimes, unfortunately when it comes to observing African American figures, the script may often have a White hand leading the Black hand along (see also 12 YEARS).
The other thing to note is that Ridley does seem to be a political conservative. They tend to observe black and white (not talking about race) more than grey.
It isn't hard to get things right like Hendrix' tone of voice (yes he was soft spoken) or his clothing and hair. Getting the rest "right" is likely harder.
The dude who said this film is racist doesn't understand Jimmi Hendrix's life. He was a complete unknown drifting from venue to venue under a lot of different monikers only to be discovered by the girlfriend of Keith Richards. That was the era he lived in-- as a black musician in that era coupled with his ridiculous dress, he would have never been given a chance otherwise. If you look into his Harlem show, even black people didn't "get" him. If you're a real Hendrix fan, or have read some of his biographies this film aims to stick true to the actual story of his life--not a politically correct version modified for the 21st century.
And borderline autistic? That's how Hendrix spoke. He was incredibly shy and soft spoken unless he had his guitar in his hand. Watch just about any interview on live television where he was talking one on one with the host--it's awkward and clumsy to the point where you think there's something wrong with him. Add on an intense amount of personal substance abuse and you'll be able to understand why Andre 3000's portrayal of Jimi was spot on.
I'd say if you walk into this film with a little bit of historical understanding of Hendrix's life as well as an awareness about the social pressures shaping the man you'll find this film to be a pretty accurate representation on the guitar god.
And borderline autistic? That's how Hendrix spoke. He was incredibly shy and soft spoken unless he had his guitar in his hand. Watch just about any interview on live television where he was talking one on one with the host--it's awkward and clumsy to the point where you think there's something wrong with him. Add on an intense amount of personal substance abuse and you'll be able to understand why Andre 3000's portrayal of Jimi was spot on.
I'd say if you walk into this film with a little bit of historical understanding of Hendrix's life as well as an awareness about the social pressures shaping the man you'll find this film to be a pretty accurate representation on the guitar god.
John Ridley's "Jimi: All Is by My Side" is a worthy effort, but without Jimi Hendrix's music it comes across flat. And as happens with a lot of biopics, there seems to be an emphasis on the unpleasant parts of the subjects life (we can debate the authenticity, although Kathy Etchingham has criticized it). The point is that Jimi Hendrix might not be someone whose life story you can film. At least not without his songs. I'd say that "Purple Haze", "Hey Joe" and Hendrix's riff on "The Star-Spangled Banner" tell more about his life than any movie can. He was the greatest guitarist of all time, and this movie doesn't do him justice.
So remember what he said about the power of love overcoming the love of power.
So remember what he said about the power of love overcoming the love of power.
The movie was OK. Nor a masterpiece by any means, but a solid entry that shows part of the Hendrix life. I'm not good in writing reviews, in fact I believe that they are pointless, and everyone should base their opinion by seeing a movie. Nevertheless I had to make an entry because of that ignorant 'garbage' and 'racist' review. Do not get me wrong, you are entitled to think about any movie as garbage, and I'm fine with that. But when someone shows his/hers ignorance and calls historic facts racist... That's just sad. Shall we rewrite history? Please read Hendrix biography. If it wasn't for that lady, that was sleeping with Richards, Hendrix would not made a contact with a manager, that helped him develop his career. Sames go with so many (white if that matters - for me not, and if that matters for you, you are the racist... I'd like to remind, that it works both ways..) other people that helped him along the way, e.g. if it was not for McCartney he would _never_ play at the Monterrey Festival... That festival made him well known in the USA, because earlier his hit from Britain did not even enter top 100 in the USA... Similarly with the violence - quite well documented. The guy just couldn't handle alcohol, and changed after it, as so many people do. To sum up - Hendrix would always be a Hendrix (even changing name to Jimi was suggested by a white guy, oops). Great talent, great naivety, and bad life decisions. The point I'm making is, that at that time, without the help of white people, he would not become so famous. Sometimes skills are just not enough, you have to have luck, and met the right people. Do not try to rewrite history... You know also what? These people were so much better than the mindless PC obsessed masses. They didn't care about the skin color, just the talent, the music, the person. Who he was. An that was the late 60s I want to remind you. Not an easy time for people of color (less in Europe, but still). So, people, please watch the movie, read Hendrix biography (or if you are lazy, his Wikipedia page), and stop with this racists BS.
