Copperhead

"Copperhead" is a very thoughtful film, lovingly photographed in the lush upper New York countryside with an authenticity that is worthy of a documentary. It is a story too often ignored--that of those in the North who opposed the Civil War and the effect it had on their communities. Slow paced and deliberate, to some it may seem too lacking in action or drama for a film about the American Civil War. If you want sentimentality, see "Gone With the Wind" and if you want action see "Glory," both fine films. But if you want a sincere look at the Union home front and a look at those who opposed the war and why, see "Copperhead." Now we need a good film about the Southerners who opposed the war, for there were many of them, my ancestors included.

The trouble with this film is that Ron Maxwell uses the historical narrative approach of "Gettysburg" and "Gods and Generals" and it doesn't work with a novel, which is plot and character driven. I'm willing to bet that was part of the "creative differences" between he and Jason Patric, although Billy Campbell does a fine job as Abner Beech. All in all, a movie worth seeing if for no reason than its novelty in challenging the historical narrative of "North Good/South Bad," and for a number of powerful scenes. Angus Macfadyen's comments to his daughter following the Battle of Antietam being one. Campbell's discussion of slavery with his ward is another.

Copperhead offers an alternative to movies of late, which are inundated with CGI special affects and machine-gun pacing. It is a welcome departure from the current Hollywood format; however that alone does not make it as appealing as it could have been.

Copperhead's storyline development is more suited as a TV mini-series drama, with a strong emphasis on the dialog and drama–period. The acting alone does not save the film, despite the fact the script is exceptional well done and true to the period, as is expected from director Ron Maxwell. After an hour and a half of character development and setting the stage, the final thirty minutes of the movie leaves you wishing there was more to it. The movie ends as it started–relaxed and waiting for something more.

The acting and cinematography is worthy of note, but the screenplay-pacing is not enough to propel the film. A little extra effort and this could have been a classic film.

This film is a treasure. It touches on themes that are as relevant today as they were in 1862 and whilst the tone is somber, the story is uplifting.

Well acted, beautifully filmed and not too long with a great deal of depth. This is a film everyone should see for both the overt and underlying messages regarding political fanaticism and the reprisals of not 'loving thy neighbor.' We agreed that this is by far the best film we've seen all year. Hopefully the Academy will take notice.

If you only spend your money on one film this summer - and are the type who wants to come away from the theater really pondering what you've just witnessed - this is the film for you.

9/10 (I would give it a 10, but I don't ever give any film a 10 as I have heard that IMDb doesn't count the 1's or the 10's in the meta-scores.

before i watched this movie, i knew already that the director of this movie had also directed 2 very well known civil war movies, 1.gettysburg 2.gods and generals. both of those movies are very well known and focuses mostly on battles and strategies. this movie focuses totally on the civilian side and thoughts on the war. there is not one drop of blood spill in the making of this movie.

if you are a fan of movies with all dialogue and beautiful country scenery and also a period piece then you are in for a treat. this movie does not have any A-list actors or actresses and is an ensemble piece, but there was not one bad piece of acting in this movie.

the movie happens far far away from the battlefields and is instead situated in a town in upstate new york during the culmination of the American civil war. it showed that not everybody in the north share the same feelings about the war. in fact the title of the movie itself " Copperhead " means a person living in the north that is opposed to the war for whatever reason.

very very good ensemble acting, with one powerhouse scene done by the young actor Augustus Prew. what a remarkable young actor...he's one of the main characters in this movie but it was like he was there but not really there and i don't want to spoil it but he made the whole movie. the movie would have been good without him, but he put the oomph into the movie. what he did in the end is pure cinema magic and remarkable for so young an age. Augustus plays the son of the crazy preacher and brother of the schoolteacher Esther.

i am surprised this did not get any Oscar consideration...but then again not, because the director is not one of Hollywoods darlings even though he makes really real and good movies.