Deux détectives travaillent ensemble pour arrêter un tueur en série opérant des deux côtés de la frontière Texas-Chihuahua.Deux détectives travaillent ensemble pour arrêter un tueur en série opérant des deux côtés de la frontière Texas-Chihuahua.Deux détectives travaillent ensemble pour arrêter un tueur en série opérant des deux côtés de la frontière Texas-Chihuahua.
- Récompenses
- 8 victoires et 4 nominations au total
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A woman's body is found on the bridge between El Paso and Juarez on top of the border. Sonya Cross (Diane Kruger) is a cop from the American side and Marco Ruiz (Demian Bichir) is from the Mexican side. They are forced to work together. Lieutenant Hank Wade (Ted Levine) is her supervising officer. Charlotte Millwright (Annabeth Gish) owns a ranch at the border and finds a tunnel on her property. Daniel Frye (Matthew Lillard) is an American investigative reporter on the edge.
The first season is mostly about one serial killer investigation. It's somewhat boring. I don't buy Kruger's performance. I like Bichir's performance much more. It moved fairly slowly and unconvincingly. Millwright's storyline never really connected. Then the show changed right before the end of season 1. It added quite a few weird characters. The best one is Eleanor Nacht (Franka Potente) as the unemotional disturbed hired killer. The second season is definitely crazier, and weirder. It feels almost random as the show gets wilder. At least, it gets more interesting. With the show changing over the two seasons, it feels unstable and never really settled down. I do find some of it very interesting.
The first season is mostly about one serial killer investigation. It's somewhat boring. I don't buy Kruger's performance. I like Bichir's performance much more. It moved fairly slowly and unconvincingly. Millwright's storyline never really connected. Then the show changed right before the end of season 1. It added quite a few weird characters. The best one is Eleanor Nacht (Franka Potente) as the unemotional disturbed hired killer. The second season is definitely crazier, and weirder. It feels almost random as the show gets wilder. At least, it gets more interesting. With the show changing over the two seasons, it feels unstable and never really settled down. I do find some of it very interesting.
I watched the Danish version of the bridge and am a big fan. The premise of the American version HAD me really excited. The fact that they tried to copy exactly the Danish version was a complete disaster. Diane Kruger is horrible in this role. I don't doubt she has talent but they should have allowed for her to play the role in her own way instead of copying an unforgettable role that was already done (and done well).I had a hard time sitting through the 1st episode. Demian Bichir is the only redeeming quality in this show and might be the only reason I continue to watch. The female lead in the Danish version is extremely hard to pull off, so they shouldn't have even tried. I'm seriously saddened since I had high hopes for this show. Did no one watch the reels before putting them out for human consumption? Was there not a test audience?
While in the original TV series Sofia Helin gives an outstanding, sometimes funny, always compelling portrait of a police detective challenged with Asperger syndrome, her US counterpart takes out most of the fun by making her personality quite unbelievable.
The same goes for Demian Bichir. His complex character of the Danish Cop in personal troubles becomes the caricature of Latino clichés similar to the perception the US has about their southern neighbor as a whole.
The crisp design of this former superb Scandinavian TV series turns into a the the kind of blunt, boring, mediocre, dark mash of cop series that swamp TV sets world wide.
If you have the possibility, see the superb original to appreciate what TV can do.
The same goes for Demian Bichir. His complex character of the Danish Cop in personal troubles becomes the caricature of Latino clichés similar to the perception the US has about their southern neighbor as a whole.
The crisp design of this former superb Scandinavian TV series turns into a the the kind of blunt, boring, mediocre, dark mash of cop series that swamp TV sets world wide.
If you have the possibility, see the superb original to appreciate what TV can do.
Although it's an acquired taste, any fan of AMC's "The Killing" will quickly pick up on the parallels in this unusual murder mystery. It features two oddly paired police detectives, one from the El Paso police and another from Ciudad Juarez. As in the killing, the female detective is dedicated but personally challenged by an imbalanced personality and a singular drive to follow her leads to the bitter end. Unlike other viewers, I like Diane Kruger in the role and think we're only seeing the beginning of her personality development: I do believe she is an Asperger's sufferer and captures the traits of one afflicted with this quite well. There are many high-functioning and accomplished individuals with these symptoms all around the country, and in many ways, her focus on the details and minutiae of this case will help rather than hinder her along the way.
As her mismatched Mexican partner in the investigation, Demian Bechir possesses all the odd charm of his counterpart in "The Killing," the streetwise and pragmatic Detective Holder.
I've never seen a TV program that focuses on a sensitive border issue or the tragedy of so many murdered girls in Juarez, so I applaud FX for giving us something truly original. "The Killing" is the only thing remotely comparable to it, and I actually like the same type of slow unraveling of a gripping mystery we're being drawn into. I'm so weary of the CSI and Law and Order one-hour quick kill and wrap-up compacted into one hour of predictable procedural. I'll definitely keep watching!
As her mismatched Mexican partner in the investigation, Demian Bechir possesses all the odd charm of his counterpart in "The Killing," the streetwise and pragmatic Detective Holder.
I've never seen a TV program that focuses on a sensitive border issue or the tragedy of so many murdered girls in Juarez, so I applaud FX for giving us something truly original. "The Killing" is the only thing remotely comparable to it, and I actually like the same type of slow unraveling of a gripping mystery we're being drawn into. I'm so weary of the CSI and Law and Order one-hour quick kill and wrap-up compacted into one hour of predictable procedural. I'll definitely keep watching!
Geez. Most people clearly have no clue what people on the autism spectrum are like. Sonia cross has what is formerly known as aspergers-now it's reclassified as a form of ASD-autism spectrum disorder. As someone who deals with this, I can say that Diane's performance is SPOT on. The first episode may have been a little shaky-but after that it's all good. I also want to point out that further in the series you do see her character get emotional-and I've seen people complain about that, because they claim it's "innacurate". It's not. People on the spectrum are prone to meltdowns and sometimes innapropriate emotional reactions. This can easily happen when it's something that's emotionally connected to them. Diane does a great job with this role.
Le saviez-vous
- AnecdotesShowrunner Elwood Reid said that they have a specialist 'autism consultant' (Alex Plank) for Diane Kruger's character, Sonia. He is on set and will comment on every script and episode.
- GaffesSonia's Bronco has Texas Exempt (Government Agency) plates. Since she owns it (it was her dead sister's) and it is not a department-owned vehicle, it would have normal civilian plates, not government plates.
- ConnexionsFeatured in Chelsea Lately: Épisode #7.122 (2013)
- Bandes originalesUntil I'm One With You
(Theme Song)
Written and Performed by Ryan Bingham
Courtesy of Axster Bingham Records
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Détails
- Durée
- 43min
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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