Un homme accepte l'invitation à dîner de son ex-femme. Une soirée troublante qui rouvre de vieilles blessures et crée de nouvelles tensions.Un homme accepte l'invitation à dîner de son ex-femme. Une soirée troublante qui rouvre de vieilles blessures et crée de nouvelles tensions.Un homme accepte l'invitation à dîner de son ex-femme. Une soirée troublante qui rouvre de vieilles blessures et crée de nouvelles tensions.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 15 nominations au total
Trish Gates
- Follower
- (as a different name)
Avis à la une
A powerful feature film. Despite some reminiscence (group of friends, dinner, the house atmosphere, colors) with "Coherence" is undoubtedly an original movie. A very interesting point made by the director (who had already done Girlfight and Jennifer's Body) over a possible processing of the pain of a loss, in a quite denying way, perhaps cynical, reaching extremes of aggressiveness. A lot of tension, making us doubt who you believe (or even what is real) at every step, until the crux of the matter comes; you may wait a little for that, but it's worth it. Point for the director for not using low blows. Worthwhile if you want to spend a very intense time. With regards to actors' work, "Will" comes out unscathed. "Eden" maybe a little artificial, but I think it is an intentional nuance given by the director. The rest comes off well. The screenplay is pretty good. Although it is not revolutionary, the pace is accurate, keeps the suspense, and plays with ambiguity.
I couldn't believe my eyes when I saw the score for this film. It doesn't do it any justice, and some of the reviews I've read here don't make valid points in my opinion. So, I felt I owed this film my own review.
First of all, the tension: man this thing has a killer build-up! You could call it slow (if you're a Transformers kind of guy), but it never gets "boring". You're on the edge of your seat from the moment the film starts, partly due to a very subtle but creepy soundtrack, which reminded me of sound effects in some of David Lynch's movies. Adding to that is the fantastic performance of Logan Marshall-Green as the tormented Will. He, and the events that follow, will keep you guessing about his mental health and whether his paranoia is justified or not, almost until the end. Michiel Huisman plays the very smooth and lulling host to great effect, and the rest of the group of friends is also very believable and natural.
THE scene (no spoilers, you'll know which one I'm talking about when you see it!) was so well done I really had the feeling I was there. It all happens so slow, so eerily apropos, and so jaw-droppingly unexpected that you really get the feeling of "oh my, that could be me out there". The little twist in the last couple of minutes is the cherry on the cake, and makes you even more uncomfortable than you already were.
This is a case of an "ignore the scores, just watch it already!" film, and I hope you enjoy it every bit as much as I did!
First of all, the tension: man this thing has a killer build-up! You could call it slow (if you're a Transformers kind of guy), but it never gets "boring". You're on the edge of your seat from the moment the film starts, partly due to a very subtle but creepy soundtrack, which reminded me of sound effects in some of David Lynch's movies. Adding to that is the fantastic performance of Logan Marshall-Green as the tormented Will. He, and the events that follow, will keep you guessing about his mental health and whether his paranoia is justified or not, almost until the end. Michiel Huisman plays the very smooth and lulling host to great effect, and the rest of the group of friends is also very believable and natural.
THE scene (no spoilers, you'll know which one I'm talking about when you see it!) was so well done I really had the feeling I was there. It all happens so slow, so eerily apropos, and so jaw-droppingly unexpected that you really get the feeling of "oh my, that could be me out there". The little twist in the last couple of minutes is the cherry on the cake, and makes you even more uncomfortable than you already were.
This is a case of an "ignore the scores, just watch it already!" film, and I hope you enjoy it every bit as much as I did!
It's really a film about how social expectations can confine and prevent you from calling out weird and creepy behavior for fear of being rude.
Fast forward this film and just watch the last ten minutes. You'll be able to have a conversation with anyone who watched this and they won't be able to detect that you skipped ninety percent of it. Don't send a thank you card, this is a public service.
I'm not going to give a review of this film. I'll leave that to others who can argue whether it was worth watch or not. For me, I feel it was one of the best thrillers with a horror bent that I have seen in a long while. But here's the thing, I don't really like horror films, avoid them most of the time, unless I heard a good word of mouth from someone. That's how I found The Invitation.
After reading the reviews here, I would say the criticism falls in to two opposing camps. Those that thought it was thrilling, terrifying and well done movie and those who thought it was a waste of their time, slow and they saw all the punches coming.
I think the difference is this, the latter camp watches a lot of horror films, nothing surprises them, they are looking for all the little nuances of all the other horror movies they have watched and are comparing them to the film they are currently watching. They are two - three steps ahead of a conventional audience and thus, nothing surprises them. To these folks, I can understand why the film fell flat, it's clear if you put the movie under a microscope you can tell what's going to happen and naturally with the purposefully drawn out pace of this film, they get bored waiting for the payoff.
I, as well as the people who I have give / shown this film to, fall in to the other camp. We rarely watch films like this and therefore are willing to let it all play out without trying the guess what's going to happen next. It's certainly a creepy film and while we might imagine where it's going, we are willing to suspend our expectations and go along for the ride.
My advice, watch this if you enjoy the ride up on the climbing roller coaster without thinking about the plunge when you reach the top.
After reading the reviews here, I would say the criticism falls in to two opposing camps. Those that thought it was thrilling, terrifying and well done movie and those who thought it was a waste of their time, slow and they saw all the punches coming.
I think the difference is this, the latter camp watches a lot of horror films, nothing surprises them, they are looking for all the little nuances of all the other horror movies they have watched and are comparing them to the film they are currently watching. They are two - three steps ahead of a conventional audience and thus, nothing surprises them. To these folks, I can understand why the film fell flat, it's clear if you put the movie under a microscope you can tell what's going to happen and naturally with the purposefully drawn out pace of this film, they get bored waiting for the payoff.
I, as well as the people who I have give / shown this film to, fall in to the other camp. We rarely watch films like this and therefore are willing to let it all play out without trying the guess what's going to happen next. It's certainly a creepy film and while we might imagine where it's going, we are willing to suspend our expectations and go along for the ride.
My advice, watch this if you enjoy the ride up on the climbing roller coaster without thinking about the plunge when you reach the top.
Le saviez-vous
- AnecdotesThe director and the writers had complete creative control on the film, as it was independently produced without any involvement from major studios.
- GaffesDuring the opening scene, the street address shown in the invitation has the number 3908. However, when they arrive in front of the residence, 8105 can be seen on the curb.
- ConnexionsFeatured in Horror Noire: A History of Black Horror (2019)
- Bandes originalesBaby You're Gone
Written by Craig Wedren and Benjamin Newgard (as Benjamin L. Newgard)
Vocals, Harmonica and Percussion Performed by Craig Wedren
Guitar Performed by Benjamin Newgard (as Benjamin L. Newgard)
Published by Modern Works and Benjamin L. Newgard (BMI)
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- How long is The Invitation?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Запрошення
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 231 737 $US
- Week-end de sortie aux États-Unis et au Canada
- 67 877 $US
- 10 avr. 2016
- Montant brut mondial
- 354 835 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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