Man, I don't know what drugs some of these other reviewers are on. One person seems to be under the impression that the movie claims Jimi didn't play guitar before he came to England. WTF? Another person claims the film is racist because it accurately portrays white people helping Jimi move to London and start his own band. Yet another person claims Eric Clapton didn't walk off the stage when Jimi sat in with Cream because Clapton doesn't mention it when he's interviewed, but plenty of others remember it that way, and Clapton isn't going to go out of his way to bring up something that makes him look bad. Which brings us to Ms. Etchingham. You know, every time you watch a documentary about Hendrix there's an interview with a different woman whose only claim to fame in life is that she slept with Jimi, and they all seem to be self-appointed guardians of his legacy, every one of them was the real true love of his life, and none of them have a single negative word to say about him. But Hendrix was a famous womanizer—how he juggled jealous women is part of the focus of the film—and it is well known that he became angry and violent when he drank. So maybe Jimi beat her and maybe he didn't, but if he did I wouldn't really expect Ms. Etchingham to admit it, and if he didn't it doesn't really bother me that much because the episode can be viewed as a metaphor for a darker side of his personality that really did exist and wouldn't have been explored in the film without that scene.
Artistically I thought the film was a triumph and one of the best rock biopics I've seen. Andre Benjamin NAILS Jimi. He deserves an Oscar nomination for his performance. He obviously spent a lot of time listening to audio of Jimi speaking because he captured the rhythm and inflections of Jimi's speech perfectly. And acting-wise Benjamin was excellent, I thought he got inside Jimi's character even more than Jamie Foxx did in Ray. As an actor he was remarkably in the moment and very subtle. And the female leads are with him all the way, especially Imogen Poots as Linda Keith, she's soooo good. The reviewer who said that the "crazy cuts and directing style" gave him a headache would undoubtedly get a cerebral hemorrhage from a Godard film, the editing was artistically innovative and miles ahead of standard Hollywood flicks like Get On Up and Ray.
As for the lack of original Hendrix songs, in the end it didn't bother me much. In a way it might have worked to the film's advantage, because it forced the director to concentrate more on creating a character study based on dialogue and narrative instead of recreating one performance clip after another, as in Get On Up. And anyhow, two-thirds of the movie takes place before Jimi put together the Experience and started writing songs. I did wonder why they didn't use "Hey Joe" since Jimi didn't write it and he was playing it onstage when Chas Chandler saw him for the first time. But overall, I loved the movie and thought it rocked hard.
Artistically I thought the film was a triumph and one of the best rock biopics I've seen. Andre Benjamin NAILS Jimi. He deserves an Oscar nomination for his performance. He obviously spent a lot of time listening to audio of Jimi speaking because he captured the rhythm and inflections of Jimi's speech perfectly. And acting-wise Benjamin was excellent, I thought he got inside Jimi's character even more than Jamie Foxx did in Ray. As an actor he was remarkably in the moment and very subtle. And the female leads are with him all the way, especially Imogen Poots as Linda Keith, she's soooo good. The reviewer who said that the "crazy cuts and directing style" gave him a headache would undoubtedly get a cerebral hemorrhage from a Godard film, the editing was artistically innovative and miles ahead of standard Hollywood flicks like Get On Up and Ray.
As for the lack of original Hendrix songs, in the end it didn't bother me much. In a way it might have worked to the film's advantage, because it forced the director to concentrate more on creating a character study based on dialogue and narrative instead of recreating one performance clip after another, as in Get On Up. And anyhow, two-thirds of the movie takes place before Jimi put together the Experience and started writing songs. I did wonder why they didn't use "Hey Joe" since Jimi didn't write it and he was playing it onstage when Chas Chandler saw him for the first time. But overall, I loved the movie and thought it rocked hard.
Le saviez-vous
- AnecdotesJimi Hendrix's estate refused to grant music rights unless they were allowed full participation in the film's production. For that reason, all of the Hendrix songs in the film are covers. At the time the movie is set, 1966-67, Hendrix had three top 10 singles in the UK ("Hey Joe," "Purple Haze," and "The Wind Cries Mary") and a hit album ("Are You Experienced").
- GaffesKathy Etchingham was never beaten with a telephone, as depicted in one scene. According to the real Kathy Etchingham, it was "completely made up."
- Citations
Jimi Hendrix: When the power of love takes over the love of power, that's when things will change.
- ConnexionsReferenced in Film '72: Épisode datant du 19 novembre 2014 (2014)
- Bandes originalesFuture Trip
Performed by Waddy Wachtel
Vocal by Arnold McCuller (as Arnold McCullen)
Written by Ed Dantes
Courtesy of PPX International
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- How long is Jimi: All Is by My Side?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Джимі Гендрікс
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 340 911 $US
- Week-end de sortie aux États-Unis et au Canada
- 97 008 $US
- 28 sept. 2014
- Montant brut mondial
- 599 840 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Jimi: All Is by My Side (2013) officially released in India in English?
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