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What a fantastic machine !

Titre original : And the King Said, What a Fantastic Machine
  • 2023
  • 1h 28min
NOTE IMDb
6,9/10
942
MA NOTE
What a fantastic machine ! (2023)
Regarder Trailer [GB]
Lire trailer1:33
1 Video
8 photos
Documentary

Ajouter une intrigue dans votre langueFrom the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the soc... Tout lireFrom the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.From the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead.

  • Réalisation
    • Axel Danielson
    • Maximilien Van Aertryck
  • Scénario
    • Axel Danielson
    • Maximilien Van Aertryck
  • Casting principal
    • Maximilien Van Aertryck
    • Chris Anderson
    • Felix Bergsson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    942
    MA NOTE
    • Réalisation
      • Axel Danielson
      • Maximilien Van Aertryck
    • Scénario
      • Axel Danielson
      • Maximilien Van Aertryck
    • Casting principal
      • Maximilien Van Aertryck
      • Chris Anderson
      • Felix Bergsson
    • 6avis d'utilisateurs
    • 38avis des critiques
    • 47Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 10 nominations au total

    Vidéos1

    Trailer [GB]
    Trailer 1:33
    Trailer [GB]

    Photos7

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    Rôles principaux42

    Modifier
    Maximilien Van Aertryck
    Maximilien Van Aertryck
    • Narrator
    • (voix)
    Chris Anderson
    • Self
    • (images d'archives)
    Felix Bergsson
    • Self
    • (images d'archives)
    Ulrika Bergsten
    • Self
    • (images d'archives)
    Sidney Bernstein
    • Self
    • (images d'archives)
    Joe Biden
    Joe Biden
    • Self
    • (images d'archives)
    Karen Bowerman
    • Self
    • (images d'archives)
    Tom Brokaw
    Tom Brokaw
    • Self
    • (images d'archives)
    Gabriel Brown
    • Self
    • (images d'archives)
    Edmund Carpenter
    • Self
    • (images d'archives)
    Jesse Daughert
    • Self
    • (images d'archives)
    Eamon de Valera
    • Self
    • (images d'archives)
    Belle Delphine
    • Self
    • (images d'archives)
    Paul Denino
    • Self
    • (images d'archives)
    Park Dietz
    Park Dietz
    • Self
    • (images d'archives)
    Kleart Duraj
    • Self
    • (images d'archives)
    Carlo Freccero
    • Self
    • (images d'archives)
    Guy Goma
    • Self
    • (images d'archives)
    • Réalisation
      • Axel Danielson
      • Maximilien Van Aertryck
    • Scénario
      • Axel Danielson
      • Maximilien Van Aertryck
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs6

    6,9942
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    10

    Avis à la une

    5peter0969

    Fantastic Concept That Falls Apart with Uneven Tone and Structure

    Saw this at the 2023 Sundance Film Festival

    "Fantastic Machine" is documentary about from the first camera to 45 billion cameras worldwide today, the visual sociologist filmmakers widen their lens to expose both humanity's unique obsession with the camera's image and the social consequences that lay ahead. The documentary discusses cool ideas about the history of cameras and how cameras have changed over time from social, political, and media context. Unfortunately, while there are some great discussions brought up, consistency is thrown out of the window with this documentary. It's honestly kind of a mess at times.

    The filmmakers presenting media footage of past and present are understandable to demonstrate it's contexts but the film doesn't really dive much of what the purpose is and they don't offer too much that is interesting to be invested with. Discussions about past cameras and scenes were interesting as they present an decent approach on the history but once it starts to dive into modern times, the film losses it's footing and seemingly goes all over the place.

    There are moments of scenes and pictures that were interesting like The Arrival of a Train and photography during the 50s. But then there are moments like videos of streamers, modern riots and even YouTubers to feels out of place and have nothing to discuss about. I can see where the filmmakers are trying to approach but it felt uneven and mostly filler.

    It's a documentary that started off interesting but falls apart once the second act enters.

    Rating: C+
    7omarcoz

    Entertaining, but rather dramatic at the same time!

    This documentary presents a mosaic of the most interesting historical facts, like the Camera Obscura and early inventions by Daguerre and Lumière, among others. This part is followed by the worst present content coming from private TV channels and social media platforms as well, including some of the shared videos of the well-known assault on the Capitol. But this is quite unusual and very impressing to watch these events on a big screen. Unfortunately, the movie clearly lacks a common thread, neither logical nor chronological: The narrator voice mostly only describes the basic context of the presented images, without telling a proper story. But in the end, you can very easily make up your own opinion out of this random stuff.
    4superthingsoncups

    Far from a 'Fantastic' documentary

    A cool concept for a documentary, going over the history of cameras and how they've been used over the years, that unfortunately doesn't really do or say anything interesting throughout most of the runtime.

    For every thought-provoking scene, such as the part where they are comparing a picture of a 2010 Haiti earthquake victim and a picture of multiple people photographing said victim, there's another dozen scenes after that serve no real purpose being here, such as Belle Delphine being interviewed by H3H3Productions and Logan Paul.

    'Fantastic' is the last word I would use to describe this total mess of a film.
    5JvH48

    No consistent line of thought. Anecdotical without balancing past "official" media creation versus "democratic" content creation nowadays. Historical parts were interesting

    Saw this at the 2023 filmfestival Ghant (Belgium). There is no consistent line of thought, just a kaleidoscopical and anecdotical series of ideas. I admit it is not easy to span two centuries and also combine photography and filming, and all that in a confined time frame of nearly 90 minutes.

    Of course, the contemporary issues of social media are brought up, and its negative consequences too. Alas, it does not attempt to find a balance with the democratic goodies that everyone is able to create new content and distribute it, independent of official journals and studios.

    All in all, the parts about the history of photographing and filming are much better and more informative than the parts about the present and the future. I for myself found no eye openers and no novel ideas in this movie.
    9alexanderliljefors

    A really deep, interesting, powerful, thought provoking and important documentary

    A extremely thought provoking documentary! One of the more better documentaries ive ever seen!

    This piece really makes you think larger perspectives of what we consider reality and how easily the human collective can be manipulated by others as it shows the use of history relevant to the use of film as a tool of provide a false reality aswell of the rise of fake news, disinformation and the dangers of social media. What was initially an artistic and scientific tool has changed dramatically since the camera got invented and that it can be a threat to freedom and democracy aswell as it explores the future of our media, entertainment and technological development of interacting.

    Its also a social study of the human nature of behaviour of imitation.

    To summarise: A really deep, interesting, powerful, thought provoking and important documentary from the great directors Axel Danielson and Maximilien Van Aertryck that really knows how to provide a message though film, really puts the message of the film into use! I really recommend it! A really good documentary!

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    FAQ14

    • How long is Fantastic Machine?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 octobre 2024 (France)
    • Pays d’origine
      • Suède
      • Danemark
    • Langues
      • Suédois
      • Anglais
      • Français
      • Allemand
      • Arabe
    • Aussi connu sous le nom de
      • Fantastic Machine
    • Sociétés de production
      • Plattform Produktion
      • Bullitt Film
      • Film i Väst
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 27 111 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
      • Black and White

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